Portrait of Mário Cesariny

The 13 Most Famous Mário Cesariny Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 13 works by Mário Cesariny in our catalogue

In short

Of all the originals Mário Cesariny left, the most famous is Occultist Fernando Pessoa (1981), in the collection of the Rede Portuguesa de Arte Contemporânea a Norte, Porto. Close behind it come Untitled (DD2CSF) (1958) and Untitled (DD2CNP) (1958). Our catalog holds 13 works by Mário Cesariny; the gallery has kept the 13 the world admires most, each shown with its date, its museum and its story.

1923 – 2006, Lisbon Surrealism Most works: Rede Portuguesa de Arte Contemporânea a Norte

Mário Cesariny's top 10 paintings: the gallery's choice

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Untitled (1956) by Mário Cesariny

Untitled

In the evocative realm of mid-century Portuguese Surrealism, Mário Cesariny de Vasconcelos stands as a titan of the subconscious. His 1956 masterpiece, Untitled, serves as a profound window into a dreamscape where the boundaries between reality and the fantastic dissolve entirely. At first glance, the viewer is confronted by a striking duality: two horned creatures that dominate the composition with an almost primal intensity. Positioned on opposite flanks of the…

5
Painting (1972) by Mário Cesariny

Painting

In this work, titled Painting, we encounter a significant contribution from Mário Cesariny De Vasconcelos. Created in 1972, the piece reflects the artist's long-standing engagement with the Surrealism movement. It is a quiet moment of reflection from a period when the artist was deeply embedded in the creative currents of his time.

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Untitled (1983) by Mário Cesariny

Untitled

1983 · Acrylic On Canvas · Culturgest - Fundação Caixa Geral de Depósitos, Lisbon

“I am on a very high pedestal, clap and let me go home alone,” Mário Cesariny famously remarked near the end of his life, a poignant sentiment that encapsulates the complex trajectory of this remarkable work. Painted in 1983, “Untitled” is more than just an abstract composition; it’s a distilled essence of a lifetime dedicated to surrealism, political defiance, and a profound exploration of artistic process. Born in Lisbon in…

7
Um pouco antes da foda/ Hoje não fodemos, tá bem? by Mário Cesariny

Um pouco antes da foda/ Hoje não fodemos, tá bem?

In the evocative masterpiece “Um pouco antes da foda/ Hoje não fodemos, tá bem?”, Mário Cesariny de Vasconcelos invites the viewer into a labyrinthine world where memory and provocation collide. This complex mixed-media collage serves as much more than a mere visual assemblage; it is a profound meditation on the fragmented nature of human recollection and the enduring spirit of resistance. Through a carefully curated collection of portraits and stylized…

The Mário Cesariny selection continues, 11 to 13

The subjects that held Mário Cesariny's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Mário Cesariny's originals

The 3 museums that hold the most of the paintings on this page.

Museum City Works by Mário Cesariny Paintings from this list
Rede Portuguesa de Arte Contemporânea a Norte, PortoRede Portuguesa de Arte Contemporânea a Norte Porto 8 Occultist Fernando Pessoa, Untitled, Painting
National Theatre and Dance Museum, LisbonNational Theatre and Dance Museum Lisbon 4 Untitled (DD2CSF), Untitled (DD2CNP), Untitled (DD2CSK)
Culturgest - Fundação Caixa Geral de Depósitos, LisbonCulturgest - Fundação Caixa Geral de Depósitos Lisbon 1 Untitled

Mário Cesariny decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Mário Cesariny's paintings

Which work is Mário Cesariny most famous for?Reveal the answer

Occultist Fernando Pessoa (1981), Rede Portuguesa de Arte Contemporânea a Norte, Porto. Untitled (DD2CSF) (1958) and Untitled (DD2CNP) (1958) come next.

What age was Mário Cesariny when Occultist Fernando Pessoa was made?Reveal the answer

58 years old: Occultist Fernando Pessoa dates from 1981, and Mário Cesariny was born in 1923.

What are the ten most famous Mário Cesariny paintings?Reveal the answer

Occultist Fernando Pessoa, Untitled (DD2CSF), Untitled (DD2CNP), Untitled, Painting, Untitled, Um pouco antes da foda/ Hoje não fodemos, tá bem?, Blown figures, Untitled (DD2CSK) and Untitled (DD2CSC). The ranking above gives each one's year and museum.

How many paintings did Mário Cesariny leave?Reveal the answer

Our catalog holds 13 works by Mário Cesariny, dated from 1947 to 1983.

In which museums do Mário Cesariny's masterpieces hang?Reveal the answer

Mostly in Rede Portuguesa de Arte Contemporânea a Norte (Porto), National Theatre and Dance Museum (Lisbon) and Culturgest - Fundação Caixa Geral de Depósitos (Lisbon). The museum table above lists them all.

In which years did Mário Cesariny paint the most famous works?Reveal the answer

In 1950s: 5 of the 13 works on this page were made then, Untitled (DD2CSF) among them.

What are the first and the last famous originals of Mário Cesariny?Reveal the answer

On this page, the earliest is Blown figures (1947) and the latest Untitled (1983).

Which subjects did Mário Cesariny choose most often?Reveal the answer

Dreamlike composition (2), Abstract (2) and Dreamlike (2), across the 13 works on this page.

Which technique did Mário Cesariny use most?Reveal the answer

Painting, for 2 of the 13 works on this page.

To which art movement does Mário Cesariny belong?Reveal the answer

Surrealism, judging by the originals on this page.

Which Mário Cesariny works hang at the Rede Portuguesa de Arte Contemporânea a Norte?Reveal the answer

Occultist Fernando Pessoa, Untitled and Painting: the Rede Portuguesa de Arte Contemporânea a Norte, Porto holds 8 of the works on this page.

Mário Cesariny: life and work

Mário Cesariny de Vasconcelos: A Surrealist Poet and Painter of Portugal

Born in Lisbon, Portugal, on August 9th, 1923, into a family marked by both privilege and quiet turmoil, Mário Cesariny de Vasconcelos emerged as one of the most distinctive voices of Portuguese surrealism. His life, inextricably linked to the political landscape of his nation – particularly under the authoritarian rule of António de Oliveira Salazar – fueled a rebellious spirit that permeated his art, poetry, and ultimately, his very being. More than just an artist, Cesariny was a chronicler of his time, a subversive voice challenging societal norms through dreamlike imagery and provocative verse.

Cesariny’s early life wasn't defined by idyllic comfort. His father, Viriato de Vasconcelos, a skilled goldsmith, and his mother, María de las Mercedes Cesariny, a Spanish woman of French descent, experienced marital difficulties that cast a shadow over the family home. This atmosphere of instability profoundly shaped young Mário’s perspective, fostering a sense of alienation and a desire to escape the confines of conventional expectations. He found solace in art from an early age, developing a natural talent for drawing and painting – skills he honed largely through self-study, inspired by visits to the Gulbenkian Museum Foundation in Lisbon, a treasure trove of artistic heritage.

The Surrealist Awakening and Lisbon’s Underground

Cesariny's immersion into the surrealist movement began around 1945 or 1946, sparked by his discovery of Maurice Nadeau’s *History of Surrealism*. This seminal work introduced him to the principles of automatic writing and dream imagery – techniques that resonated deeply with his own rebellious sensibilities. He quickly joined the burgeoning Lisbon Surrealist Group, led by Alexandre O'Neill, becoming a central figure in Portugal’s surrealist scene. This group operated largely underground, challenging the conservative values of Salazar’s regime through their art and poetry. The political climate demanded secrecy; any overt expression of dissent could lead to severe repercussions from the PIDE (Portuguese Secret Police).

The period between 1960 and 1974 was particularly fraught for Cesariny. His outspoken views, coupled with his homosexuality – a taboo subject in Portugal at the time – made him a target of surveillance by the PIDE. He frequently found himself on the police’s radar, forced to live under constant threat and often seeking refuge in exile in Great Britain and France. Despite these pressures, he continued to create, using his art as a form of resistance—a defiant assertion of freedom against oppression.

A Poetic and Pictorial Universe

Cesariny’s artistic output spanned both poetry and painting, though his poetic work ultimately became more widely recognized. His poems are characterized by their dreamlike quality, often blending personal experiences with social commentary and surrealist imagery. Recurring themes include love, freedom, and the absurdity of existence—all viewed through a lens of critical observation. Titles like “you are welcome to elsinore” reveal his willingness to confront uncomfortable truths about Portuguese society under Salazar’s rule.

His paintings, while less frequently exhibited than his poetry, are equally compelling. Rather than adhering to traditional painting techniques, Cesariny employed collage, assemblage, and found objects to create layered, evocative works that defy easy categorization. He described his artistic process as a circular one—poetry informing painting, and vice versa—a testament to the interconnectedness of his creative endeavors. Notable works include “Untitled (DD2CNP)” and “National Theatre and Dance Museum,” both showcasing his distinctive use of color, texture, and symbolic imagery.

Legacy and Recognition

Mário Cesariny de Vasconcelos passed away on November 26th, 2006, leaving behind a rich legacy as a poet and painter who challenged the status quo. His work continues to resonate with audiences today, offering a poignant reflection on themes of freedom, identity, and the complexities of human experience. His contributions have been acknowledged by platforms like OriginalUniqueArt.com and featured in collections such as the National Theatre and Dance Museum in Lisbon and the Rede Portuguesa de Arte Contemporânea a Norte in Porto. Cesariny’s art remains a vital part of Portuguese cultural heritage—a testament to the power of creativity to transcend political boundaries and inspire generations.

Important Dates

  • August 9, 1923 (Birth)
  • November 26, 2006 (Death)

Notable Works

Museums and Collections