Portrait of Felix Ziem

The 100 Most Famous Felix Ziem Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 293 works by Felix Ziem in our catalogue

In short

Of all the originals Felix Ziem left, the most famous is Le vieux port de Marseille et la tour Saint Jean. Close behind it come Portrait of a Young Girl (1846) and Marseille, marché sur le Cours (1845). Our catalog holds 293 works by Felix Ziem; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1821 – 1911, Beaune Barbizon school Most works: Petit Palais

Felix Ziem's top 10 paintings: the gallery's choice

1
Le vieux port de Marseille et la tour Saint Jean by Felix Ziem

Le vieux port de Marseille et la tour Saint Jean

Oil On Canvas

This work, titled Le vieux port de Marseille et la tour Saint Jean, was painted by Felix Ziem. It offers a quiet glimpse into the maritime atmosphere of the Mediterranean, captured around 1850. The piece is a modest study in scale, measuring 14 × 21 cm, which invites a close, intimate inspection of its details.

2
Portrait of a Young Girl (1846) by Felix Ziem

Portrait of a Young Girl

1846 · Oil On Panel · Petit Palais, Paris

Portrait of a Young Girl by Felix Ziem, created about 1846, presents a close-up bust-length portrait of a single human figure. The subject is positioned slightly off-center against a dark, textured background. This placement creates a sense of depth between the girl and the space behind her. The perspective is direct and at eye-level, establishing a steady connection between the subject and the viewer.

3
Marseille, marché sur le Cours (1845) by Felix Ziem

Marseille, marché sur le Cours

1845 · Watercolor · Musee Felix Ziem, Martigues

Marseille, marché sur le Cours is a watercolor painting by the French artist Felix Ziem. Created about 1845, the work captures a bustling street scene reminiscent of 19th-century urban life. Although the title references Marseille, the composition focuses on the activity of a Parisian street, documenting the movement of pedestrians and the presence of carriages amidst a backdrop of architectural forms.

4
Study of a Woman, Copy after Rembrandt (1853) by Felix Ziem

Study of a Woman, Copy after Rembrandt

1853 · Oil On Canvas · Petit Palais, Paris

A single light source carves a face out of the dark. The subject, a woman, emerges from a deep, umber void, her features caught in a moment of quiet stillness. This is not a portrait of a person, but a study of how light meets skin. The shadows are heavy, swallowing the contours of her neck and the back of her head, leaving only the essential geometry of her gaze…

5
The Drum, Head of a Man after Rembrandt (1853) by Felix Ziem

The Drum, Head of a Man after Rembrandt

1853 · Oil · Petit Palais, Paris

A single light source strikes the brow and the bridge of the nose, carving a face out of the surrounding gloom. The man is weathered, his beard a thicket of textured strokes that catch the light in uneven patches. He looks downward, eyes lost to the heavy shadows of the sockets. There is a weight to his presence, a quiet gravity that pulls the viewer into his private moment of…

6
Study of a Man [The Syndics], copy after Rembrandt (1851) by Felix Ziem

Study of a Man [The Syndics], copy after Rembrandt

1851 · Oil · Petit Palais, Paris

A single man emerges from a void of deep black. The light strikes the ridge of a nose and the curve of a forehead, leaving the rest of the face to dissolve into shadow. He wears a broad, dark hat that presses down upon the brow, casting a heavy gloom over the eyes. A white collar cuts through the darkness, a sharp, bright line of impasto paint that anchors the…

7
The Harem (1855) by Felix Ziem

The Harem

1855 · Oil · Petit Palais, Paris

The air in this room feels heavy, thick with the scent of old rugs and unmoving dust. A woman reclines in the foreground, her body angled toward the left, draped in light, flowing garments that catch a diffused, indirect light. She rests upon a floor layered with cushions and textiles, her form partially dissolving into the soft, blurred contours of the room. Behind her, other figures emerge from the dimness,…

8
The Syndics of the Drapery Guild, copy after Rembrandt (1853) by Felix Ziem

The Syndics of the Drapery Guild, copy after Rembrandt

1853 · Oil · Petit Palais, Paris

A group of men gathers around a table in a shallow, crowded space, their presence heavy with communal purpose. This 1853 oil painting, a copy after Rembrandt, captures the solemnity of the Syndics of the Drapery Guild. The subjects are arranged in a way that emphasizes their collective dignity, their faces and white collars emerging from an almost impenetrable dark background. The atmosphere is one of quiet importance, a pause…

9
Head of a Man after Rembrandt (1853) by Felix Ziem

Head of a Man after Rembrandt

1853 · Oil · Petit Palais, Paris

In this oil portrait, Head of a Man after Rembrandt, Felix Ziem presents a somber study of character. The composition focuses on the head and shoulders of a bearded man, captured in profile. The subject is framed within an oval-like vignette, where the darker edges of the painting allow the central figure to emerge from the shadows. This arrangement directs the eye toward the weathered texture of the skin and…

10
The Night Watch after Rembrandt (1853) by Felix Ziem

The Night Watch after Rembrandt

1853 · Oil On Canvas · Petit Palais, Paris

The work functions as a stylistic homage, bridging the gap between the structured traditions of the 19th century and the dramatic lighting of the Dutch Golden Age. It conveys themes of duty and collective strength through its depiction of a militia in motion. The heavy, textured application of paint suggests a visceral, physical presence, turning a historical subject into a study of light and shadow. The result is a scene…

The Felix Ziem selection continues, 11 to 100

11The Entrance to the Old Port of Marseille (1862) by Felix ZiemThe Entrance to the Old Port of Marseille1862 · Calouste Gulbenkian Foundation 12L'Entrée dans le Grand Bassin, Venise by Felix ZiemL'Entrée dans le Grand Bassin, Venise 13Istanboul, soleil couchant Istambul (autre titre) Vue de Constantinople (autre titre) by Felix ZiemIstanboul, soleil couchant Istambul (autre titre) Vue de Constantinople (autre titre) 14View of Venice (1800) by Felix ZiemView of Venice1800 · Museo de Arte de Ponce 15Tobolsk, Siberia (1844) by Felix ZiemTobolsk, Siberia1844 · Petit Palais 16The Storm (1846) by Felix ZiemThe Storm1846 · Petit Palais 17Saint Petersburg, Saint Isaac (1844) by Felix ZiemSaint Petersburg, Saint Isaac1844 · Petit Palais 18A Street in Florence (1846) by Felix ZiemA Street in Florence1846 · Petit Palais 19Nude Woman Sitting, Viewed from Behind (1846) by Felix ZiemNude Woman Sitting, Viewed from Behind1846 · Petit Palais 20The Chariot (1843) by Felix ZiemThe Chariot1843 · Petit Palais 21The Red Skirt (1846) by Felix ZiemThe Red Skirt1846 · Petit Palais 22Panel of Six Cart Studies (on the front); Landscape (on the back) (1843) by Felix ZiemPanel of Six Cart Studies (on the front); Landscape (on the back)1843 · Petit Palais 23Parasol Pines near Naples (1847) by Felix ZiemParasol Pines near Naples1847 · Petit Palais 24Festival in a Palace in Naples (1847) by Felix ZiemFestival in a Palace in Naples1847 · Petit Palais 25Martigues, tartane sur le canal de Caronte (1845) by Felix ZiemMartigues, tartane sur le canal de Caronte1845 · Musee Felix Ziem 26Marseille, entrée du Port (1841) by Felix ZiemMarseille, entrée du Port1841 · Musee D'histoire de Marseille 27Martigues, rives de l'étang de Berre (1845) by Felix ZiemMartigues, rives de l'étang de Berre1845 · Musee Felix Ziem 28Marseille, étude de ciel sur les toits (1845) by Felix ZiemMarseille, étude de ciel sur les toits1845 · Musee Felix Ziem 29The Watering Hole (1851) by Felix ZiemThe Watering Hole1851 · Dordrechts Museum 30Landscape with Rainbow (‘Arc en Ciel’) (1852) by Felix ZiemLandscape with Rainbow (‘Arc en Ciel’)1852 · Museum Gouda 31River Bend (on front); three studies (on back) (1855) by Felix ZiemRiver Bend (on front); three studies (on back)1855 · Petit Palais 32The Cottage (1855) by Felix ZiemThe Cottage1855 · Petit Palais 33The Pond (1855) by Felix ZiemThe Pond1855 · Petit Palais 34Forest Edge (on front), Animated Landscape (on reverse) (1855) by Felix ZiemForest Edge (on front), Animated Landscape (on reverse)1855 · Petit Palais 35Riverside (1855) by Felix ZiemRiverside1855 · Petit Palais 36Twilight (1855) by Felix ZiemTwilight1855 · Petit Palais 37Corner of a Forest (1855) by Felix ZiemCorner of a Forest1855 · Petit Palais 38The Seine (1855) by Felix ZiemThe Seine1855 · Petit Palais 39Skiff and Sailboats, Sunset. On the reverse: Marine (1855) by Felix ZiemSkiff and Sailboats, Sunset. On the reverse: Marine1855 · Petit Palais 40The Wave (1855) by Felix ZiemThe Wave1855 · Petit Palais 41Body of Water, Sunset. On reverse: Two Studies (1855) by Felix ZiemBody of Water, Sunset. On reverse: Two Studies1855 · Petit Palais 42Environs of Barbizon (1855) by Felix ZiemEnvirons of Barbizon1855 · Petit Palais 43The Gust of Wind (1855) by Felix ZiemThe Gust of Wind1855 · Petit Palais 44The Barge (1851) by Felix ZiemThe Barge1851 · Petit Palais 45The Oaks (1855) by Felix ZiemThe Oaks1855 · Petit Palais 46Sunset (1855) by Felix ZiemSunset1855 · Petit Palais 47The Forest (1855) by Felix ZiemThe Forest1855 · Petit Palais 48The Road (1855) by Felix ZiemThe Road1855 · Petit Palais 49The Turkeys (1852) by Felix ZiemThe Turkeys1852 · Petit Palais 50The Fishing Sloops (1852) by Felix ZiemThe Fishing Sloops1852 · Petit Palais 51Holland, the Mill (1853) by Felix ZiemHolland, the Mill1853 · Petit Palais 52Antwerp, seascape (1850) by Felix ZiemAntwerp, seascape1850 · Petit Palais 53View of İstanbul (1850) by Felix ZiemView of İstanbul1850 · Pera Museum 54The Grand Canal, Venice (1850) by Felix ZiemThe Grand Canal, Venice1850 55View of İstanbul (1850) by Felix ZiemView of İstanbul1850 · Pera Museum 56Venice - the grand canal (1850) by Felix ZiemVenice - the grand canal1850 · National Museum of Fine Arts 57Windmill on riverbank (1850) by Felix ZiemWindmill on riverbank1850 · National Museum of Fine Arts 58Fête de Saint Marc, Venise (1850) by Felix ZiemFête de Saint Marc, Venise1850 · Art Institute of Chicago 59The frigates (1855) by Felix ZiemThe frigates1855 · Petit Palais 60Environs de Nice, montagnes enneigées (1850) by Felix ZiemEnvirons de Nice, montagnes enneigées1850 · Musee Felix Ziem 61Hollande, vieilles chaumières au bord d'un canal (1850) by Felix ZiemHollande, vieilles chaumières au bord d'un canal1850 62Saint Mark's Square, Flood of 1863 (1863) by Felix ZiemSaint Mark's Square, Flood of 18631863 · Petit Palais 63Naples, Parasol Pines (1856) by Felix ZiemNaples, Parasol Pines1856 · Petit Palais 64The Waterfall (1860) by Felix ZiemThe Waterfall1860 · Petit Palais 65The Rhône between Arles and Avignon (1862) by Felix ZiemThe Rhône between Arles and Avignon1862 · Petit Palais 66Still Life with Flask and Pomegranates (1862) by Felix ZiemStill Life with Flask and Pomegranates1862 · Petit Palais 67Near Algiers (1859) by Felix ZiemNear Algiers1859 · Petit Palais 68Windmill in Montmartre (1857) by Felix ZiemWindmill in Montmartre1857 · National Gallery of Ireland 69The Bosphorus (1856) by Felix ZiemThe Bosphorus1856 · Musée des Ursulines 70Harbor Quay in Marseille (1858) by Felix ZiemHarbor Quay in Marseille1858 · Musée Des Beaux 71Le Pont Royal, Paris (1859) by Felix ZiemLe Pont Royal, Paris1859 72A Windmill, Snow Effect (1860) by Felix ZiemA Windmill, Snow Effect1860 · Bowes Museum 73Égypte Damanhuor (1856) by Felix ZiemÉgypte Damanhuor1856 · Musee Felix Ziem 74Banks of the Bosphorus (1865) by Felix ZiemBanks of the Bosphorus1865 · Musée des Beaux-Arts 75The Giardini Pubblici in Venice (1870) by Felix ZiemThe Giardini Pubblici in Venice1870 · Bavarian State Painting Collections 76Flowers (1865) by Felix ZiemFlowers1865 · Amsterdam Museum 77Venice, Procession of Saint George (1870) by Felix ZiemVenice, Procession of Saint George1870 · Petit Palais 78The Exit from the Palais des Doges under the Bridge of Sighs (1870) by Felix ZiemThe Exit from the Palais des Doges under the Bridge of Sighs1870 · Petit Palais 79Harbor in Marseilles (1864) by Felix ZiemHarbor in Marseilles1864 · Brooklyn Museum 80Venice, Morning (1864) by Felix ZiemVenice, Morning1864 · Walters Art Museum 81Venice, Midday (1868) by Felix ZiemVenice, Midday1868 · Walters Art Museum 82Venice, Evening (1865) by Felix ZiemVenice, Evening1865 · Walters Art Museum 83Venice, Doge's Palace (1867) by Felix ZiemVenice, Doge's Palace1867 · Petit Palais 84The Grand Canal, Venice (Gondola before San Giorgio) (1865) by Felix ZiemThe Grand Canal, Venice (Gondola before San Giorgio)1865 85Venice the Bacino di San Marco with Fishing Boats (1865) by Felix ZiemVenice the Bacino di San Marco with Fishing Boats1865 · Wallace Collection 86Fontaine de la Sultane Mihrisah, Eaux Douces d'Asie (1870) by Felix ZiemFontaine de la Sultane Mihrisah, Eaux Douces d'Asie1870 87Martiques, le retour des Tartanes (1865) by Felix ZiemMartiques, le retour des Tartanes1865 · Musee Felix Ziem 88Environs de Marseille, Le Rove (1865) by Felix ZiemEnvirons de Marseille, Le Rove1865 · Musee Felix Ziem 89Environs de Marseille, arbres dans un paysage (1865) by Felix ZiemEnvirons de Marseille, arbres dans un paysage1865 · Musee Felix Ziem 90Sailing Ships Leaving the Grand Canal in Venice (1875) by Felix ZiemSailing Ships Leaving the Grand Canal in Venice1875 · Musee Felix Ziem 91Sailboats at the Entrance of the Grand Canal (1875) by Felix ZiemSailboats at the Entrance of the Grand Canal1875 · Musee Felix Ziem 92Seascape. Venice, entrance of the Grand Canal, sailboat on the Adriatic. (1875) by Felix ZiemSeascape. Venice, entrance of the Grand Canal, sailboat on the Adriatic.1875 · Musee Felix Ziem 93Martigues, Twilight Effect (1875) by Felix ZiemMartigues, Twilight Effect1875 · Petit Palais 94Venice, the Church of the Gesuati (1875) by Felix ZiemVenice, the Church of the Gesuati1875 · Petit Palais 95Old Houses (1875) by Felix ZiemOld Houses1875 · Petit Palais 96Venice at Sunset (1875) by Felix ZiemVenice at Sunset1875 · Petit Palais 97Venice, La Giudecca at Twilight (1875) by Felix ZiemVenice, La Giudecca at Twilight1875 · Petit Palais 98Venice, la Salute. Morning Effect (1875) by Felix ZiemVenice, la Salute. Morning Effect1875 · Petit Palais 99The Torrent. Environs of Clermont-Ferrand (1875) by Felix ZiemThe Torrent. Environs of Clermont-Ferrand1875 · Petit Palais 100Deer in the Forest of Fontainebleau (1877) by Felix ZiemDeer in the Forest of Fontainebleau1877 · Petit Palais

The subjects that held Felix Ziem's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Felix Ziem's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Felix Ziem Paintings from this list
Petit Palais, ParisPetit Palais Paris 115 Portrait of a Young Girl, Study of a Woman, Copy after Rembrandt, The Drum, Head of a Man after Rembrandt
Musee Felix Ziem, MartiguesMusee Felix Ziem Martigues 15 Marseille, marché sur le Cours, Martigues, tartane sur le canal de Caronte, Martigues, rives de l'étang de Berre
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Venice, Morning, Venice, Midday, Venice, Evening
Pera Museum, IstanbulPera Museum Istanbul 3 View of İstanbul, View of İstanbul
National Museum of Fine Arts, Buenos AiresNational Museum of Fine Arts Buenos Aires 2 Venice - the grand canal, Windmill on riverbank
Musée Des Beaux, МарсельMusée Des Beaux Марсель 5 Harbor Quay in Marseille
National Gallery of Ireland, Dublin CityNational Gallery of Ireland Dublin City 4 Windmill in Montmartre
Musée des Beaux-Arts, ToulonMusée des Beaux-Arts Toulon 4 Banks of the Bosphorus

Felix Ziem decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Felix Ziem's paintings

Which work is Felix Ziem most famous for?Reveal the answer

Le vieux port de Marseille et la tour Saint Jean. Portrait of a Young Girl (1846) and Marseille, marché sur le Cours (1845) come next.

What are the ten most famous Felix Ziem paintings?Reveal the answer

Le vieux port de Marseille et la tour Saint Jean, Portrait of a Young Girl, Marseille, marché sur le Cours, Study of a Woman, Copy after Rembrandt, The Drum, Head of a Man after Rembrandt, Study of a Man [The Syndics], copy after Rembrandt, The Harem, The Syndics of the Drapery Guild, copy after Rembrandt, Head of a Man after Rembrandt and The Night Watch after Rembrandt. The ranking above gives each one's year and museum.

How many paintings did Felix Ziem leave?Reveal the answer

Our catalog holds 293 works by Felix Ziem, dated from 1841 to 1877.

In which museums do Felix Ziem's masterpieces hang?Reveal the answer

Mostly in Petit Palais (Paris), Musee Felix Ziem (Martigues) and Walters Art Museum (Baltimore). The museum table above lists them all.

In which years did Felix Ziem paint the most famous works?Reveal the answer

In 1850s: 47 of the 100 works on this page were made then, Study of a Woman, Copy after Rembrandt among them.

What are the first and the last famous originals of Felix Ziem?Reveal the answer

On this page, the earliest is Marseille, entrée du Port (1841) and the latest Deer in the Forest of Fontainebleau (1877).

Which subjects did Felix Ziem choose most often?Reveal the answer

Portrait (4), Person (3) and Face (3), across the 100 works on this page.

Which technique did Felix Ziem use most?Reveal the answer

Oil, for 6 of the 100 works on this page.

To which art movement does Felix Ziem belong?Reveal the answer

Barbizon school and Impressionism, judging by the originals on this page.

Which Felix Ziem works hang at the Petit Palais?Reveal the answer

Portrait of a Young Girl, Study of a Woman, Copy after Rembrandt and The Drum, Head of a Man after Rembrandt: the Petit Palais, Paris holds 58 of the works on this page.

Felix Ziem: life and work

The Luminous Legacy of Félix Ziem

Félix Ziem stands as a captivating figure in the tapestry of 19th-century French art, an artist whose brush possessed the unique ability to bridge the soulful, grounded traditions of the Barbizon School with the exotic, sun-drenched allure of Orientalism. Born Félix François Georges Philibert Ziem in 1821 in the historic town of Beaune, Burgundy, his early life was marked by a tension between structure and spirit. While he initially pursued the disciplined path of architecture, the call of the canvas proved irresistible. This transition was profoundly shaped by his mentorship under Adolphe Monticelli in Marseille, a connection that would forever infuse Ziem’s work with a vibrant, almost Impressionistic approach to light and texture.

The essence of Ziem's artistry is perhaps best understood through his profound relationship with light. His journey was not merely one of geographic movement, but an emotional odyssey through different atmospheres. A defining moment in his development occurred during his 1841 visit to Venice, a city that would become his eternal muse. In the shimmering canals and the decaying grandeur of Venetian palaces, Ziem found a way to translate atmosphere into pigment. He did not seek to document the architecture with academic rigidity; instead, he utilized loose brushstrokes and a luminous palette to capture the ephemeral quality of reflections on water and the soft, hazy glow of the Adriatic dusk.

A Journey Through Light and Landscape

As his career flourished in the artistic hubs of Marseille and Paris, Ziem’s vision expanded far beyond the borders of France. He became a traveler of both the world and the senses, documenting diverse landscapes with a remarkable sensitivity to color. His explorations took him to the heart of the Ottoman Empire, where works such as Caiques and Sailboats at the Bosphorus showcase his ability to render the vibrant blues of the Turkish waters and the silhouetted majesty of mosques. This fascination with the East allowed him to master the Orientalist style, blending the exoticism of Constantinople and Egypt with a French painterly sensibility.

Ziem’s versatility allowed him to move seamlessly between different environments, from the serene, pine-filled landscapes of Martigues in works like Midi, étude de pins to the tranquil river scenes of Northern Europe, such as his depiction of the Amstel River. His technique often relied on a delicate balance of detail and abstraction, where the subject matter—be it a coastal vista or a bustling harbor—served as a vessel for exploring the interplay of shadow and brilliance. This ability to evoke a sense of place through light alone is what elevates his work from mere landscape painting to a profound sensory experience.

Artistic Significance and Enduring Influence

The historical significance of Félix Ziem lies in his role as a transitional master. He stood at the crossroads of several movements, absorbing the naturalism of the Barbizon painters while anticipating the light-centric revolutions of Impressionism. His work serves as a vital link between the romanticized landscapes of the early 19th century and the more experimental, atmospheric explorations that followed. By prioritizing emotional resonance and the "feeling" of light over precise topographical accuracy, he paved the way for a more subjective approach to landscape painting.

Today, Ziem’s legacy continues to captivate collectors and art historians alike. His ability to transport the viewer to a different time and place—whether it be a misty morning on a Dutch river or a sun-soaked afternoon in the Mediterranean—remains undiminished. His life's work stands as a testament to the power of observation and the enduring magic of the natural world, captured through a lens of pure, unadulterated light.