Portrait of Ernst Barlach

The 12 Most Famous Ernst Barlach Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 12 works by Ernst Barlach in our catalogue

In short

Frenzy (Der Berserker) (1910) is the Ernst Barlach painting that draws the most eyes; the original belongs to the Nelson-Atkins Museum of Art, Kansas City. After it, the eye goes to Man in Ecstasy (1912) and The Flutist (1936). Among the 12 works of Ernst Barlach in our catalog, these 12 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1870 – 1938 Expressionism Most works: Nelson-Atkins Museum of Art

Top 10 paintings by Ernst Barlach, through the gallery's eye

1
Frenzy (Der Berserker) (1910) by Ernst Barlach

Frenzy (Der Berserker)

1910 · Bronze · Nelson-Atkins Museum of Art, Kansas City

In the heavy, bronze contours of Ernst Barlach’s Frenzy (Der Berserker), one does not merely observe a sculpture; one encounters a visceral eruption of human emotion. Created in 1910, this masterpiece stands as a profound testament to the power of German Expressionism, capturing a moment where physical form and psychological turmoil become indistinguishable. The figure, cast in enduring bronze, presents a powerful, solid silhouette that seems to vibrate with an…

2
Man in Ecstasy (1912) by Ernst Barlach

Man in Ecstasy

1912 · Bronze · Aichi Prefectural Museum of Art, Nagoya

Man in Ecstasy is a bronze sculpture created by Ernst Barlach in 1912. The work captures a human figure in a state of intense spiritual rapture or ecstasy, utilizing the expressive qualities of the medium to convey deep subjective emotion.

3
The Flutist (1936) by Ernst Barlach

The Flutist

1936 · Bronze · Lehmbruck Museum, Düsseldorf

In this bronze sculpture, titled The Flutist, Ernst Barlach presents a solitary figure captured in a moment of quietude. Created in 1936, the work depicts a musician seated in a chair, legs crossed, with the head tilted slightly downward toward the instrument. There is a palpable sense of introspection in the posture, as if the act of playing is a private communion between the man and his music. The figure's…

4
Panic Terror (1912) by Ernst Barlach

Panic Terror

1912 · Wood · Staatliche Kunsthalle Karlsruhe, Carlsruhe

In 1912, the sculptor Ernst Barlach carved a moment of raw friction into Baltic birch. The work, titled Panic Terror, captures a sudden, violent collision between two human forms. It is a physical knot of resistance and weight. The wood bears the marks of a struggle that feels both immediate and ancient.

5
The Singing Man (1928) by Ernst Barlach

The Singing Man

1928 · Bronze

Ernst Barlach’s 1928 bronze sculpture, The Singing Man, captures a singular moment of release. The figure is seated, leaning back with a posture of profound relaxation, head tilted upward as if lost in a private melody. This gesture suggests a transition between the physical and the spiritual, a fleeting instance of joy that seems to touch a realm beyond the immediate. The form is characterized by simplified, elongated lines and…

7
Shepherd in a Storm (1908) by Ernst Barlach

Shepherd in a Storm

1908 · Wood · Kunsthalle Bremen, Bremen

In the evocative sculpture Shepherd in a Storm, created in 1908 by the German Expressionist master Ernst Barlach, we encounter a profound meditation on human resilience. The piece captures a moment of intense struggle, where a shepherd, with his head bowed and hat pulled low against the elements, battles an unseen, relentless wind. This atmospheric tension serves as a powerful metaphor for the adversities and tempests that define the human…

Ernst Barlach's famous paintings, numbers 11 to 12

The subjects that held Ernst Barlach's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Ernst Barlach's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Ernst Barlach Paintings from this list
Nelson-Atkins Museum of Art, Kansas CityNelson-Atkins Museum of Art Kansas City 1 Frenzy (Der Berserker)
Aichi Prefectural Museum of Art, NagoyaAichi Prefectural Museum of Art Nagoya 1 Man in Ecstasy
Lehmbruck Museum, DüsseldorfLehmbruck Museum Düsseldorf 1 The Flutist
Staatliche Kunsthalle Karlsruhe, CarlsruheStaatliche Kunsthalle Karlsruhe Carlsruhe 1 Panic Terror
Kunsthalle Bremen, BremenKunsthalle Bremen Bremen 1 Shepherd in a Storm

Ernst Barlach across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Ernst Barlach's paintings: questions for the gallery

What is the single most famous work of Ernst Barlach?Reveal the answer

Frenzy (Der Berserker) (1910), Nelson-Atkins Museum of Art, Kansas City. Man in Ecstasy (1912) and The Flutist (1936) come next.

At what age did Ernst Barlach create Frenzy (Der Berserker)?Reveal the answer

40 years old: Frenzy (Der Berserker) dates from 1910, and Ernst Barlach was born in 1870.

Which ten paintings by Ernst Barlach are the most famous?Reveal the answer

Frenzy (Der Berserker), Man in Ecstasy, The Flutist, Panic Terror, The Singing Man, Untitled (727), Shepherd in a Storm, Untitled (305), Untitled (207) and Untitled (902). The ranking above gives each one's year and museum.

How many works by Ernst Barlach are known?Reveal the answer

Our catalog holds 12 works by Ernst Barlach, dated from 1908 to 1936.

Where can the most famous Ernst Barlach originals be seen?Reveal the answer

Mostly in Nelson-Atkins Museum of Art (Kansas City), Aichi Prefectural Museum of Art (Nagoya) and Lehmbruck Museum (Düsseldorf). The museum table above lists them all.

During which period did Ernst Barlach create the best-known paintings?Reveal the answer

In 1910s: 3 of the 12 works on this page were made then, Frenzy (Der Berserker) among them.

Which famous Ernst Barlach painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Shepherd in a Storm (1908) and the latest The Flutist (1936).

What subjects did Ernst Barlach favour?Reveal the answer

Sculpture (4), Man (3) and Bronze (2), across the 12 works on this page.

What materials did Ernst Barlach paint with most?Reveal the answer

Bronze, for 4 of the 12 works on this page.

Which movement does the work of Ernst Barlach belong to?Reveal the answer

Expressionism, judging by the originals on this page.

Ernst Barlach: a portrait of the artist

Ernst Barlach: Life and Legacy

Early Life and Education

  • Born in Wedel, Holstein (Germany) on January 2nd, 1870, Ernst Heinrich Barlach was the eldest of four sons.
  • His father, Dr. Georg Barlach, was a physician who died when Ernst was fourteen, leading to a move with his family.
  • He received his early education in Ratzeburg and Schönberg, growing up in a devout Lutheran household.
  • Barlach began his artistic training at the Gewerbeschule Hamburg (Hamburg School of Applied Arts) from 1888 to 1891.
  • He continued his studies at the Königliche Akademie der bildenden Künste zu Dresden (Royal Academy of Fine Arts in Dresden) between 1891 and 1895, creating his first major sculpture, Die Krautpflückerin (The Herb Plucker).
  • He briefly studied at the Académie Julian in Paris from 1895 to 1897 but remained critical of simply copying French styles.

Artistic Development and Influences

  • Initially, Barlach worked in an Art Nouveau style, creating illustrations for the magazine Jugend and ceramic sculptures.
  • A pivotal trip to Russia in 1906 profoundly influenced his artistic direction, exposing him to new perspectives and a more expressive aesthetic.
  • Financial support from art dealer Paul Cassirer allowed Barlach to develop his unique style, focusing on the emotional intensity of human figures.
  • He drew inspiration from early Gothic art, particularly its dramatic drapery and spiritual yearning.
  • Barlach’s work also reflects influences from Russian folk art and a growing interest in portraying the lives of ordinary people.

Key Themes and Artistic Style

  • Barlach's sculptures, prints, and writings often explored themes of human suffering, spiritual longing, and social injustice.
  • His figures are characterized by their elongated forms, expressive gestures, and a sense of inner turmoil.
  • He frequently used wood carving and bronze as his primary mediums, emphasizing the tactile qualities of these materials.
  • The Singing Man, Frenzy (Der Berserker), and Shepherd in a Storm are examples of his emotionally charged and symbolic works.

World War I and its Aftermath

  • Initially, Barlach was a patriotic supporter of World War I, anticipating artistic renewal through conflict.
  • His experience as an infantry soldier from 1915 to 1916 profoundly changed his views, transforming him into a staunch pacifist.
  • The horrors of war became a central theme in his subsequent work, leading to powerful anti-war sculptures like Der Rächer (The Avenger).

Recognition and Controversy

  • Barlach gained significant recognition after the war, becoming a member of prestigious art academies in Prussia and Munich.
  • However, his anti-war stance and expressive style drew criticism during the rise of Nazism.
  • His works were labeled as “degenerate art” by the Nazi regime and confiscated from museums.
  • The Magdeburg Cenotaph, a WWI memorial depicting the pain and futility of war, sparked intense controversy and was temporarily removed.

Legacy and Historical Significance

  • Ernst Barlach died in Güstrow, Mecklenburg, on October 24th, 1938, but his artistic legacy endures.
  • He is considered one of the most important German Expressionist sculptors of the 20th century.
  • His work continues to resonate with audiences today, offering a powerful commentary on the human condition and the devastating consequences of war.
  • Barlach’s commitment to artistic integrity in the face of political oppression makes him an important figure in art history.