In short
To the gallery's eye, Albert André's most famous painting is House in the Olive Trees (1897), whose original hangs in the The Phillips Collection, Washington, D.C.. Woman Reading Before Window (1903) and Lemons and Tangerines (1913) complete the trio every eye recognises. Of the 27 works by Albert André in our catalog, the gallery presents the 27 most famous below, each original with its year, its museum and what makes it unique.
The gallery's top 10 Albert André paintings
Albert André paintings, ranked 11 to 27
The subjects that held Albert André's eye
The four subjects that come back most often in these originals, each with its finest example.
Women 3 works
Roads 3 works
The museums that keep Albert André's originals
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by Albert André | Paintings from this list |
|---|---|---|---|
| Washington, D.C. | 7 | House in the Olive Trees, Lemons and Tangerines, The Concert | |
| Chicago | 3 | Woman Reading Before Window, Place des Batignolles, Paris, By the Sea, Dieppe |
Albert André, one signature painting per decade
Works per decade
Pick a decade to see the original that defines it.
Albert André's paintings: the gallery answers
Which Albert André painting is the most famous of all?Reveal the answer
House in the Olive Trees (1897), The Phillips Collection, Washington, D.C.. Woman Reading Before Window (1903) and Lemons and Tangerines (1913) come next.
How old was Albert André on completing House in the Olive Trees?Reveal the answer
28 years old: House in the Olive Trees dates from 1897, and Albert André was born in 1869.
Which are Albert André's top 10 paintings?Reveal the answer
House in the Olive Trees, Woman Reading Before Window, Lemons and Tangerines, Young woman sewing, (1913), Place des Batignolles, Paris, By the Sea, Dieppe, The Concert, Woman sewing, (1925), The Terrace at Laudun and Renoir in His Studio. The ranking above gives each one's year and museum.
How many works did Albert André create?Reveal the answer
Our catalog holds 27 works by Albert André, dated from 1893 to 1921.
Where do Albert André's most famous originals hang?Reveal the answer
Mostly in The Phillips Collection (Washington, D.C.) and Art Institute of Chicago (Chicago). The museum table above lists them all.
When did Albert André create the most famous paintings?Reveal the answer
In 1910s: 5 of the 27 works on this page were made then, Lemons and Tangerines among them.
Which are Albert André's earliest and latest famous works?Reveal the answer
On this page, the earliest is Place des Batignolles, Paris (1893) and the latest Interior, Woman Reading (1921).
Which subjects did Albert André return to most?Reveal the answer
Women (3), Roads (3) and Vase (2), across the 27 works on this page.
Which movement is Albert André associated with?Reveal the answer
Post-impressionism, judging by the originals on this page.
Which Albert André originals does the The Phillips Collection hold?Reveal the answer
House in the Olive Trees, Lemons and Tangerines and The Concert: the The Phillips Collection, Washington, D.C. holds 7 of the works on this page.
Can I have a Albert André painting reproduced by hand?Reveal the answer
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
Albert André: the artist
Albert André: A Quiet Master of Intimacy
Albert André (1869-1954) wasn’t a name that frequently echoes through the halls of grand museums, yet his paintings possess a profound and enduring appeal. He was, in essence, a quiet master—a Post-Impressionist painter who eschewed the dramatic gestures of some contemporaries for a deeply personal exploration of domestic interiors, still lifes, and the subtle beauty of everyday Parisian life. Born in Lyon, André’s early artistic training wasn't marked by grand ambition but rather by a practical inclination towards designing patterns for silk—a craft that instilled in him an appreciation for color, texture, and meticulous detail, qualities he would later translate into his paintings.
André’s journey to becoming a recognized artist began with a move to Paris in 1889. He enrolled at the Académie Julian, immersing himself in the artistic currents of the time. Crucially, it was here that he encountered Paul Ranson and the burgeoning group known as Les Nabis—a collective that included figures like Bonnard, Vuillard, and Denis. This association proved pivotal, exposing André to a new approach to painting: one that valued suggestion over explicit representation, prioritizing mood and atmosphere alongside formal elements. The Nabis’ influence is evident in André's later work – his use of muted palettes, flattened perspectives, and an emphasis on capturing the fleeting effects of light.
The Renoir Connection and Early Recognition
A defining moment in André’s career arrived through his close friendship with Pierre-Auguste Renoir. The two artists, separated by a considerable age difference, forged a bond built on mutual respect and artistic admiration. Renoir, recognizing André's talent, became a generous patron, introducing him to the influential art dealer Paul Durand-Ruel, who secured exhibitions for André’s work in Paris and, significantly, in New York City. This connection with Renoir wasn’t merely personal; it profoundly shaped André’s artistic trajectory. He meticulously studied Renoir's techniques—his handling of color, his ability to capture the nuances of light and shadow, and his characteristic approach to portraiture – striving to emulate the master while developing his own distinct voice.
André’s early exhibitions at the Salon des Indépendants in 1894 garnered considerable attention. His paintings, characterized by their intimate scale and evocative atmosphere, were praised for their sensitivity and quiet beauty. The success of these works led to further opportunities, including participation in prestigious salons such as the Salon d'Automne and the Exposition d’Art Nouveau. Notably, André’s 1904 exhibition at the Salon de la Libre Esthétique in Brussels showcased his evolving style—a synthesis of Impressionistic color palettes with Nabis-influenced spatial distortions.
A Life Anchored in Laudun
Following World War I, André sought refuge from the turmoil of Parisian life and relocated to the small village of Laudun in Provence. This move proved transformative, providing him with a sense of peace and stability that profoundly influenced his art. Laudon, nestled amongst vineyards and olive groves, became a constant source of inspiration—a place where he could reconnect with nature and rediscover the simple pleasures of life. It was here, in his family home, that André painted some of his most beloved works – scenes of domestic interiors bathed in the golden light of Provence, still lifes featuring flowers and fruit, and evocative portraits of friends and acquaintances.
André’s approach to painting during this period reflected a shift towards greater introspection. He abandoned the more overtly decorative elements of his earlier work, focusing instead on capturing the essence of everyday life—the quiet moments of contemplation, the subtle beauty of ordinary objects, and the enduring bonds of friendship. His paintings became increasingly characterized by their intimacy and emotional resonance.
Legacy and Artistic Significance
Albert André’s artistic legacy is one of understated elegance and profound sensitivity. He wasn't a painter who sought fame or recognition; his primary motivation was to capture the beauty and complexity of the world around him—particularly the intimate corners of domestic life. His paintings, often overlooked in favor of more flamboyant works by contemporaries, possess a quiet power that continues to resonate with viewers today.
André’s influence extends beyond his own artistic output. His meticulous study of Renoir's work and his dedication to preserving the artist's legacy resulted in one of the most comprehensive and insightful biographies of Renoir ever written—a testament to André’s deep appreciation for his friend and mentor. Today, André’s paintings are held in prestigious collections around the world – including the Musée d’Orsay in Paris, the Art Institute of Chicago, and the Modern Art Museum of New York – ensuring that his quiet yet profound contribution to Post-Impressionism will continue to be appreciated for generations to come.






