Portrait of Robert David Gauley

The 15 Most Famous Robert David Gauley Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 15 works by Robert David Gauley in our catalogue

In short

The Princess, St. George and St. Louis, after Tintoretto (1892) is the Robert David Gauley painting that draws the most eyes; the original belongs to the Harvard Art Museums, Cambridge. After it, the eye goes to Three Figures in Procession, after Tintoretto (1896) and Battista Sforza, Duchess of Urbino, after Piero della Francesca (1896). Among the 15 works of Robert David Gauley in our catalog, these 15 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1875 – 1943, Carnaveagh Most works: Harvard Art Museums

Top 10 paintings by Robert David Gauley, through the gallery's eye

Robert David Gauley's famous paintings, numbers 11 to 15

The museums that keep Robert David Gauley's originals

The museum that holds the most of the paintings on this page.

Museum City Works by Robert David Gauley Paintings from this list
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 15 The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto, Battista Sforza, Duchess of Urbino, after Piero della Francesca

Robert David Gauley across the years: the unique originals of each

Between 1892 and 1898, 7 years in all, Robert David Gauley made every dated original shown here: a short span, followed year by year.

Robert David Gauley's paintings: questions for the gallery

What is the single most famous work of Robert David Gauley?Reveal the answer

The Princess, St. George and St. Louis, after Tintoretto (1892), Harvard Art Museums, Cambridge. Three Figures in Procession, after Tintoretto (1896) and Battista Sforza, Duchess of Urbino, after Piero della Francesca (1896) come next.

At what age did Robert David Gauley create The Princess, St. George and St. Louis, after Tintoretto?Reveal the answer

17 years old: The Princess, St. George and St. Louis, after Tintoretto dates from 1892, and Robert David Gauley was born in 1875.

Which ten paintings by Robert David Gauley are the most famous?Reveal the answer

The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto, Battista Sforza, Duchess of Urbino, after Piero della Francesca, Wedding Feast at Cana, after Tintoretto, Baptism of Christ, after Verrocchio, St. George Killing the Dragon, after Carpaccio, Mountain Pass, The Nile at Assouan, Moonlight, Buildings, Assouan and Pomegranates, Granada. The ranking above gives each one's year and museum.

How many works by Robert David Gauley are known?Reveal the answer

Our catalog holds 15 works by Robert David Gauley, dated from 1892 to 1898.

Where can the most famous Robert David Gauley originals be seen?Reveal the answer

Mostly in Harvard Art Museums (Cambridge). The museum table above lists them all.

During which period did Robert David Gauley create the best-known paintings?Reveal the answer

In 1896: 8 of the 15 works on this page were made then, Three Figures in Procession, after Tintoretto among them.

Which famous Robert David Gauley painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is The Princess, St. George and St. Louis, after Tintoretto (1892) and the latest St. George Killing the Dragon, after Carpaccio (1898).

What Robert David Gauley originals can I see at the Harvard Art Museums?Reveal the answer

The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto and Battista Sforza, Duchess of Urbino, after Piero della Francesca: the Harvard Art Museums, Cambridge holds 15 of the works on this page.

Robert David Gauley: a portrait of the artist

A Journey Through Light and Landscape: The Life of Robert David Gauley

Born in the verdant landscapes of Carnaveigh, County Monaghan, Ireland, in 1875, Robert David Gauley possessed a spirit destined for the vastness of the world. Though his roots were Irish, his artistic soul was shaped by the bustling cultural melting pot of Boston, where his family emigrated during his childhood. This early transition from the quietude of Ireland to the vibrant American art scene provided the foundation for a career defined by an insatiable curiosity and a masterful command of both oil and watercolor. Gauley was not merely a painter of scenes; he was a chronicler of light, a traveler who sought to absorb the essence of every horizon he encountered.

His formal education was steeped in the prestigious traditions of the late nineteenth century. In Cambridge, Massachusetts, he began his rigorous training under the guidance of Denman Waldo Ross, before moving to the School of the Museum of Fine Arts in Boston. It was here that he studied under the luminaries Edmund C. Tarbell and Frank W. Benson, masters of the Boston School whose emphasis on light, atmosphere, and delicate impressionistic touches would undoubtedly leave their mark on his developing technique. Seeking to refine his vision even further, Gauley ventured to Paris to study at the Academie Julian, immersing himself in the classical rigor of William Bouguereau and Gabriel Ferrier. This blend of American Impressionism and French Academic excellence created a unique stylistic duality in his work.

The Wanderer’s Eye: Travels and Artistic Evolution

Perhaps the most defining period of Gauley’s life was his extensive period of travel, which saw him traversing Europe, the Mediterranean, and the Near East. In 1893, as a young man driven by an intense desire to witness the world's grandeur, he embarked on a journey that would yield a lifetime of visual treasures. His sketches and paintings from this era serve as a dazzling panorama of a vanishing era; he captured the sweeping landscapes of North Africa, the intricate architectural details of Italian palaces, and the sun-drenched vistas of the Mediterranean coast. Through his eyes, we see the late nineteenth century not just as a historical period, but as a living, breathing tapestry of color and texture.

Gauley’s ability to transition between the broad, emotive strokes of landscape painting and the meticulous precision required for figure and portrait work speaks to his immense versatility. His work often reflects a deep reverence for the Old Masters, frequently making copies of their techniques wherever he encountered them during his travels. This practice allowed him to integrate classical mastery with a modern, observational sensitivity. Whether working in the fluid transparency of watercolor or the rich, layered depths of oil, Gauley sought to capture the "saturation" of experience—the feeling of being completely immersed in a moment of discovery.

Legacy and Recognition

The excellence of Gauley’s talent was recognized on the most prestigious stages of his time. After exhibiting at the Paris Exposition, where he was honored with a medal for his work, he settled in New York City, becoming a prominent figure in the American art community. His contributions were celebrated by several esteemed institutions:

  • The American Watercolor Society: Where his skill in the medium allowed him to capture the fleeting qualities of light and atmosphere.
  • The New York Watercolor Club: A testament to his standing among his peers in the vibrant New York art scene.
  • The National Academy of Design: Where he achieved the distinction of becoming an Associate member.

One of his most significant individual triumphs occurred in 1908, when he was awarded the Clarke Prize at the National Academy's annual exhibition for the best figure painting, a testament to his profound understanding of the human form and its place within a composition. Today, the works of Robert David Gauley reside in esteemed collections such as the Harvard Art Museums and the Kennedy Museum of Art, serving as enduring windows into a world of classical beauty and adventurous spirit. His legacy remains that of a true artist-explorer, whose brush captured the very soul of the landscapes he traversed.