Portrait of Qiu Ying

The 33 Most Famous Qiu Ying Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 33 works by Qiu Ying in our catalogue

In short

Up the River During Qingming (1644) is the Qiu Ying painting that draws the most eyes; the original belongs to the National Palace Museum, Taipei. After it, the eye goes to Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea (1542) and Lady Su Hui and Her Verse Puzzle (501). Among the 33 works of Qiu Ying in our catalog, these 33 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1494 – 1552, Taicang Most works: Metropolitan Museum of Art

Top 10 paintings by Qiu Ying, through the gallery's eye

1
Up the River During Qingming (1644) by Qiu Ying

Up the River During Qingming

1644 · Ink · National Palace Museum, Taipei

The scene unfolds in "Up the River During Qingming," a work attributed to the hand of Qiu Ying. This creation, dated about 1644, captures a moment of intense activity along the water. The brushwork brings a sense of life to the riverbanks, where the bustle of a festival meets the steady flow of the current. Every figure and vessel seems caught in a perpetual state of motion, frozen in a…

2
Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea (1542) by Qiu Ying

Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea

1542 · Ink On Paper · Cleveland Museum of Art, Cleveland

The scene unfolds within the quietude of the Ming dynasty, a period in China that breathes through the brushstrokes of Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea. This work, created by the hand of Qiu Ying, captures a moment of profound spiritual and social connection. The artist, Qiu Ying, brings a sense of lived presence to the silk or paper, inviting the viewer into a world…

3
Lady Su Hui and Her Verse Puzzle (501) by Qiu Ying

Lady Su Hui and Her Verse Puzzle

501 · Silk · Metropolitan Museum of Art, New York

In this silk work, we find ourselves invited into a quiet, intimate moment of companionship. A group of women are gathered on the ground, their figures arranged with a natural ease against a backdrop of weathered rock formations. There is a sense of shared purpose in their posture, a stillness that suggests the conversation has momentarily paused to allow for music or thought. The composition draws the eye through the…

4
Up the River During Qingming (1644) by Qiu Ying

Up the River During Qingming

1644 · Oil On Canvas · National Palace Museum, Taipei

“Up the River During Qingming” – a title that conjures images of a vibrant, bustling scene, yet within its painted surface lies a profound meditation on life, death, and the ephemeral beauty of the natural world. Attributed to the masterful Qiu Ying, a painter who defied conventional artistic paths to forge his own legacy during the Ming Dynasty (1494-1552), this handscroll offers an unparalleled window into 17th-century China – a…

5
The Seven sages of the bamboo grove (1552) by Qiu Ying

The Seven sages of the bamboo grove

1552 · Ink

In the quietude of a bamboo grove, the figures of The Seven sages of the bamboo grove emerge from the ink. This work, created by the Ming Dynasty painter Qiu Ying, captures a moment of profound stillness. The scene unfolds around a group of elderly scholars, their presence a meditation on wisdom and the deep camaraderie shared among those who seek contemplation. Every brushstroke seems to hold the breath of…

6
Garden for Solitary Enjoyment (1533) by Qiu Ying

Garden for Solitary Enjoyment

1533 · Ink · Cleveland Museum of Art, Cleveland

We are looking at Garden for Solitary Enjoyment, a work created by the Ming Dynasty painter Qiu Ying. This piece dates to about 1533, a period when the artist was refining his distinctive approach to landscape and figural composition. The painting offers a quiet glimpse into the aesthetic sensibilities of the sixteenth century, captured through the hand of a man who rose from humble beginnings to achieve significant standing in…

7
Divinities of the Planets and Constellations (501) by Qiu Ying

Divinities of the Planets and Constellations

501 · Ink · Metropolitan Museum of Art, New York

Divinities of the Planets and Constellations is a work by the Ming Dynasty painter Qiu Ying. The imagery finds its roots in a composition attributed to the Tang dynasty artist Liang Lingzan. It maps the celestial order through the five primary elements: wood, represented by Jupiter; fire, seen in Mars; earth, embodied by Saturn; metal, found in Venus; and water, signified by Mercury. These planetary forces move alongside the twenty-eight…

9
Handscroll (1530) by Qiu Ying

Handscroll

1530 · Acrylic On Canvas · Metropolitan Museum of Art, New York

“Up the River During Qingming,” painted by Qiu Ying during the mid-16th century, is more than just a landscape; it's a carefully constructed meditation on harmony, leisure, and the enduring beauty of nature. Attributed to one of China’s Four Masters of the Ming Dynasty – alongside Shen Zhou, Tang Yin, and Wen Zhengming – this exquisite handscroll offers a rare glimpse into the refined aesthetic sensibilities of Suzhou during that…

10
Parting under a willow tree (1552) by Qiu Ying

Parting under a willow tree

1552

Fan Paintings by or Attributed to Qiu Ying (approx. 1500-1552)During the 1500s, colorful paintings in the fan format were immensely popular among the wealthy and sophisticated population of Suzhou. These fans, when folded up, could be carried in the long, loose sleeves of gowns worn by both men and women, and casually displayed at a desired moment. Due to this casual use, such fans were prone to damage and loss;…

Qiu Ying's famous paintings, numbers 11 to 33

The subjects that held Qiu Ying's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Qiu Ying's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Qiu Ying Paintings from this list
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 6 Lady Su Hui and Her Verse Puzzle, Divinities of the Planets and Constellations, Handscroll
National Museum in Warsaw, WarsawNational Museum in Warsaw Warsaw 4 Przeprawa przez górski potok - pejzaż w stylu niebiesko-zielonym, Spotkanie Ośmiu Nieśmiertelnych, Architektura pałacowa z parkiem i postaciami uczonych
National Palace Museum, TaipeiNational Palace Museum Taipei 3 Up the River During Qingming, Up the River During Qingming, Towers and Pavilions in Mountains of the Immortals
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea, Garden for Solitary Enjoyment
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 2 Landscape with Pavilion and Willows, RIVERS AND MOUNTAINS WITHOUT END
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Lady preparing for a journey
The Nelson-Atkins Museum of Art, Kansas CityThe Nelson-Atkins Museum of Art Kansas City 1 Saying Farewell at Xunyang
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 Beauty with Pine and Plum

Qiu Ying across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Qiu Ying's paintings: questions for the gallery

What is the single most famous work of Qiu Ying?Reveal the answer

Up the River During Qingming (1644), National Palace Museum, Taipei. Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea (1542) and Lady Su Hui and Her Verse Puzzle (501) come next.

Which ten paintings by Qiu Ying are the most famous?Reveal the answer

Up the River During Qingming, Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea, Lady Su Hui and Her Verse Puzzle, Up the River During Qingming, The Seven sages of the bamboo grove, Garden for Solitary Enjoyment, Divinities of the Planets and Constellations, Lady preparing for a journey, Handscroll and Parting under a willow tree. The ranking above gives each one's year and museum.

How many works by Qiu Ying are known?Reveal the answer

Our catalog holds 33 works by Qiu Ying, dated from 1530 to 1552.

Where can the most famous Qiu Ying originals be seen?Reveal the answer

Mostly in Metropolitan Museum of Art (New York), National Museum in Warsaw (Warsaw) and National Palace Museum (Taipei). The museum table above lists them all.

During which period did Qiu Ying create the best-known paintings?Reveal the answer

In 1530s: 2 of the 33 works on this page were made then, Garden for Solitary Enjoyment among them.

Which famous Qiu Ying painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Handscroll (1530) and the latest The Seven sages of the bamboo grove (1552).

What subjects did Qiu Ying favour?Reveal the answer

Landscape (5), Ming dynasty (4) and Figures (3), across the 33 works on this page.

What materials did Qiu Ying paint with most?Reveal the answer

Ink, for 5 of the 33 works on this page.

What Qiu Ying originals can I see at the Metropolitan Museum of Art?Reveal the answer

Lady Su Hui and Her Verse Puzzle, Divinities of the Planets and Constellations and Handscroll: the Metropolitan Museum of Art, New York holds 6 of the works on this page.

Qiu Ying: a portrait of the artist

A Life Forged in Brushstrokes: The World of Qiu Ying

Born into humble circumstances in 1494, in the town of Taicang near present-day Jiangsu province, Qiu Ying rose to become one of the most celebrated painters of the Ming Dynasty. Unlike many artists of his era who benefited from scholarly upbringing and formal education within established artistic circles, Qiu Ying’s path was remarkably self-made. He began his artistic journey not through traditional channels, but as an apprentice lacquer artisan, honing his skills in detailed decorative work – a foundation that would profoundly influence the meticulous precision characteristic of his later paintings. This early experience instilled in him a mastery of line and color, qualities he would refine under the tutelage of Zhou Chen in Suzhou, a vibrant cultural hub during the Ming period. It was within this dynamic environment that Qiu Ying truly began to blossom, absorbing techniques and developing an artistic voice uniquely his own.

Master of Versatility: Style and Technique

Qiu Ying’s genius lay not in adhering rigidly to one school or style, but in his extraordinary versatility. While Suzhou was a stronghold of the delicate ink wash painting favored by the Wu School, Qiu Ying demonstrated an exceptional ability to master both this nuanced approach and the vibrant, detailed *gongbi* technique. This adaptability allowed him to cater to a diverse clientele with varying tastes, establishing himself as a highly sought-after artist. He skillfully blended these techniques, often incorporating elements of the green-and-blue style – known for its rich coloration and intricate detail – into his compositions. His paintings are distinguished by an exquisite refinement of color, meticulous attention to detail, and a remarkable ability to capture both grand panoramic landscapes and intimate, delicately rendered scenes. This technical prowess wasn’t merely about skill; it was about storytelling, conveying emotion, and bringing narratives to life on silk or paper.

Patronage and the Flourishing of a Career

Qiu Ying's career flourished thanks to the generous support of wealthy patrons who commissioned works across a broad spectrum of subjects. He painted landscapes imbued with atmospheric perspective, religious scenes radiating spiritual devotion, delicate depictions of flowers and gardens brimming with life, and compelling figural compositions that captured the essence of his subjects. Among his most celebrated creations are masterful renditions like *Up the River During Qingming*, inspired by the iconic Northern Song dynasty original; *Lady in a Bamboo Grove*, showcasing his skill in portraying elegant figures within natural settings; *The Seven Sages of the Bamboo Grove*, demonstrating his understanding of classical literary themes; and *Spring Morning in the Han Palace*, a vibrant depiction of courtly life. Key patrons such as Chen Guan of Suzhou, and later Zhou Fenglai and Xiang Yuanbian – both prominent art collectors – played pivotal roles in supporting his artistic endeavors, providing him with the freedom to explore his creativity and refine his technique.

Legacy and Lasting Influence

Qiu Ying’s talent and versatility earned him a place among the “Four Masters” of the Ming Dynasty—a testament to his profound impact on Chinese painting. He bridged the gap between traditional styles and contemporary tastes, creating works that were both technically brilliant and aesthetically pleasing. His paintings reflect influences from earlier masters, particularly those of the Song Dynasty, but he skillfully blended these historical precedents with the aesthetics of his own time. He didn’t simply imitate; he synthesized, innovated, and ultimately created a style that was distinctly his own. Beyond his lifetime, Qiu Ying's influence extended to generations of artists who admired his masterful technique and innovative approach. He remains a celebrated figure in the history of Chinese art, revered for his ability to capture beauty, convey meaning, and leave an indelible mark on the artistic landscape. Even today, his name graces a crater on Mercury—a fitting tribute to an artist whose vision reached beyond earthly bounds. His legacy continues to inspire awe and admiration among art enthusiasts worldwide.