Portrait of Morris Graves

Morris Graves Paintings: The 30 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 32 works by Morris Graves in our catalogue

In short

To the gallery's eye, Morris Graves's most famous painting is Bird Singing in the Moonlight (1938). Crow, Surf and Moon (1943) and Logged Mountains (1943) complete the trio every eye recognises. Of the 32 works by Morris Graves in our catalog, the gallery presents the 30 most famous below, each original with its year, its museum and what makes it unique.

1910 – 2001, Fox Most works: Art Museum

The gallery's top 10 Morris Graves paintings

3
Logged Mountains (1943) by Morris Graves

Logged Mountains

1943 · Smithsonian American Art Museum, Washington, D.C.

The Logged Mountains painting by Morris Graves is a thought-provoking artwork that showcases the artist's skill in combining natural elements with artistic expression. Created in 1943, this oil on canvas painting measures 66 x 92 cm and is currently housed at the Smithsonian American Art Museum in the United States. Artist Background Morris Graves was an American artist known for his delicate and contemplative drawings that capture the essence of…

Morris Graves paintings, ranked 11 to 30

The museums that keep Morris Graves's originals

The 3 museums that hold the most of the paintings on this page.

Museum City Works by Morris Graves Paintings from this list
Art Museum, SeattleArt Museum Seattle 6 Crow, Surf and Moon, Bird in the Night, Sea, Fish and Constellation
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 3 Surf and Bird, Young Gander Ready for Flight, August Still Life
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Logged Mountains

Morris Graves, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Morris Graves's paintings: the gallery answers

Which Morris Graves painting is the most famous of all?Reveal the answer

Bird Singing in the Moonlight (1938). Crow, Surf and Moon (1943) and Logged Mountains (1943) come next.

How old was Morris Graves on completing Bird Singing in the Moonlight?Reveal the answer

28 years old: Bird Singing in the Moonlight dates from 1938, and Morris Graves was born in 1910.

Which are Morris Graves's top 10 paintings?Reveal the answer

Bird Singing in the Moonlight, Crow, Surf and Moon, Logged Mountains, Surf and Bird, Snake and Moon, Wheelbarrow, Bird in the Night, Sea, Fish and Constellation, Bird in the Spirit and Nestling. The ranking above gives each one's year and museum.

How many works did Morris Graves create?Reveal the answer

Our catalog holds 32 works by Morris Graves, dated from 1934 to 1988.

Where do Morris Graves's most famous originals hang?Reveal the answer

Mostly in Art Museum (Seattle), The Phillips Collection (Washington, D.C.) and Smithsonian American Art Museum (Washington, D.C.). The museum table above lists them all.

When did Morris Graves create the most famous paintings?Reveal the answer

In 1940s: 11 of the 30 works on this page were made then, Crow, Surf and Moon among them.

Which are Morris Graves's earliest and latest famous works?Reveal the answer

On this page, the earliest is Wheelbarrow (1934) and the latest Summer Still Life (1988).

Which Morris Graves originals does the Art Museum hold?Reveal the answer

Crow, Surf and Moon, Bird in the Night and Sea, Fish and Constellation: the Art Museum, Seattle holds 6 of the works on this page.

Morris Graves: the artist

The Visionary of the Pacific Northwest

In the mist-shrouded landscapes where the rugged beauty of Oregon meets the contemplative stillness of the Puget Sound, the spirit of Morris Graves found its eternal home. Born in 1910, Graves was an artist who did not merely observe the world but sought to pierce through its physical veil to reveal the consciousness beneath. As a cornerstone of the Northwest School, his work emerged from a profound intimacy with nature—a landscape steeped in both wild resilience and a quiet, almost spiritual, grace. His journey was one of self-directed discovery, eschewing traditional academic rigor for a life lived in deep conversation with the elements: the flight of a bird, the delicate curve of a petal, and the shifting light of a coastal morning.

Eastern Echoes and the Mystic's Eye

The essence of Graves’s artistry was deeply intertwined with his fascination with Eastern aesthetics and Zen Buddhism. A formative voyage to Japan in the early 1930s left an indelible mark on his soul, instilling a reverence for simplicity, suggestion, and the beauty of the ephemeral. This influence manifested in a unique symbolic vocabulary where animals—most notably birds—served not as mere biological subjects but as metaphors for the human psyche and the fragility of existence. Through his mastery of texture and light, he developed a language that was both intimate and universal, characterized by:

  • Symbolic Motifs: The recurring use of birds, flowers, and chalices to represent spiritual vessels and the essence of life.
  • Atmospheric Depth: A technique that captures the ethereal, misty quality of the Northwest through delicate washes and shadows.
  • Philosophical Resonance: An integration of Eastern meditative principles into the very structure of his compositions.

His ability to blend these elements allowed him to create works like Folded Wings Memory the Moon Weeping, which haunt the viewer with their sense of isolation and transcendence.

A Legacy of Light and Shadow

Throughout his prolific career, Graves’s evolution was marked by a transition from delicate, contemplative drawings to more complex, abstract expressions. His breakthrough in 1942 at New York's Museum of Modern Art cemented his position as a leading figure of American Modernism, standing alongside contemporaries such as Mark Tobey. Even as he moved toward the abstractions of the machine age in later years, his work remained anchored in a deep-seated respect for quietude and the natural order. Pieces such as Hibernation and Logged Mountains stand as testaments to his ability to capture the tension between the organic world and the encroaching modern era. His legacy remains that of a true mystic, an artist who transformed the damp, grey atmosphere of the Pacific Northwest into a luminous window onto the infinite.