Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 60 works by Lev Lagorio in our catalogue
In short
Of all the originals Lev Lagorio left, the most famous is On the island of Capri. Fisher's house. (1859). Close behind it come Sevastopol aqueduct in the gully Ushakovskaya (1850) and The Russian Painter And The Aquarellist. Our catalog holds 60 works by Lev Lagorio; the gallery has kept the 56 the world admires most, each shown with its date, its museum and its story.
The sun warms the rugged stone of a fisherman's house, perched precariously where the land meets the sky. High above the shimmering expanse of the sea, this rustic dwelling clings to the cliffs of Capri, its weathered exterior telling a story of salt and wind. Below, the ocean stretches out in a calm, rhythmic dance, its surface broken only by the gentle presence of a lone boat floating in the…
Old Tbilisi1868
12
View of Kronstadt raid1876
13
Neva at night1878
14
Sukhum-Kale1873
15
Northern landscape1872
16
Mist in the mountains. Caucasus.1878
17
The Shipka Pass1884 · Yekaterinburg Museum of Fine Arts
18
Seascape with sailboats1891
19
View of the town from the riverside1887
20
River in the foothills1889
21
Moonlit night by the sea1886
22
Landscape with seagulls1889
23
Seascape1897 · Yekaterinburg Museum of Fine Arts
24
Lofoten Island1895
25
Moonlit night at Neva1898
26
Sea1898
27
Salute September 26, 19021902
28
Simeiz1899
29
On The Coast
30
Barques En Mer
31
Voilier Rentrant Au Port Dans La Tempête
32
Caucasian canyon
33
View From A Jetty
34
Mountain Landscape
35
Entering The Port
36
Summer Landscape
37
In The Gulf Of Finland.
38
Ships On A Calm Sea
39
Landscape
40
Seascape With Saleboats Paper
41
Crossing The River
42
Harbor Scene With Dock
43
Ship In A Storm
44
Outpost At The Bay
45
View of Tiflis
46
View of Ayu-Dag from Alushta
47
A Caucasian Gorge
48
The bay in Feodosia
49
Port Scene
50
Bringing Ashore The Boat
51
A Crimean Landscape
52
The Bay of Feodosia
53
Near Ay-petri In The Crimea
54
Coastal Scene With A Brig In Calm Weather.
55
Steamship on High Seas
56
Mountain Pastures
The four subjects that come back most often in these originals, each with its finest example.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Lev Lagorio | Paintings from this list |
|---|---|---|---|
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 2 | The Shipka Pass, Seascape |
Pick a decade to see the original that defines it.
The sun warms the rugged stone of a fisherman's house, perched precariously where the land meets the sky. High above the shimmering expanse of the sea, this rustic dwelling clings to the cliffs of Capri, its weathered exterior telling a story of salt and wind. Below, the ocean stretches out in a calm, rhythmic dance, its surface broken only by the gentle presence of a lone boat floating in the…
On the island of Capri. Fisher's house. (1859). Sevastopol aqueduct in the gully Ushakovskaya (1850) and The Russian Painter And The Aquarellist come next.
32 years old: On the island of Capri. Fisher's house. dates from 1859, and Lev Lagorio was born in 1827.
On the island of Capri. Fisher's house., Sevastopol aqueduct in the gully Ushakovskaya, The Russian Painter And The Aquarellist, Transportation of Ice, View of Lakhta near St. Petersburg, Mountain lake, Normandy Beach, View of the Neva and Peter and Paul Fortress, On the island of Capri. Coastal cliffs. and Southern landscape. The ranking above gives each one's year and museum.
Our catalog holds 60 works by Lev Lagorio, dated from 1849 to 1902.
Mostly in Yekaterinburg Museum of Fine Arts (Yekaterinburg). The museum table above lists them all.
In 1850s: 7 of the 56 works on this page were made then, On the island of Capri. Fisher's house. among them.
On this page, the earliest is Transportation of Ice (1849) and the latest Salute September 26, 1902 (1902).
Boats (12), Beach (12) and Scenes (11), across the 56 works on this page.
Romanticism, judging by the originals on this page.
The Shipka Pass and Seascape: the Yekaterinburg Museum of Fine Arts, Yekaterinburg holds 2 of the works on this page.
Lev Felixovich Lagorio (1827-1905) stands as a pivotal figure in 19th-century Russian landscape painting, particularly renowned for his evocative depictions of the Black Sea and its surrounding regions. Born in Feodosia, Crimea, a city steeped in maritime history and natural beauty, Lagorio’s artistic journey was inextricably linked to the sea – both as subject and as formative influence. His work transcends mere representation; it captures the soul of the coastline, imbued with a palpable sense of atmosphere, light, and movement.
Lagorio's early life in Feodosia provided him with an unparalleled opportunity to immerse himself in the maritime world. The city’s strategic location as a naval base and trading port exposed him to a constant flow of ships, sailors, and stories from distant lands. This intimate connection to the sea profoundly shaped his artistic vision. He initially studied under Ivan Aivazovsky, arguably Russia's most celebrated marine painter, absorbing the master’s techniques of capturing light on water and conveying the drama of the open ocean. However, Lagorio quickly developed a distinct style, characterized by a softer, more atmospheric approach than Aivazovsky’s often highly detailed realism.
Following his studies in St. Petersburg, where he honed his skills at the Imperial Academy of Arts, Lagorio embarked on an extended sojourn through Europe, culminating in a significant period spent in Italy between 1845 and 1853. This experience proved transformative, exposing him to different artistic traditions and broadening his palette. He studied with various masters, absorbing influences from the Barbizon School’s emphasis on plein air painting and the Romantic movement's fascination with nature. It was during this time that he developed a distinctive style – characterized by loose brushwork, subtle color harmonies, and an ability to capture the fleeting effects of light and weather.
Italy provided him with new subjects as well: scenes from the Mediterranean coast, capturing the rugged beauty of the coastline and the vibrant colors of the local flora and fauna. These Italian works demonstrated a shift in his artistic focus towards landscapes rather than strictly maritime scenes, though the influence of the sea remained ever-present.
Lagorio’s oeuvre is predominantly defined by his depictions of coastal landscapes – the Crimean coastline, the Black Sea, the Caucasus Mountains, and even glimpses of Finland and Norway. He rarely depicted ships directly, preferring to focus on the interaction between land and sea, capturing the mood and atmosphere of these environments rather than precise nautical details. His paintings are characterized by a masterful use of color—often employing muted tones and subtle gradations to create a sense of depth and atmospheric perspective. He skillfully rendered the effects of light on water, mist, and foliage, imbuing his scenes with a remarkable sense of realism and emotional resonance.
His technique involved layering thin washes of paint to build up color gradually, creating luminous surfaces that shimmered in the light. He was particularly adept at capturing the subtle shifts in mood—the calm serenity of a misty morning, the dramatic intensity of a storm-tossed sea, or the golden glow of sunset reflecting on the water.
Among Lagorio’s most celebrated works are “In The Gulf Of Finland,” a serene depiction of maritime life; "Mountain Landscape," showcasing his ability to capture vast vistas; and several evocative scenes from Sevastopol, including “Sevastopol aqueduct in the gully Ushakovskaya.” These paintings exemplify his mastery of capturing atmospheric effects and conveying a sense of place. His work is held in prestigious collections, notably the State Tretyakov Gallery in Moscow, ensuring that his artistic legacy continues to be appreciated by generations of art enthusiasts.
Lev Felixovich Lagorio’s contribution to Russian landscape painting lies not only in his technical skill but also in his ability to evoke a profound emotional response through his depictions of the natural world. He remains an important figure, demonstrating how observation and artistic sensitivity can combine to create works that are both visually stunning and deeply moving.
