The Honourable Sir David Dalrymple, Bt, Younger Son of 1st Viscount Stair, and His Son Sir James Dalrymple, Bt
Archibald Pitcairne (1652–1713), FRCSEd (1701)
Movements:
baroque
neoclassicism
Creative periods: mature period
John Baptist de Medina: Life and Legacy
Early Life and Training
Birth and Origins: Sir John Baptist de Medina was born in 1659 in Brussels, to a Spanish army captain. His early life was shaped by his family’s military background and the vibrant artistic environment of Brussels.
Artistic Education: He received his initial artistic training under François Duchatel, a respected painter of the time. This foundational education instilled in him the principles of Baroque art and portraiture.
Move to England and Scotland
London Years (1686): In 1686, de Medina moved to London, establishing his studio in Drury Lane. He quickly gained recognition for his portraiture skills.
Scottish Patronage: De Medina specialized in painting Scottish sitters even while in London. Later, around 1688-89 or 1694, he relocated to Edinburgh, where he remained for the rest of his life. He was greatly encouraged and sponsored by the Earl of Melville.
Political Connections: The Earl of Melville’s influence was crucial; as Secretary of State for Scotland, he provided de Medina with access to prominent figures and commissions.
Artistic Style and Influences
Baroque Portraiture: De Medina’s style is firmly rooted in the Baroque tradition. His portraits are characterized by a sense of realism, dramatic lighting, and rich colors.
Influences: He was significantly influenced by Sir Godfrey Kneller, whose portrait style he emulated, but often with a more relaxed and informal approach.
Distinctive Features: De Medina favored bright blues and rose-reds in clothing and dark backgrounds. The quality of his work varied, likely due to the assistance of studio assistants.
Major Achievements and Works
Portrait Series at Surgeons’ Hall: His most celebrated works are a collection of approximately 30 oval bust-length portraits housed in Surgeons' Hall, Edinburgh. These are often compared to Kneller’s Kit Cat Club series.
*Paradise Lost* Illustrations (1688): De Medina was the first artist to illustrate John Milton’s epic poem *Paradise Lost*. His twelve engraved plates for the 1688 edition are notable for their careful adherence to the text and imaginative use of biblical iconography.
Portraits of Scottish Nobility: He created numerous portraits of prominent Scottish figures, solidifying his position as the leading portraitist in Scotland during his lifetime.
Historical Significance and Legacy
Dominant Portraitist: De Medina held a near-monopoly on portraiture in Scotland for much of his career, charging standard fees of £5 for a head and £10 for a half-length portrait.
Knighthood (1706): He was knighted in 1706, one of the last Scottish knights created before the Acts of Union in 1707.
Mentorship: De Medina trained both his son and William Aikman, who became a leading Scottish portrait painter of the next generation.
Lasting Impact: While not as widely recognized internationally as some of his contemporaries, de Medina’s work provides valuable insight into 17th-century Scottish society and artistic practice.
Death and Burial
Final Years: John Baptist de Medina died in Edinburgh on October 5, 1710.
Burial Site: He was buried in Greyfriars Kirkyard, Edinburgh, in a solid enclosed vault near the steps leading to the northern section.
By the OriginalUniqueArt.com Editorial Team
Art Quiz
There is only one correct answer for each question.
Question 1:
John Baptist de Medina is particularly known for illustrating which significant literary work?
Question 2:
De Medina spent a substantial part of his career painting portraits in which country?
Question 3:
Which artistic style most closely aligns with de Medina's portraiture?
Question 4:
Who was a significant patron and subject of De Medina's portraits, holding a key position in Scottish governance?
Question 5:
De Medina's portraits are often compared to the work of which other prominent portrait artist?
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