Portrait of James Mcbey

James Mcbey Paintings: The 79 Most Famous, Through a Gallery's Eye

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 80 works by James Mcbey in our catalogue

In short

To the gallery's eye, James Mcbey's most famous painting is Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918). The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) and Black and White Puppy Lying on a Bed complete the trio every eye recognises. Of the 80 works by James Mcbey in our catalog, the gallery presents the 79 most famous below, each original with its year, its museum and what makes it unique.

1883 – 1959, Newburgh Impressionism Most works: Paisley Art Institute Collection

The gallery's top 10 James Mcbey paintings

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The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) by James Mcbey

The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate

1919

The painting "The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate" by James McBey is a significant historical representation of the Allied forces entering Jerusalem during World War I. Created in 1919, this oil on canvas painting measures 107 x 152 cm and captures a pivotal moment…

James Mcbey paintings, ranked 11 to 79

11The Musician (1896) by James McbeyThe Musician1896 12The Umbrella Man (1896) by James McbeyThe Umbrella Man1896 13The Artist's Grandmother (1901) by James McbeyThe Artist's Grandmother1901 14Arab Woman (sketch) by James McbeyArab Woman (sketch) 15Two Views of a Moroccan Town by James McbeyTwo Views of a Moroccan Town 16Ouarzazate, Morocco by James McbeyOuarzazate, Morocco 17Figures at a Doorway, Morocco by James McbeyFigures at a Doorway, Morocco 18The Artist's Studio by James McbeyThe Artist's Studio 19Arab Girl by James McbeyArab Girl 20Dutch Girl with Sunflowers (1910) by James McbeyDutch Girl with Sunflowers1910 21Portrait of a Woman in Red by James McbeyPortrait of a Woman in Red 22Mrs Robert Watt (1909) by James McbeyMrs Robert Watt1909 23The Headland (1909) by James McbeyThe Headland1909 24Robert Watt (1908) by James McbeyRobert Watt1908 25Martin Hardie (1875–1952), in His Etching Studio (1915) by James McbeyMartin Hardie (1875–1952), in His Etching Studio1915 26Phyllis with a Violin (Phyllis Allan, Later Lady Langley Taylor) (1915) by James McbeyPhyllis with a Violin (Phyllis Allan, Later Lady Langley Taylor)1915 27Lieutenant Colonel T. E. Lawrence (1888–1935), CB, DSO (1918) by James McbeyLieutenant Colonel T. E. Lawrence (1888–1935), CB, DSO1918 28Lieutenant General Sir Henry George Chauvel (1865–1945), KCB, KCMG (1918) by James McbeyLieutenant General Sir Henry George Chauvel (1865–1945), KCB, KCMG1918 29Nebi Samwil The First Sight of Jerusalem (1919) by James McbeyNebi Samwil The First Sight of Jerusalem1919 30Felix Sanchez (The Picador) (1921) by James McbeyFelix Sanchez (The Picador)1921 31Lieutenant General Sir Edward S. Bulfin (1862–1939), KCB, CVO (1918) by James McbeyLieutenant General Sir Edward S. Bulfin (1862–1939), KCB, CVO1918 32James Hutcheon (d.c.1933) (study) (1922) by James McbeyJames Hutcheon (d.c.1933) (study)1922 33General Sir Edmund Allenby (1861–1936), KCB (1918) by James McbeyGeneral Sir Edmund Allenby (1861–1936), KCB1918 34Arsuf The Cavalry Dash along the Sea Coast on the Morning of 19 September 1918 (1918) by James McbeyArsuf The Cavalry Dash along the Sea Coast on the Morning of 19 September 19181918 35Sir Harry Lauder (1870–1950) (1921) by James McbeySir Harry Lauder (1870–1950)1921 36Venetian Scene, Lagoon with Boats at Quay (1927) by James McbeyVenetian Scene, Lagoon with Boats at Quay1927 37Church Villefranche (1927) by James McbeyChurch Villefranche1927 · Paisley Art Institute Collection 38Seascape, Macduff, Aberdeenshire (1927) by James McbeySeascape, Macduff, Aberdeenshire1927 39Andrew G. Kidd (1866–1950) (1927) by James McbeyAndrew G. Kidd (1866–1950)1927 40Regatta on the Grand Canal, Venice (1925) by James McbeyRegatta on the Grand Canal, Venice1925 41Lady in a Red Dress (1925) by James McbeyLady in a Red Dress1925 42Mrs John Arnott (1927) by James McbeyMrs John Arnott1927 43Mrs R. Wemyss Honeyman (1928) by James McbeyMrs R. Wemyss Honeyman1928 44Arab Man with a Child (1933) by James McbeyArab Man with a Child1933 45Woman on a Sofa (1929) by James McbeyWoman on a Sofa1929 46Woman Writing at a Secretaire (1932) by James McbeyWoman Writing at a Secretaire1932 47Mr R. Wemyss Honeyman (1929) by James McbeyMr R. Wemyss Honeyman1929 48Atlas Mountains, Morocco (sketch) (1938) by James McbeyAtlas Mountains, Morocco (sketch)1938 49Sunday in Scotland (Rowallan) (1936) by James McbeySunday in Scotland (Rowallan)1936 50Saada (1936) by James McbeySaada1936 51Farmyard Hen and Chicks (1936) by James McbeyFarmyard Hen and Chicks1936 52Bury, Sussex, Hill in the Distance (1936) by James McbeyBury, Sussex, Hill in the Distance1936 53View of Meknes, Morocco (1935) by James McbeyView of Meknes, Morocco1935 54Bury, Sussex, 'Black Dog and Duck' Pub (1936) by James McbeyBury, Sussex, 'Black Dog and Duck' Pub1936 55Bury, Sussex, Landscape with a Church Spire (1937) by James McbeyBury, Sussex, Landscape with a Church Spire1937 56Anghera Peasant Girl (1938) by James McbeyAnghera Peasant Girl1938 57Foveran Mill, Aberdeenshire (1936) by James McbeyFoveran Mill, Aberdeenshire1936 58Ouarzazate, Morocco (1935) by James McbeyOuarzazate, Morocco1935 59Marrakesh, Morocco (1938) by James McbeyMarrakesh, Morocco1938 60Marguerite (1937) by James McbeyMarguerite1937 61Harvest, Angus (recto) (1936) by James McbeyHarvest, Angus (recto)1936 62Portrait of a Hero (John Innes of Newburgh) (1936) by James McbeyPortrait of a Hero (John Innes of Newburgh)1936 63Acrobats, Marrakesh, Morocco (1936) by James McbeyAcrobats, Marrakesh, Morocco1936 64Chinese Woman (1936) by James McbeyChinese Woman1936 65Robert Bontine Cunninghame Graham (1934) by James McbeyRobert Bontine Cunninghame Graham1934 66The Musician (1896) by James McbeyThe Musician1896 67Atlas Mountains, Morocco (sketch) by James McbeyAtlas Mountains, Morocco (sketch) 68Venetian Scene, Doge's Palace and St Mark's by James McbeyVenetian Scene, Doge's Palace and St Mark's 69View of the Atlas Mountains, Morocco by James McbeyView of the Atlas Mountains, Morocco 70Atlas Mountains and a River, Morocco (sketch) by James McbeyAtlas Mountains and a River, Morocco (sketch) 71Black and White Puppy by James McbeyBlack and White Puppy 72View of Lerma by James McbeyView of Lerma 73Tizi n Tichka Pass, Morocco (sketch) by James McbeyTizi n Tichka Pass, Morocco (sketch) 74Dreams by James McbeyDreams 75Red Hibiscus by James McbeyRed Hibiscus 76Head and Shoulders of a Woman by James McbeyHead and Shoulders of a Woman 77Outside Walls, Marrakech, Morocco by James McbeyOutside Walls, Marrakech, Morocco 78Thomas Mcquicker (sketch) by James McbeyThomas Mcquicker (sketch) 79The Dwarf Don Diego de Acedo 'El Primo' (after Diego Velázquez) by James McbeyThe Dwarf Don Diego de Acedo 'El Primo' (after Diego Velázquez)

James Mcbey's famous paintings, period by period

The subjects that held James Mcbey's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep James Mcbey's originals

The museum that holds the most of the paintings on this page.

Museum City Works by James Mcbey Paintings from this list
Paisley Art Institute Collection, PaisleyPaisley Art Institute Collection Paisley 1 Church Villefranche

James Mcbey, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

James Mcbey's paintings: the gallery answers

Which James Mcbey painting is the most famous of all?Reveal the answer

Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918). The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) and Black and White Puppy Lying on a Bed come next.

How old was James Mcbey on completing Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918?Reveal the answer

35 years old: Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 dates from 1918, and James Mcbey was born in 1883.

Which are James Mcbey's top 10 paintings?Reveal the answer

Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918, The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate, Black and White Puppy Lying on a Bed, Miss Gillespie, Volendam Girl, Tetouan Market Place, Morocco, James Hutcheon (d.c.1933), Venice, Ythan Mouth and El Marrakeshia. The ranking above gives each one's year and museum.

How many works did James Mcbey create?Reveal the answer

Our catalog holds 80 works by James Mcbey, dated from 1896 to 1938.

Where do James Mcbey's most famous originals hang?Reveal the answer

Mostly in Paisley Art Institute Collection (Paisley). The museum table above lists them all.

When did James Mcbey create the most famous paintings?Reveal the answer

In 1930s: 22 of the 79 works on this page were made then, Ythan Mouth among them.

Which are James Mcbey's earliest and latest famous works?Reveal the answer

On this page, the earliest is The Musician (1896) and the latest Atlas Mountains, Morocco (sketch) (1938).

Which subjects did James Mcbey return to most?Reveal the answer

Portrait (2) and Portrait painting (2), across the 79 works on this page.

Which movement is James Mcbey associated with?Reveal the answer

Impressionism and Contemporary realism, judging by the originals on this page.

James Mcbey: the artist

A Visionary Etcher Bridging Scottish Tradition and Global Exploration

James McBey was a master of the line and light, an artist whose life story is as much a narrative of self-invention as the evocative landscapes he captured on copper plates and canvas. Born in 1883 in Newburgh, Aberdeenshire, McBey’s journey from a humble clerk in a local bank to one of Scotland’s most celebrated printmakers is nothing short of extraordinary. Lacking formal academic training in his youth, he possessed an insatiable curiosity that led him to study the technical treatises of masters like Maxime Lalanne by candlelight. This self-directed discipline allowed him to develop a visual vocabulary rooted in meticulous detail and atmospheric depth, eventually establishing him as a cornerstone of the early 20th-century etching revival.

His early artistic impulses were deeply tethered to the rugged beauty of his homeland. The dramatic vistas of the Scottish Highlands, with their sweeping heather moorlands and mist-shrouded mountains, provided the perfect crucible for honing his mastery of tonal subtlety. Influenced by the atmospheric legacies of Turner and the delicate precision of Whistler, McBey learned to manipulate light to evoke emotion, a skill that would later serve him as his horizons expanded far beyond the borders of Scotland. His work during this period established a foundational strength in composition, where every etched line served to build a sense of place and permanence.

From the Highlands to the Heart of History

As McBey’s reputation grew, so too did the geographical scope of his subject matter. The artist’s life became a tapestry of global encounters, moving from the familiar terrains of Britain to the sun-drenched landscapes of North Africa and the Middle East. This period of exploration brought about some of his most significant historical contributions. During the First World War, McBey acted as a vital visual chronicler, capturing the monumental shifts of geopolitical power with a raw, journalistic precision. His masterpiece, The Allies Entering Jerusalem, 11 December 1917, stands as a profound testament to this era, rendering the complex movement of cavalry and infantry through the Jaffa Gate with both historical gravity and artistic grace.

This fascination with the "other" and the exotic allowed him to explore themes of light and texture in ways that were impossible in the muted tones of Scotland. His travels through Morocco and Spain introduced a vibrant palette and a new interest in the interplay of shadow and heat. Whether rendering the rhythmic movement of a Spanish figure in Felix Sanchez (The Picador) or the delicate, colorful bloom of Red Hibiscus, McBey possessed a unique ability to translate the sensory experiences of foreign lands into a language that resonated with a global audience. His work became a bridge between the intimate observations of a traveler and the grand narratives of history.

A Legacy of Education and Artistic Stewardship

Beyond his personal output of prints and paintings, McBey’s impact on the art world was cemented through his profound commitment to the next generation of creators. Serving as the Director of the Dundee Art School from 1920 until 1959, he transformed the institution into a vital center for Scottish art instruction. He did not merely teach technique; he championed a philosophy of direct observation and experimental courage. By fostering an environment where students could engage with diverse traditions while maintaining their own unique voices, he ensured that his influence would ripple through decades of subsequent artistic movements.

McBey’s life concluded in 1959 in Tangier, Morocco, a fitting end for an artist whose soul was forever entwined with the far reaches of the world. His legacy remains preserved not only in the prestigious collections of museums worldwide but also in the very spirit of printmaking excellence he helped define. To look upon a McBey etching is to witness a moment frozen in time—a blend of historical truth and poetic interpretation that continues to captivate the modern eye.