In short
Fish still life before a landscape with fishermen (1674) is the Jacob Gillig painting that draws the most eyes; the original belongs to the Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe, Kassel. After it, the eye goes to Dead Fish Overflowing from a Basket Placed on a Stone Slab (1650) and Still life with two fish (1660). Among the 13 works of Jacob Gillig in our catalog, these 12 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
Top 10 paintings by Jacob Gillig, through the gallery's eye
Jacob Gillig's famous paintings, numbers 11 to 12
The museums that keep Jacob Gillig's originals
The 5 museums that hold the most of the paintings on this page.
| Museum | City | Works by Jacob Gillig | Paintings from this list |
|---|---|---|---|
| Utrecht | 3 | Fish Still Life with Sliced Pike and Other Freshwater Fish, Fish Still Life with Sliced Sea Fish and Oysters; on the right in the background the sea and the beach with fisherman, lady and gentleman, Still Life with Freshwater Fish, Toe Trap and Fishing Net | |
| Berlin | 2 | Still Life with Dead Fish, Fish still life | |
| Ghent | 2 | Still Life with Fish, Still Life with Fish | |
| Kassel | 1 | Fish still life before a landscape with fishermen | |
| Rotterdam | 1 | Fish, lying on nets |
Jacob Gillig across the decades: one unique original for each
Works per decade
Pick a decade to see the original that defines it.
Jacob Gillig's paintings: questions for the gallery
What is the single most famous work of Jacob Gillig?Reveal the answer
Fish still life before a landscape with fishermen (1674), Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe, Kassel. Dead Fish Overflowing from a Basket Placed on a Stone Slab (1650) and Still life with two fish (1660) come next.
At what age did Jacob Gillig create Fish still life before a landscape with fishermen?Reveal the answer
38 years old: Fish still life before a landscape with fishermen dates from 1674, and Jacob Gillig was born in 1636.
Which ten paintings by Jacob Gillig are the most famous?Reveal the answer
Fish still life before a landscape with fishermen, Dead Fish Overflowing from a Basket Placed on a Stone Slab, Still life with two fish, Still Life with Dead Fish, Fish still life, Fish Still Life with Sliced Pike and Other Freshwater Fish, Fish Still Life with Sliced Sea Fish and Oysters; on the right in the background the sea and the beach with fisherman, lady and gentleman, Still Life with Freshwater Fish, Toe Trap and Fishing Net, Fish, lying on nets and Still Life with Fish. The ranking above gives each one's year and museum.
How many works by Jacob Gillig are known?Reveal the answer
Our catalog holds 13 works by Jacob Gillig, dated from 1650 to 1687.
Where can the most famous Jacob Gillig originals be seen?Reveal the answer
Mostly in Centraal Museum (Utrecht), Gemäldegalerie (Berlin) and Museum of Fine Arts Ghent (MSK) (Ghent). The museum table above lists them all.
During which period did Jacob Gillig create the best-known paintings?Reveal the answer
In 1660s: 3 of the 12 works on this page were made then, Still life with two fish among them.
Which famous Jacob Gillig painting is the earliest, and which the latest?Reveal the answer
On this page, the earliest is Dead Fish Overflowing from a Basket Placed on a Stone Slab (1650) and the latest Fish Still Life with Sliced Sea Fish and Oysters; on the right in the background the sea and the beach with fisherman, lady and gentleman (1687).
What Jacob Gillig originals can I see at the Centraal Museum?Reveal the answer
Fish Still Life with Sliced Pike and Other Freshwater Fish, Fish Still Life with Sliced Sea Fish and Oysters; on the right in the background the sea and the beach with fisherman, lady and gentleman and Still Life with Freshwater Fish, Toe Trap and Fishing Net: the Centraal Museum, Utrecht holds 3 of the works on this page.
Jacob Gillig: a portrait of the artist
The Silent Observer of Utrecht: The Life of Jacob Gillig
In the bustling heart of the Dutch Golden Age, amidst the vibrant commerce and rhythmic pulse of Utrecht, lived a man whose life was defined by an unusual duality. Jacob Gillig, born around 1636, did not follow the traditional path of a guild-sanctioned master. Instead, his existence was woven into the very fabric of civic duty and trade; he served as a merchant and later as a prison warden. There is a poetic irony in his biography, for the city prison where he worked stood adjacent to the local fish market. It was likely within this sensory landscape—the scent of salt, the shimmer of scales under morning light, and the lively bartering of vendors—that Gillig found his true calling. Though he did not begin his formal artistic journey until his twenties, the world around him provided a constant, living canvas that would eventually define his legacy.
While history notes that Gillig attempted his hand at portraiture, these early endeavors were met with mixed reviews, as contemporary accounts suggest his likenesses lacked the essential spark of their subjects. However, it was in the quiet, meticulous realm of still life that he found his true voice. He became a specialist of the aquatic, capturing the glistening textures and organic forms of various fish species with an intimacy that transcended mere documentation. His work moved beyond simple observation, embracing a pyramidal composition that lent a sense of structural stability and classical grace to even the most humble subjects. This mastery of form was so profound that his compositions were highly respected in Utrecht and even served as inspiration for other notable painters, such as Abraham Mignon.
A Legacy Captured in Scales and Light
The significance of Gillig’s oeuvre lies in its ability to elevate the mundane to the monumental. Through his brush, a simple catch from the market became an exploration of light, moisture, and life. His paintings are characterized by a remarkable attention to detail, where the damp sheen on a fish's skin or the subtle translucency of a fin can be felt by the viewer. This dedication to the tactile reality of his subjects allowed him to contribute meaningfully to the Dutch Golden Age tradition of still life painting, a genre that celebrated the abundance and prosperity of the era.
Though he never officially registered as a master with the Utrecht Guild of Painters, the enduring quality of his work ensured his place in the annals of art history. His life, which concluded in 1701, left behind a collection of works that continue to fascinate collectors and historians alike. To look upon a Gillig painting is to step into the atmosphere of 17th-century Utrecht, feeling the connection between the artist's daily labors as a warden and his transcendent ability to capture the fleeting beauty of the natural world.





