Frederick Richard Pickersgill

1820 - 1900

Essentials

  • Creative periods: mature period
  • Art period: 19th Century
  • Also known as:
    • فريدريك ريتشارد بيكرزغيل
    • Фредерик Ричард Пикерсгилл
  • Born: 1820, London, United Kingdom
  • Color intensity:
    • balanced
    • monochromatic
  • Nationality: United Kingdom
  • Corpus themes: pre-raphaelite influence
  • Top 3 works:
    • Lady in Persian Dress
    • Amoret, Aemylia and Prince Arthur, in the Cottage of Sclaunder
    • The Death of Francesco Foscari, Doge of Venice

Frederick Richard Pickersgill: Life & Art

Early Life and Education

  • Born: London, United Kingdom in 1820.
  • Pickersgill came from a family of artists, fostering an early interest in the visual arts.
  • He was admitted to the prestigious Royal Academy Schools in 1840, receiving formal training in artistic techniques and principles.

Artistic Career & Style

  • Pickersgill exhibited consistently at the Royal Academy between 1839 and 1875, establishing his presence within the British art scene.
  • Themes: His work frequently depicted scenes drawn from literature – including works by Edmund Spenser and John Milton – as well as religious narratives and historical events.
  • Style: Pickersgill’s style is generally categorized as Romantic, with increasing influences from the Pre-Raphaelite movement.
  • He was known for detailed compositions, dramatic lighting, and a focus on narrative storytelling within his paintings.

Major Achievements & Notable Works

  • The Burial of Harold (1847): This work was accepted as a decoration for the Houses of Parliament, earning him significant recognition and a commission of £500.
  • Other Notable Works: Include “Flight of the Pagan Deities,” “Britomart Unarming”, “Crowned By Cupid” and several paintings depicting scenes from Shakespeare’s plays.
  • He also produced landscape paintings, demonstrating his versatility as an artist.

Influences & Artistic Development

  • Pre-Raphaelite Influence: While not a core member of the Pre-Raphaelite Brotherhood, Pickersgill’s work shows clear influences from their emphasis on detail, vibrant color, and narrative complexity.
  • His early training at the Royal Academy provided him with a strong foundation in academic painting techniques.
  • Pickersgill experimented with photography, being photographed himself by Robert Howlett in 1856 and potentially engaging in photographic practice.

Later Life & Legacy

  • Pickersgill was elected an Associate of the Royal Academy in 1847 and became a full Royal Academician in June 1857, signifying his standing within the art establishment.
  • He served as Keeper of the Royal Academy Schools from 1873 to 1887, contributing to the education of future generations of artists.
  • Pickersgill retired in 1888 and passed away in 1900.
  • Historical Significance: Frederick Richard Pickersgill represents a transitional figure between Romanticism and the Pre-Raphaelite movement, contributing to the rich tapestry of Victorian art. His works offer valuable insights into the artistic tastes and cultural values of his time.

Questions & Answers

Can I study Frederick Richard Pickersgill's use of color across all works?

The Palette Genome of Frederick Richard Pickersgill is a page that presents the color profile of the artist's body of work.

How is Frederick Richard Pickersgill's career divided into periods?

The Chronicle of Frederick Richard Pickersgill is a scroll-driven timeline that presents the artist's works in chronological order, grouped into career-period chapters.

Where are Frederick Richard Pickersgill's artworks organized by color?

The Spectral Index of Frederick Richard Pickersgill is a page that organizes the artist's artworks by their colors.

In which historical period did Frederick Richard Pickersgill work?

Frederick Richard Pickersgill worked in the 19th-Century period. The period situates the artist's activity in history.

Quiz

There is only one correct answer for each question.

Question 1:
Frederick Richard Pickersgill was associated with which prominent art movement?
Question 2:
Pickersgill exhibited regularly at which prestigious institution?
Question 3:
What was a common theme explored in Pickersgill's paintings?
Question 4:
Pickersgill's 'The Burial of Harold' was commissioned for decoration in what location?