Portrait of Ferdinand Kobell

The 38 Most Famous Ferdinand Kobell Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 39 works by Ferdinand Kobell in our catalogue

In short

Of all the originals Ferdinand Kobell left, the most famous is Evening Landscape (1771), in the collection of the Augustiner Museum, Freiburg. Close behind it come Wide Valley Landscape (1785) and Landscape with Shepherds and Cattle by a River (1783). Our catalog holds 39 works by Ferdinand Kobell; the gallery has kept the 38 the world admires most, each shown with its date, its museum and its story.

1740 – 1799, Mannheim Most works: Bavarian State Painting Collections

Ferdinand Kobell's top 10 paintings: the gallery's choice

The Ferdinand Kobell selection continues, 11 to 38

11Landscape with Hut and Draw Well (1771) by Ferdinand KobellLandscape with Hut and Draw Well1771 · Augustiner Museum 12Ideal Landscape with Herd of Cattle (1777) by Ferdinand KobellIdeal Landscape with Herd of Cattle1777 · Bavarian State Painting Collections 13Landscape with Rider and Flock of Sheep (1781) by Ferdinand KobellLandscape with Rider and Flock of Sheep1781 · Bavarian State Painting Collections 14Landscape with Rider on a Path between Two Lakes (1780) by Ferdinand KobellLandscape with Rider on a Path between Two Lakes1780 · Bavarian State Painting Collections 15Forest Edge with Cattle by the Lake (1784) by Ferdinand KobellForest Edge with Cattle by the Lake1784 · Bavarian State Painting Collections 16View from Aschaffenburg of Schloss Schönbusch (Aschaffenburg Cycle) (1785) by Ferdinand KobellView from Aschaffenburg of Schloss Schönbusch (Aschaffenburg Cycle)1785 · Bavarian State Painting Collections 17Shepherd with Herd (Midday) (1780) by Ferdinand KobellShepherd with Herd (Midday)1780 · Bavarian State Painting Collections 18Evening Landscape (1777) by Ferdinand KobellEvening Landscape1777 · Bavarian State Painting Collections 19River Landscape with Shepherds and Their Herd (1784) by Ferdinand KobellRiver Landscape with Shepherds and Their Herd1784 · Bavarian State Painting Collections 20River Landscape in Stormy Mood with Horses (1784) by Ferdinand KobellRiver Landscape in Stormy Mood with Horses1784 · Bavarian State Painting Collections 21River Landscape (The Morning) (1780) by Ferdinand KobellRiver Landscape (The Morning)1780 · Bavarian State Painting Collections 22Landscape with Sunset (1781) by Ferdinand KobellLandscape with Sunset1781 · Bavarian State Painting Collections 23Landscape with Rider on a Path with Oaks (1780) by Ferdinand KobellLandscape with Rider on a Path with Oaks1780 · Bavarian State Painting Collections 24Landscape with Shepherd and Cattle on a Path under Trees (1785) by Ferdinand KobellLandscape with Shepherd and Cattle on a Path under Trees1785 · Bavarian State Painting Collections 25The Aschaffenburg Schloss from the Northwest (Aschaffenburg Cycle) (1785) by Ferdinand KobellThe Aschaffenburg Schloss from the Northwest (Aschaffenburg Cycle)1785 · Bavarian State Painting Collections 26Winter Landscape with Two Riders (1777) by Ferdinand KobellWinter Landscape with Two Riders1777 · Staatliche Kunsthalle Karlsruhe 27Mountain landscape with waterfall (1779) by Ferdinand KobellMountain landscape with waterfall1779 · Staatliche Kunsthalle Karlsruhe 28View of Aschaffenburg from the East (Aschaffenburg Cycle) (1787) by Ferdinand KobellView of Aschaffenburg from the East (Aschaffenburg Cycle)1787 · Bavarian State Painting Collections 29View from Schloss Aschaffenburg on the City towards the Northeast (Aschaffenburg Cycle) (1786) by Ferdinand KobellView from Schloss Aschaffenburg on the City towards the Northeast (Aschaffenburg Cycle)1786 · Bavarian State Painting Collections 30View from Schloss Aschaffenburg looking down the Main towards the Kapuzinerkloster (Aschaffenburger Zyklus) (1786) by Ferdinand KobellView from Schloss Aschaffenburg looking down the Main towards the Kapuzinerkloster (Aschaffenburger Zyklus)1786 · Bavarian State Painting Collections 31View from Aschaffenburg towards Goldbach (Aschaffenburg Cycle) (1789) by Ferdinand KobellView from Aschaffenburg towards Goldbach (Aschaffenburg Cycle)1789 · Bavarian State Painting Collections 32View from the Aschaffenburg Schloss on Marstall and Mainbrücke (Aschaffenburg Cycle) (1786) by Ferdinand KobellView from the Aschaffenburg Schloss on Marstall and Mainbrücke (Aschaffenburg Cycle)1786 · Bavarian State Painting Collections 33Upper Lake and Schloss Schönbusch near Aschaffenburg (Aschaffenburg Cycle) (1786) by Ferdinand KobellUpper Lake and Schloss Schönbusch near Aschaffenburg (Aschaffenburg Cycle)1786 · Bavarian State Painting Collections 34The Main Bridge near Aschaffenburg (Aschaffenburg Cycle) (1786) by Ferdinand KobellThe Main Bridge near Aschaffenburg (Aschaffenburg Cycle)1786 · Bavarian State Painting Collections 35River Landscape by Ferdinand KobellRiver LandscapeBavarian State Painting Collections 36Rhineland Landscape by Ferdinand KobellRhineland LandscapeBavarian State Painting Collections 37Moonlight Landscape with Fishermen at the Campfire by Ferdinand KobellMoonlight Landscape with Fishermen at the CampfireStaatliche Kunsthalle Karlsruhe 38Landscape with Travelers by Ferdinand KobellLandscape with TravelersHarvard Art Museums

The museums that keep Ferdinand Kobell's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Ferdinand Kobell Paintings from this list
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 30 Wide Valley Landscape, Landscape with Shepherds and Cattle by a River, Rider in a Ford (The Evening)
Staatliche Kunsthalle Karlsruhe, CarlsruheStaatliche Kunsthalle Karlsruhe Carlsruhe 3 Winter Landscape with Two Riders, Mountain landscape with waterfall, Moonlight Landscape with Fishermen at the Campfire
Augustiner Museum, FreiburgAugustiner Museum Freiburg 2 Evening Landscape, Landscape with Hut and Draw Well
Lenbachhaus, MunichLenbachhaus Munich 1 River Landscape in Moonlight
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 Landscape with Travelers

Ferdinand Kobell decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Ferdinand Kobell's paintings

Which work is Ferdinand Kobell most famous for?Reveal the answer

Evening Landscape (1771), Augustiner Museum, Freiburg. Wide Valley Landscape (1785) and Landscape with Shepherds and Cattle by a River (1783) come next.

What age was Ferdinand Kobell when Evening Landscape was made?Reveal the answer

31 years old: Evening Landscape dates from 1771, and Ferdinand Kobell was born in 1740.

What are the ten most famous Ferdinand Kobell paintings?Reveal the answer

Evening Landscape, Wide Valley Landscape, Landscape with Shepherds and Cattle by a River, Rider in a Ford (The Evening), Cows with shephed in a landscape, River Landscape in Moonlight, Wooded Hilly Landscape, Large Landscape with Mountain Stream, Mountain landscape with between rock walls and Road between rock walls. The ranking above gives each one's year and museum.

How many paintings did Ferdinand Kobell leave?Reveal the answer

Our catalog holds 39 works by Ferdinand Kobell, dated from 1765 to 1789.

In which museums do Ferdinand Kobell's masterpieces hang?Reveal the answer

Mostly in Bavarian State Painting Collections (Munich), Staatliche Kunsthalle Karlsruhe (Carlsruhe) and Augustiner Museum (Freiburg). The museum table above lists them all.

In which years did Ferdinand Kobell paint the most famous works?Reveal the answer

In 1780s: 22 of the 38 works on this page were made then, Wide Valley Landscape among them.

What are the first and the last famous originals of Ferdinand Kobell?Reveal the answer

On this page, the earliest is Cows with shephed in a landscape (1765) and the latest View from Aschaffenburg towards Goldbach (Aschaffenburg Cycle) (1789).

Which Ferdinand Kobell works hang at the Bavarian State Painting Collections?Reveal the answer

Wide Valley Landscape, Landscape with Shepherds and Cattle by a River and Rider in a Ford (The Evening): the Bavarian State Painting Collections, Munich holds 30 of the works on this page.

Ferdinand Kobell: life and work

The Master of Line and Light: The Life of Ferdinand Kobell

In the twilight of the eighteenth century, a period defined by profound political shifts and the burgeoning spirit of European refinement, the name Ferdinand Kobell emerged as a vital force in the realms of German painting and copper engraving. Born on June 7, 1740, in the vibrant city of Mannheim, Kobell’s journey was one of transition—from the structured world of legal studies to the delicate, precise artistry of the engraver's needle. Though he initially pursued a path in law at Heidelberg, becoming a secretary to the court in 1760, the call of the visual arts proved irresistible. This pivot from the rigidity of jurisprudence to the fluid expression of art would eventually lead him to become a celebrated court painter and a pivotal figure in the artistic landscape of Mannheim and Munich.

Kobell’s early life was steeped in the industrious atmosphere of Mannheim, where his family roots traced back to Hesse. His upbringing provided a foundation of stability that allowed him to pursue a scholarship to the prestigious Mannheim Drawing Academy. It was here that his technical prowess began to crystallable, particularly in the intricate medium of copper engraving. His talent soon caught the attention of the ruling elite, leading to his appointment as a court painter in 1766. This professional ascent was not merely a matter of local recognition; it was fueled by an insatiable desire for broader horizons. A transformative eighteen-month study trip to Paris allowed him to engage with the great Johann Georg Wille, an encounter that undoubtedly refined his mastery of line and light, infusing his work with a sophisticated European elegance.

A Legacy Etched in Copper and Canvas

While Kobell’s oil paintings found homes in distinguished German galleries from Karlsruhe to Augsburg, it is through his masterful etchings that his true artistic soul is most vibrantly felt. His work as an engraver possesses a technical precision that transcends simple reproduction, capturing the atmospheric nuances of the landscapes he so loved. Heavily influenced by the Dutch master Nicolaes Pieterszoon Berchem, Kobell specialized in landscapes that breathed with life and movement. His etchings often evoke a sense of pastoral tranquility or dramatic natural beauty, achieved through a meticulous command of shadow and texture.

The breadth of his contribution to the printmaking tradition is staggering, with approximately 300 etchings surviving to tell his story. These works were not merely ephemeral sketches but significant artistic statements, later published in collections such as the Œuvres complètes de Ferdinand Kobell. His ability to translate the vastness of nature into the intimate scale of a print allowed him to influence a generation of artists, including his son, the renowned landscape and battle painter Wilhelm von Kobell. Through his needle, Ferdinand Kobell bridged the gap between the classical traditions of the past and the burgeoning romantic sensibilities of the future.

Historical Significance and Final Acts

The later years of Kobell’s life were marked by the same movement and adaptation that characterized his career. In 1794, as Elector Charles Theodore moved his court from Mannheim to Munich, Kobell followed, bringing his expertise to a new cultural epicenter. His dedication to the preservation and promotion of art was evidenced by his appointment as Director of the Palatinate Painting Gallery. This role placed him at the heart of German art administration, where he helped shape the collections that would define the era.

Though his life was tragically cut short in Munich on February 1, 1799, before he could officially reclaim his post in Mannheim, his impact remained indelible. He left behind a legacy defined by:

  • Technical Mastery: A profound command of copper engraving that elevated the medium within German art circles.
  • Artistic Lineage: The mentorship and inspiration provided to his son, Wilhelm von Kobell, ensuring the continuation of his stylistic influence.
  • Cultural Stewardship: His leadership in the Palatinate Painting Gallery, which helped safeguard significant works of European art.

Ferdinand Kobell remains a quintessential figure of the late Enlightenment, an artist whose work captures the precise moment when the structured elegance of the Rococo began to yield to the emotive depth of the coming Romantic age.