Portrait of Ernest Board

The 49 Most Famous Ernest Board Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 57 works by Ernest Board in our catalogue

In short

Of all the originals Ernest Board left, the most famous is Latimer Preaching before Edward VI at Paul's Cross, 1521 (1910). Close behind it come The Departure of John and Sebastian Cabot on their First Voyage of Discovery, 1497 (1906) and The Unloading of Two Captured Spanish Treasure Ships at Bristol in September, 1745 (1927). Our catalog holds 57 works by Ernest Board; the gallery has kept the 49 the world admires most, each shown with its date, its museum and its story.

1877 – 1934, Worcester Neoclassicism Most works: Bristol Museum - Art Gallery

Ernest Board's top 10 paintings: the gallery's choice

1
Latimer Preaching before Edward VI at Paul's Cross, 1521 (1910) by Ernest Board

Latimer Preaching before Edward VI at Paul's Cross, 1521

1910 · Oil

In this 1910 oil painting, Ernest Board captures a dense, atmospheric gathering at Paul's Cross. The scene focuses on the preacher Latimer, whose presence commands the attention of a vast, layered crowd. There is a palpable sense of stillness despite the multitude, as if the air itself has thickened with the weight of the sermon. The composition draws the eye through the assembly, moving from the figures in the immediate…

2
The Departure of John and Sebastian Cabot on their First Voyage of Discovery, 1497 (1906) by Ernest Board

The Departure of John and Sebastian Cabot on their First Voyage of Discovery, 1497

1906 · Oil · Bristol Museum - Art Gallery, Bristol

The scene captures a crowded harbor at the cusp of the late 15th century, a moment of high ceremony and mounting tension. Figures of varying social strata—armored knights, solemn clergy, and high-ranking royalty—converge in a dense, rhythmic composition. The air feels heavy with the weight of impending departure. Amidst the sea of humanity, birds scatter through a cloudy sky, adding a sense of restless movement to the structured assembly. Ships…

3
The Unloading of Two Captured Spanish Treasure Ships at Bristol in September, 1745 (1927) by Ernest Board

The Unloading of Two Captured Spanish Treasure Ships at Bristol in September, 1745

1927 · Oil · Bristol Museum - Art Gallery, Bristol

In his sweeping 1927 oil masterpiece, The Unloading of Two Captured Spanish Treasure Ships at Bristol in September, 1745, Ernest Board invites the viewer into a moment of profound historical jubilation. The canvas erupts with the kinetic energy of a port city transformed by the arrival of unimaginable wealth and naval prestige. At the heart of this bustling scene, a grand sailing ship looms majestically over the docks, its sails…

4
Dioscorides describing the mandrake (1909) by Ernest Board

Dioscorides describing the mandrake

1909 · Oil

In this oil painting, titled Dioscorides describing the mandrake, Ernest Board presents a scene rooted in historical scientific documentation. Created about 1909, the work captures a moment of quiet study within a classical setting. The subject matter focuses on the intersection of botanical observation and the recording of medical knowledge, centering on the figure of Dioscorides as he documents the properties of the mandrake plant.

5
Edward IV being Entertained by William Canynges at His House in Redcliff Street, 1461 (1918) by Ernest Board

Edward IV being Entertained by William Canynges at His House in Redcliff Street, 1461

1918 · Oil · Bristol Museum - Art Gallery, Bristol

The scene unfolds within an ornate, Gothic interior, capturing a moment of high ceremony and hospitality. A central female figure in white commands the space, her raised hands suggesting a moment of presiding over the assembly. Around her, a complex arrangement of nobles and attendants engages in the rituals of feasting and conversation. The composition utilizes a somewhat flattened perspective to prioritize the central action, drawing the eye through layers…

7
Joseph Priestley, the Discoverer of Oxygen (1912) by Ernest Board

Joseph Priestley, the Discoverer of Oxygen

1912 · Oil On Canvas

In this 1912 oil on canvas, we find ourselves within the private sanctuary of a Birmingham home. The scene is far from the sterile environment one might expect when considering scientific breakthroughs. Instead, Ernest Board places Joseph Priestley in a moment of quiet, domestic tension. He is captured mid-game, engaged in backgammon, when the sudden news of an impending attack on his house disrupts the stillness. There is a profound…

The Ernest Board selection continues, 11 to 49

11The Discovery of Quinine, 1820 (1910) by Ernest BoardThe Discovery of Quinine, 18201910 12Dioscorides Describing the Mandrake (1909) by Ernest BoardDioscorides Describing the Mandrake1909 13Mundinus, the Italian Anatomist, Making His First Dissection in the Anatomy Theatre at Bologna, 1318 by Ernest BoardMundinus, the Italian Anatomist, Making His First Dissection in the Anatomy Theatre at Bologna, 1318 14The Marriage of William Penn and Hannah Callowhill, 1696 (1915) by Ernest BoardThe Marriage of William Penn and Hannah Callowhill, 16961915 · Bristol Museum And Art Gallery 15An Allegorical Picture of Bristol (1917) by Ernest BoardAn Allegorical Picture of Bristol1917 · Bristol Museum - Art Gallery 16The Burial of William Canynges at Redcliffe Church, 1474 (1915) by Ernest BoardThe Burial of William Canynges at Redcliffe Church, 14741915 · Bristol Museum - Art Gallery 17Sir Patrick Manson (1844–1922), Experimenting with Filaria sanguinis hominis in Amoy (Xiamen), China (1912) by Ernest BoardSir Patrick Manson (1844–1922), Experimenting with Filaria sanguinis hominis in Amoy (Xiamen), China1912 18The Marriage of William Penn and Hannah Callowhill at the Friends' Meeting House, The Friary, Bristol, 1696 (1916) by Ernest BoardThe Marriage of William Penn and Hannah Callowhill at the Friends' Meeting House, The Friary, Bristol, 16961916 · Bristol Museum - Art Gallery 19Blue and Gold (1918) (1918) by Ernest BoardBlue and Gold (1918)1918 · Fitzwilliam Museum 20First World War A Scottish Soldier, Wearing the Kilt, Lying Wounded on a Battlefield (1918) by Ernest BoardFirst World War A Scottish Soldier, Wearing the Kilt, Lying Wounded on a Battlefield1918 21'Sumer Is Icumen In' (1920) by Ernest Board'Sumer Is Icumen In'1920 · Reading Museum - Town Hall 22Edward IV being Entertained by William Canynges at His House in Redcliff Street, 1461 (1918) by Ernest BoardEdward IV being Entertained by William Canynges at His House in Redcliff Street, 14611918 · Bristol Museum And Art Gallery 23First World War A Scottish Soldier, Wearing the Kilt, Lying Wounded on a Battlefield (1918) by Ernest BoardFirst World War A Scottish Soldier, Wearing the Kilt, Lying Wounded on a Battlefield1918 24King Edward IV and His Queen, Elizabeth Woodville at Reading Abbey, 1464 (1923) by Ernest BoardKing Edward IV and His Queen, Elizabeth Woodville at Reading Abbey, 14641923 · Reading Museum 25Blue and Gold (1918) by Ernest BoardBlue and Gold1918 · Fitzwilliam College 26The Discovery of Quinine, 1820 (1919) by Ernest BoardThe Discovery of Quinine, 18201919 27Some Who Have Made Bristol Famous (1930) by Ernest BoardSome Who Have Made Bristol Famous1930 · Bristol Museum - Art Gallery 28The Earthly Army by Ernest BoardThe Earthly ArmyBristol Museum - Art Gallery 29Lavoisier Explaining to His Wife the Result of His Experiments on Air by Ernest BoardLavoisier Explaining to His Wife the Result of His Experiments on Air 30The First Use of Ether in Dental Surgery, 1846 by Ernest BoardThe First Use of Ether in Dental Surgery, 1846 31Mundinus, the Italian Anatomist, Making His First Dissection in the Anatomy Theatre at Bologna, 1318 by Ernest BoardMundinus, the Italian Anatomist, Making His First Dissection in the Anatomy Theatre at Bologna, 1318 32Robert, Earl of Gloucester, Building the Great Keep of Bristol Castle, 1116 by Ernest BoardRobert, Earl of Gloucester, Building the Great Keep of Bristol Castle, 1116Bristol Museum - Art Gallery 33An Invocation to I em hetep, the Egyptian Deity of Medicine by Ernest BoardAn Invocation to I em hetep, the Egyptian Deity of Medicine 34Leeuwenhoek with His Microscope by Ernest BoardLeeuwenhoek with His Microscope 35Patients Sleeping in the Temple of Aesculapius at Epidaurus by Ernest BoardPatients Sleeping in the Temple of Aesculapius at Epidaurus 36Roger Bacon in His Observatory at Merton College, Oxford by Ernest BoardRoger Bacon in His Observatory at Merton College, Oxford 37Albucasis Blistering a Patient in the Hospital at Cordoba by Ernest BoardAlbucasis Blistering a Patient in the Hospital at Cordoba 38Study of a Young Girl in a Rowing Boat with a Dog by Ernest BoardStudy of a Young Girl in a Rowing Boat with a DogRoyal West of England Academy 39Albertus Magnus Expounding His Doctrines of Physical Science in the Streets of Paris, c.1245 by Ernest BoardAlbertus Magnus Expounding His Doctrines of Physical Science in the Streets of Paris, c.1245 40The Healing Art in Pre Historic Times by Ernest BoardThe Healing Art in Pre Historic Times 41Christopher Wren Demonstrating His Method of Introducing Drugs into a Vein, before Dr Willis, 1667 by Ernest BoardChristopher Wren Demonstrating His Method of Introducing Drugs into a Vein, before Dr Willis, 1667 42Pascal's Experiment in the Puy de Dôme to Test the Relation between Atmospheric Pressure and Altitude by Ernest BoardPascal's Experiment in the Puy de Dôme to Test the Relation between Atmospheric Pressure and Altitude 43Abbaye of Saint Antoine, Sologne, France Pilgrims Suffering from St Antony's Fire Approach the Infirmary by Ernest BoardAbbaye of Saint Antoine, Sologne, France Pilgrims Suffering from St Antony's Fire Approach the Infirmary 44The First Use of Ether in Dental Surgery, 1846 by Ernest BoardThe First Use of Ether in Dental Surgery, 1846 45William Gilbert Demonstrating the Magnet before Elizabeth I, 1598 by Ernest BoardWilliam Gilbert Demonstrating the Magnet before Elizabeth I, 1598 46Guy de Chauliac Bandaging the Leg of Pope Clement VI at Avignon, c.1348 by Ernest BoardGuy de Chauliac Bandaging the Leg of Pope Clement VI at Avignon, c.1348 47William Harvey Demonstrating His Theory of Circulation of Blood before Charles I by Ernest BoardWilliam Harvey Demonstrating His Theory of Circulation of Blood before Charles I 48Ambroise Paré Using the Ligature when Amputating on the Battlefield at the Siege of Bramvilliers, 1552 by Ernest BoardAmbroise Paré Using the Ligature when Amputating on the Battlefield at the Siege of Bramvilliers, 1552 49Rhazes, Persian Physician and Alchemist, in His Laboratory at Baghdad (originally titled by the artist 'Rhazes, Arab Physician and Alchemist, in His Laboratory at Baghdad') by Ernest BoardRhazes, Persian Physician and Alchemist, in His Laboratory at Baghdad (originally titled by the artist 'Rhazes, Arab Physician and Alchemist, in His Laboratory at Baghdad')

The subjects that held Ernest Board's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Ernest Board's originals

The 7 museums that hold the most of the paintings on this page.

Museum City Works by Ernest Board Paintings from this list
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 11 The Departure of John and Sebastian Cabot on their First Voyage of Discovery, 1497, The Unloading of Two Captured Spanish Treasure Ships at Bristol in September, 1745, Edward IV being Entertained by William Canynges at His House in Redcliff Street, 1461
Bristol Museum And Art Gallery, BristolBristol Museum And Art Gallery Bristol 3 The Heavenly Army, The Marriage of William Penn and Hannah Callowhill, 1696, Edward IV being Entertained by William Canynges at His House in Redcliff Street, 1461
Fitzwilliam MuseumFitzwilliam Museum 1 Blue and Gold (1918)
Reading Museum - Town Hall, ReadingReading Museum - Town Hall Reading 1 'Sumer Is Icumen In'
Reading Museum, ReadingReading Museum Reading 1 King Edward IV and His Queen, Elizabeth Woodville at Reading Abbey, 1464
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 Blue and Gold
Royal West of England Academy, BristolRoyal West of England Academy Bristol 1 Study of a Young Girl in a Rowing Boat with a Dog

Ernest Board decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Ernest Board's paintings

Which work is Ernest Board most famous for?Reveal the answer

Latimer Preaching before Edward VI at Paul's Cross, 1521 (1910). The Departure of John and Sebastian Cabot on their First Voyage of Discovery, 1497 (1906) and The Unloading of Two Captured Spanish Treasure Ships at Bristol in September, 1745 (1927) come next.

What age was Ernest Board when Latimer Preaching before Edward VI at Paul's Cross, 1521 was made?Reveal the answer

33 years old: Latimer Preaching before Edward VI at Paul's Cross, 1521 dates from 1910, and Ernest Board was born in 1877.

What are the ten most famous Ernest Board paintings?Reveal the answer

Latimer Preaching before Edward VI at Paul's Cross, 1521, The Departure of John and Sebastian Cabot on their First Voyage of Discovery, 1497, The Unloading of Two Captured Spanish Treasure Ships at Bristol in September, 1745, Dioscorides describing the mandrake, Edward IV being Entertained by William Canynges at His House in Redcliff Street, 1461, Sketch for 'Some Who Have Made Bristol Famous', Joseph Priestley, the Discoverer of Oxygen, The Heavenly Army, The Heavenly Army and Vaccination Dr Jenner Performing His First Vaccination, 1796. The ranking above gives each one's year and museum.

How many paintings did Ernest Board leave?Reveal the answer

Our catalog holds 57 works by Ernest Board, dated from 1906 to 1930.

In which museums do Ernest Board's masterpieces hang?Reveal the answer

Mostly in Bristol Museum - Art Gallery (Bristol), Bristol Museum And Art Gallery (Bristol) and Fitzwilliam Museum. The museum table above lists them all.

In which years did Ernest Board paint the most famous works?Reveal the answer

In 1910s: 15 of the 49 works on this page were made then, Latimer Preaching before Edward VI at Paul's Cross, 1521 among them.

What are the first and the last famous originals of Ernest Board?Reveal the answer

On this page, the earliest is The Departure of John and Sebastian Cabot on their First Voyage of Discovery, 1497 (1906) and the latest Some Who Have Made Bristol Famous (1930).

Which subjects did Ernest Board choose most often?Reveal the answer

Man (2), Woman (2) and Dramatic lighting (2), across the 49 works on this page.

Which technique did Ernest Board use most?Reveal the answer

Oil, for 5 of the 49 works on this page.

To which art movement does Ernest Board belong?Reveal the answer

Neoclassicism, judging by the originals on this page.

Which Ernest Board works hang at the Bristol Museum - Art Gallery?Reveal the answer

The Departure of John and Sebastian Cabot on their First Voyage of Discovery, 1497, The Unloading of Two Captured Spanish Treasure Ships at Bristol in September, 1745 and Edward IV being Entertained by William Canynges at His House in Redcliff Street, 1461: the Bristol Museum - Art Gallery, Bristol holds 11 of the works on this page.

Ernest Board: life and work

The Precision of Vision: The Life and Legacy of Ernest Board

In the grand tapestry of late Victorian and Edwardian art, where many masters sought the ethereal light of landscapes or the romanticized grandeur of portraits, Ernest Board (1877–1934) carved a unique and vital niche. He was an artist who found profound beauty in the empirical, a man whose brush served as both a creative instrument and a scientific tool. As a pioneer of scientific illustration, Board possessed the rare ability to marry the meticulous accuracy required by the burgeoning medical sciences with the aesthetic grace of the fine arts. His work does not merely observe; it illuminates, bringing clarity to the complex structures of life and the monumental moments of human discovery.

Board’s artistic foundation was laid in the vibrant intellectual atmosphere of London, where he studied at the prestigious Slade School of Fine Art. It was here that he walked alongside luminaries such as William Holman Hunt and John Ruskin, figures whose devotion to the Pre-Raphaelite ideal of "truth to nature" would deeply inform his professional ethos. From these mentors, Board inherited a reverence for minute detail and an uncompromising commitment to observational accuracy. This influence is evident in his refusal to rely on mere stylistic embellishment, choosing instead to let the inherent complexity of his subjects—be they anatomical or historical—speak through precise tonal subtlety and structural integrity.

Bridging the Gap Between Art and Science

The true brilliance of Board’s career lay in his ability to navigate the intersection of the laboratory and the studio. During the Edwardian era, as scientific understanding expanded at a breathtaking pace, there arose a desperate need for visual communication that could transcend the limitations of early photographic technology. Board rose to this challenge with unparalleled skill, securing prestigious commissions from seminal scientific journals such as Nature and The Lancet. His illustrations were far more than decorative accompaniments; they were essential pedagogical instruments that allowed surgeons and researchers to visualize the unseen.

His mastery of the medium allowed him to transform daunting anatomical diagrams into captivating visual narratives. Whether rendering the intricate layers of human musculature or the precise mechanics of surgical instruments, Board imbued his subjects with a sense of vitality. This period of his work represents a significant achievement in the history of medical illustration, as he helped foster public and professional comprehension of groundbreaking medical advancements through images that were as educationally rigorous as they were visually arresting.

Historical Narratives and Scientific Milestones

Beyond the microscopic and the anatomical, Board’s repertoire extended into the realm of historical and scientific commemoration. He possessed a remarkable talent for capturing the "eureka" moments of history, painting scenes that celebrated the giants of science with a Neoclassical dignity. His work often focused on pivotal discoveries that altered the course of human knowledge, such as:

  • Joseph Priestley, the Discoverer of Oxygen: A profound 1912 oil painting that captures the essence of scientific breakthrough through a lens of historical significance and classical beauty.
  • The Discovery of Quinine, 1820: An exploration of medical history that highlights his ability to dramatize the moment scientific progress meets human necessity.
  • Regional Tributes: His ability to connect science with local heritage, as seen in works documenting those who shaped the identity of cities like Bristol.

Through these works, Board ensured that the triumphs of the intellect were preserved within the canon of fine art. His legacy remains a testament to the idea that science and art are not opposing forces, but rather two different languages describing the same magnificent reality. In an age of rapid industrial and scientific change, Ernest Board provided a visual anchor, documenting the evolution of human understanding with a steady, masterful hand.