Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 366 works by Edward Hopper in our catalogue
In short
To the gallery's eye, Edward Hopper's most famous painting is Nighthawks, The Art Institute of Chicago, Chica (1942), whose original hangs in the Art Institute of Chicago, Chicago. Automat (small) and House by the Railroad (1925) complete the trio every eye recognises. Of the 366 works by Edward Hopper in our catalog, the gallery presents the 100 most famous below, each original with its year, its museum and what makes it unique.
Created in 1942, this iconic painting captures a late-night scene within an all-night diner, becoming one of the most recognizable images in American art. More than just a depiction of urban life, it's a profound exploration of modern alienation and the quiet solitude found even amidst bustling cityscapes.
Edward Hopper’s “Automat” (small), a deceptively simple depiction of a woman seated alone at a cafe table, is a masterclass in conveying the profound sense of solitude that characterized much of 20th-century American life. Painted during a period of rapid urbanization and social change, this work resonates with a quiet melancholy that speaks to the alienation inherent in modern existence. Hopper’s ability to capture fleeting moments of human experience –…
Introduction to Edward Hopper and His Work Edward Hopper, a renowned American artist, is celebrated for his captivating oil paintings that often depicted modern life in the early 20th century. One of his most notable works is "House by the Railroad," which is currently housed at the Museum of Modern Art (New York, United States). This painting, created in 1925, showcases Hopper's unique style and ability to evoke a sense…
The Painting "CITE>New York Movie" by Edward Hopper is a poignant oil on canvas painting created in 1939. It is currently housed at the prestigious Museum of Modern Art (MoMA) in New York City, United States. This masterpiece exemplifies Hopper's unique ability to capture the essence of urban life, often focusing on themes of isolation and contemplation. Composition and Symbolism The painting depicts a woman standing alone in front of…
Edward Hopper's untitled (5560) is far more than a mere depiction of a roadside service station; it is a distilled essence of the American experience, a moment frozen in time that speaks volumes about human connection and the profound weight of isolation. Painted during the transformative years between 1942 and 1945, this monochrome masterpiece captures a scene familiar to the mid-century traveler—the late-night glow of artificial light illuminating a sparsely…
The painting is a color oil depiction of a city street in New York City shortly after sunrise. The scene features a row of buildings along Seventh Avenue, with some windows having curtains drawn. A red and blue striped barber pole and a green fire hydrant are visible along the sidewalk, which also features a dog sitting near one of the buildings. The street appears empty and quiet, with no…
A Masterpiece of Solitude and Light Edward Hopper's "Automat" (1927) is a quintessential example of American Realism, capturing the quiet solitude and introspective mood that define much of his work. This evocative painting invites viewers into a dimly lit interior where a lone woman sits at a round table in what appears to be an automat—a type of self-service restaurant popular in early 20th-century America. The scene is bathed in…
The Essence of Urban Solitude Edward Hopper's "Sunday" captures the quietude and introspection of an urban scene on what appears to be a Sunday morning. The painting features a solitary man sitting on a wooden bench in front of closed storefronts, evoking a sense of solitude and contemplation that is characteristic of Hopper's work. This piece is a masterful exploration of the human condition, set against the backdrop of early…
A Timeless Depiction of American Solitude Edward Hopper's "Gas" (1940) is a masterful exploration of solitude and nostalgia, capturing an old-fashioned gas station bathed in soft, natural light. This evocative painting invites viewers into a moment frozen in time, where the quietude of rural America is palpable. The scene exudes a sense of introspection, making it a compelling addition to any art collection or interior space. Composition and Style: A…
"Chop Suey," created by Edward Hopper in 1929, is a captivating oil painting that invites viewers into the intimate yet isolated world of a 1920s diner. This masterpiece exemplifies Hopper's signature style, blending American Realism with subtle Expressionist influences to evoke a sense of nostalgia and quiet introspection.
Office at Night1940
12
Summertime1943
13
Sunlight in a Cafeteria1958 · Yale University Art Gallery
14
People in the Sun1960
15
Cape Cod Morning1950
16
Rooms for Tourists1945 · Yale University Art Gallery
17
Compartment C Car
18
Rooms By The Sea1951
19
Two Comedians1965
20
Second Story Sunlight, , Whitney Museum of Ameri1960
21
New York Movie, Moma, NY1939
22
Summer Evening1947
23
Hotel room1931
24
Excursion into Philosophy
25
The Cat Boat1922 · Smithsonian American Art Museum
26
Reclining Nude1927
27
Rooms by the Sea1951
28
House At Dusk1935
29
Drug Store1927 · Museum of Fine Arts
30
Sun on Prospect Street (Gloucester, Massachusetts)1934
31
Woman in the Sun1961
32
Night Windows1928 · MOMA - Museum of Modern Art
33
New York Office1962
34
Office in a Small City1953
35
City Roofs1932
36
Self-Portrait1930
37
Monhegan Houses, Maine
38
Four Lane Road
39
Woman at Cafe Table1907 · Whitney Museum of American Art
40
First Row Orchestra1951 · Hirshhorn Museum and Sculpture Garden
41
House by the Railroad
42
untitled (3714)
43
el palacio1946
44
the city1927
45
A Woman in the Sun, Whitney Museum of American1961
46
The Camel's Hump1931
47
the el station
48
Dawn in Pennsylvania1942
49
Corn Hill1930
50
tramp steamer1908
51
Self Portrait, , Whitney Museum of American1930
52
Rocks at the Fort Gloucester1924
53
Morning sun, Columbus Museum of Art, Columbus,1952
54
Study of a Seated Woman1899
55
Portrait Of Orleans
56
sun empty room
57
The Long Leg1930
58
Bridle Path1939
59
night windows
60
Hotel by a Railroad1952
61
Queensborough-Bridge1913
62
paris street
63
cape cod morning
64
sunday
65
Evening Wind
66
untitled (7523)
67
The lee shore, private1941
68
Rocks and Sea1919 · Whitney Museum of American Art
69
Self Portrait
70
Sheridan Theatre
71
Freight Car at Truro
72
Lighthouse at Two Lights1929
73
summer interior1909
74
cape cod evening
75
Pennsylvania Coal Town
76
rooms for tourists
77
South Carolina Morning
78
Intermission (small)
79
untitled (7096)
80
Eleven AM
81
New York Pavements,1924
82
Lighthouse and Building, Portland
83
Circle Theatre
84
Room in Brooklyn1932 · Museum of Fine Arts
85
Interior (Model Reading)1925 · Art Institute of Chicago
86
Seven A.M.1948
87
The City1927
88
First Row Orchestra1951
89
House with big pine
90
Valley Of The Seine1908
91
Ryder's House1933
92
Intermission
93
Cape Cod Morning1950
94
Room for tourists, Yale University Art Gallery,1945
95
Eleven A.M.1926
96
Chair Car1965
97
Houses of Squam Light, Gloucester1923
98
d. ^ r. g. locomotive
99
hotel room
100
Cape Cod Afternoon1936
The four subjects that come back most often in these originals, each with its finest example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Edward Hopper | Paintings from this list |
|---|---|---|---|
 MOMA - Museum of Modern Art |
New York City | 4 | House by the Railroad, New York Movie, untitled (5560) |
 Whitney Museum of American Art |
New York | 10 | Early sunday morning Whitney Museum of American, Woman at Cafe Table, Rocks and Sea |
 Yale University Art Gallery |
Hartford | 3 | Sunlight in a Cafeteria, Rooms for Tourists |
 Art Institute of Chicago |
Chicago | 2 | Nighthawks, The Art Institute of Chicago, Chica, Interior (Model Reading) |
 Museum of Fine Arts |
Boston | 2 | Drug Store, Room in Brooklyn |
 Hirshhorn Museum and Sculpture Garden |
Washington, D.C. | 3 | First Row Orchestra |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | The Cat Boat |
 Des Moines Art Center |
Des Moines | 1 | Automat (small) |
Pick a decade to see the original that defines it.
Edward Hopper's "Study of a Seated Woman," rendered in 1899, isn’t merely a depiction of a figure; it’s a distilled essence of late 19th-century American introspection. This intimate drawing, measuring just 36 x 29 cm, offers a profound glimpse into the burgeoning sense of isolation and contemplation that would become hallmarks of Hopper's mature style. The work possesses an arresting simplicity – a woman seated in a chair, her hands…
Edward Hopper’s Woman at Cafe Table is a quiet study of a solitary figure, captured during the years 1906-1907. This piece is a watercolor and graphite pencil work, a combination that allows for a delicate, layered approach to the subject. It is a work that invites a closer look at the subtle intersections of light and shadow within a public setting.
In the vast landscape of American modernism, few images capture the quiet tension of urban existence as poignantly as Edward Hopper’s Queensborough Bridge. Painted in 1913, this monumental oil on canvas serves as more than a mere architectural study; it is a profound meditation on the intersection of industrial progress and human isolation. As the eye travels across the expansive 152 x 88 cm frame, one is immediately struck by…
Introduction to Edward Hopper and His Work Edward Hopper, a renowned American artist, is celebrated for his captivating oil paintings that often depicted modern life in the early 20th century. One of his most notable works is "House by the Railroad," which is currently housed at the Museum of Modern Art (New York, United States). This painting, created in 1925, showcases Hopper's unique style and ability to evoke a sense…
The Painting "CITE>New York Movie" by Edward Hopper is a poignant oil on canvas painting created in 1939. It is currently housed at the prestigious Museum of Modern Art (MoMA) in New York City, United States. This masterpiece exemplifies Hopper's unique ability to capture the essence of urban life, often focusing on themes of isolation and contemplation. Composition and Symbolism The painting depicts a woman standing alone in front of…
Created in 1942, this iconic painting captures a late-night scene within an all-night diner, becoming one of the most recognizable images in American art. More than just a depiction of urban life, it's a profound exploration of modern alienation and the quiet solitude found even amidst bustling cityscapes.
Edward Hopper’s Sunlight in a Cafeteria (1958) is a masterful depiction of urban solitude, rendered with the precision and emotional depth that define his iconic style. This oil on canvas, measuring 102 x 153 cm and currently housed at the Yale University Art Gallery, transcends a simple scene to become a poignant meditation on connection and isolation in the modern world.
A Serene Moment Captured in Time Edward Hopper's "People in the Sun" invites viewers into a tranquil scene of five individuals enjoying a moment of quiet repose under an expansive sky. This 1960 masterpiece exemplifies Hopper's signature style, blending American realism with a profound sense of solitude and contemplation. Composition and Style The painting features a strong horizontal orientation, emphasizing the row of seated figures against a vast landscape backdrop.…
Nighthawks, The Art Institute of Chicago, Chica (1942), Art Institute of Chicago, Chicago. Automat (small) and House by the Railroad (1925) come next.
60 years old: Nighthawks, The Art Institute of Chicago, Chica dates from 1942, and Edward Hopper was born in 1882.
Nighthawks, The Art Institute of Chicago, Chica, Automat (small), House by the Railroad, New York Movie, untitled (5560), Early sunday morning Whitney Museum of American, Automat, Sunday, Gas and Chop Suey. The ranking above gives each one's year and museum.
Our catalog holds 366 works by Edward Hopper, dated from 1899 to 1965.
Mostly in MOMA - Museum of Modern Art (New York City), Whitney Museum of American Art (New York) and Yale University Art Gallery (Hartford). The museum table above lists them all.
In 1920s: 16 of the 100 works on this page were made then, House by the Railroad among them.
On this page, the earliest is Study of a Seated Woman (1899) and the latest Two Comedians (1965).
Isolation (44), Solitude (44) and Urban landscape (21), across the 100 works on this page.
Oil On Canvas, for 54 of the 100 works on this page.
Contemporary realism and American scene painting, judging by the originals on this page.
House by the Railroad, New York Movie and untitled (5560): the MOMA - Museum of Modern Art, New York City holds 4 of the works on this page.
Edward Hopper was born in Upper Nyack, United States of America. His early years were spent observing the world with a steady eye, a habit that began with childhood sketches meticulously dated and signed. While his parents suggested a practical path in commercial illustration, his focus remained on fine art. He studied at the New York School of Art under William Merritt Chase and Robert Henri. These years taught him the technical skill required to depict the world unvarnished and honest. He did not seek the fleeting brushstrokes of the Impressionists he encountered in Paris. Instead, he developed a way of seeing that favored the stillness of a moment over the movement of a crowd.
His work often centers on the mundane. He looked at houses, diners, offices, and hotel rooms. He stripped away unnecessary details to find the underlying emotional truth of a scene. In House by the Railroad (1925), a simple composition reveals a sense of mystery and isolation. He used light and shadow not merely to describe a room, but to set a mood. The precise rendering of a shadow on a wall or the way light hits a window became his way of communicating the psychological state of his subjects.
The way light enters a space is a central character in his paintings. In Nighthawks (1942), the stark fluorescent light of a late-night diner cuts through the darkness of a deserted urban street. The figures inside are physically close but appear lost in their own thoughts, disconnected from one another. This sense of anonymity in a crowded city became a recurring theme. He captured the tension of being alone in a public place, a feeling that resonates in works like Automat and Office in a Small City. He was interested in the way artificial light interacts with the natural darkness of the night.
His wife, Josephine Nivison Hopper, was a constant presence. She was a fellow artist and often served as his model. Her presence is felt in the characterization of many of his female figures. Together, they lived a modest life, often spending summers in New England, which influenced the landscapes he painted. His depictions of the American landscape, both rural and urban, often emphasize a certain starkness or emptiness. Whether it is a roadside gas station in Gas (1940) or a quiet room in a hotel, the subject is always the intersection of a physical place and a private, internal experience.
Hopper’s influence extends into the visual language of film and literature. His ability to create a sense of psychological tension through composition has been noted by many who study the way stories are told through images. His paintings remain in major museums worldwide, held in collections such as the Whitney Museum of American Art and the Museum of Fine Arts, Boston. He did not aim for grand historical narratives. He found his subject matter in the quiet corners of everyday life, turning a simple window or a passing stranger into a study of the human condition. His work remains a study of the silence that exists between people.
