Portrait of E. Phillips Fox

The 40 Most Famous E. Phillips Fox Paintings, Each One of a Kind

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 44 works by E. Phillips Fox in our catalogue

In short

Autumn showers (1900) is the E. Phillips Fox painting that draws the most eyes; the original belongs to the Art Gallery of New South Wales, Sydney. After it, the eye goes to Portrait of My Cousin (1893) and Untitled (AQZBK4) (1910). Among the 44 works of E. Phillips Fox in our catalog, these 40 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1865 – 1915, Fitzroy Impressionism Most works: Art Gallery of New South Wales

Top 10 paintings by E. Phillips Fox, through the gallery's eye

1
Autumn showers (1900) by E. Phillips Fox

Autumn showers

1900 · Oil On Canvas · Art Gallery of New South Wales, Sydney

The painting Autumn showers is a work by E. Phillips Fox, completed in 1900. It emerged from a specific period in the artist's life, specifically during his 1899 residency at Charterisville, a homestead situated near Eaglemont in Victoria. This setting provided the backdrop for the creation of this oil on canvas piece.

6
English Landing of Captain Cook at Botany Bay, 1770 (1902) by E. Phillips Fox

English Landing of Captain Cook at Botany Bay, 1770

1902 · Acrylic On Canvas · The Ian Potter Centre - Ngv Australia, Melbourne

A Window into Colonial Australia: Emanuel Phillips Fox’s “English Landing of Captain Cook at Botany Bay” Emanuel Phillips Fox's "English Landing of Captain Cook at Botany Bay," completed in 1902, transcends mere depiction; it embodies a pivotal moment in Australian history and artistic innovation. More than just a picturesque landscape, this painting serves as a tangible reminder of the dawn of European settlement and the burgeoning Impressionist movement’s fascination with…

E. Phillips Fox's famous paintings, numbers 11 to 40

The subjects that held E. Phillips Fox's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep E. Phillips Fox's originals

The 7 museums that hold the most of the paintings on this page.

Museum City Works by E. Phillips Fox Paintings from this list
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 6 Autumn showers, Heidelberg, Art Students
The Ian Potter Centre - Ngv Australia, MelbourneThe Ian Potter Centre - Ngv Australia Melbourne 3 Untitled (AQZBKC), English Landing of Captain Cook at Botany Bay, 1770, English The Arbour
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 2 Untitled (AQZBJJ), Untitled (AQZBJQ)
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 English After the bath Français Après le bain, Al Fresco
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of My Cousin
Kerry Stokes Collection, PerthKerry Stokes Collection Perth 1 Français Etude de nu
National Portrait Gallery, CanberraNational Portrait Gallery Canberra 1 Ina Gregory

E. Phillips Fox across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

E. Phillips Fox's paintings: questions for the gallery

What is the single most famous work of E. Phillips Fox?Reveal the answer

Autumn showers (1900), Art Gallery of New South Wales, Sydney. Portrait of My Cousin (1893) and Untitled (AQZBK4) (1910) come next.

At what age did E. Phillips Fox create Autumn showers?Reveal the answer

35 years old: Autumn showers dates from 1900, and E. Phillips Fox was born in 1865.

Which ten paintings by E. Phillips Fox are the most famous?Reveal the answer

Autumn showers, Portrait of My Cousin, Untitled (AQZBK4), Untitled (AQZBK8), Untitled (AQZBKC), English Landing of Captain Cook at Botany Bay, 1770, The Cabbage Patch, English The Setting Sun, Untitled (AQZBJU) and Untitled (AQZBJJ). The ranking above gives each one's year and museum.

How many works by E. Phillips Fox are known?Reveal the answer

Our catalog holds 44 works by E. Phillips Fox, dated from 1889 to 1913.

Where can the most famous E. Phillips Fox originals be seen?Reveal the answer

Mostly in Art Gallery of New South Wales (Sydney), The Ian Potter Centre - Ngv Australia (Melbourne) and National Gallery of Australia (Canberra). The museum table above lists them all.

During which period did E. Phillips Fox create the best-known paintings?Reveal the answer

In 1910s: 12 of the 40 works on this page were made then, Untitled (AQZBK4) among them.

Which famous E. Phillips Fox painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is The Cabbage Patch (1889) and the latest Untitled (AQZBKU) (1913).

What subjects did E. Phillips Fox favour?Reveal the answer

Landscape (3), Leisure (3) and Reading (3), across the 40 works on this page.

Which movement does the work of E. Phillips Fox belong to?Reveal the answer

Impressionism, judging by the originals on this page.

What E. Phillips Fox originals can I see at the Art Gallery of New South Wales?Reveal the answer

Autumn showers, Heidelberg and Art Students: the Art Gallery of New South Wales, Sydney holds 6 of the works on this page.

E. Phillips Fox: a portrait of the artist

A Vision of Light and Leisure

Emanuel Phillips Fox stands as a luminous figure in the history of Australian art, a painter whose brush captured the ephemeral beauty of light and the quiet elegance of modern life. Born in Melbourne, Victoria, his artistic journey was one of profound movement, bridging the landscapes of Australia and the vibrant studios of Europe. As an Impressionist, Fox possessed a rare ability to translate the atmosphere of a moment onto canvas, creating scenes that feel less like static images and even more like breathing memories. His work often centers on the serene, capturing figures immersed in nature or the gentle rhythms of daily leisure, rendered with a mastery of color and light that evokes a sense of profound tranquility.

The development of his style was deeply influenced by his time spent abroad. After studying at the National Gallery of Victoria Art School, Fox traveled to Paris in 1886, where he remained in Europe for several years. This period of immersion in the heart of the Impressionist movement allowed him to absorb the techniques of light and shadow that would become hallmarks of his oeuvre. Upon returning to Melbourne, he became a pivotal figure in the second phase of the Heidelberg School, bringing a sophisticated, European sensibility to the Australian Impressionist tradition. His ability to blend the structural elements of composition with the fluid, atmospheric qualities of light allowed him to lead a new era of artistic expression in his homeland.

Mastery of the Impressionist Spirit

The essence of Fox’s artistry lies in his capacity to find the extraordinary within the ordinary. His paintings frequently feature women in contemplative or relaxed poses, often set against lush, sun-drenched backgrounds. Whether it is a figure reading a book beneath the shade of a tree or people gathered near the water's edge, there is an unmistakable sense of harmony and balance in his work. He utilized oil on canvas to build textures that mimic the natural world, from the delicate petals of flowers to the shimmering surface of a river.

His technical achievements are characterized by several key elements:

  • Luminous Landscapes: A profound ability to capture the specific quality of light, creating depth and dimensionality through subtle shifts in tone.
  • Atmospheric Composition: The use of nature—such as climbing vines, trees, and water—to frame subjects and create a sense of immersive environment.
  • Capturing the Moment: A focus on scenes of relaxation and leisure that convey a peaceful, almost dreamlike atmosphere.

Through his dedication to the Impressionist style, Emanuel Phillips Fox left an indelible mark on the Australian art canon. His legacy is not merely found in the beauty of his individual works, but in his role as a bridge between continents, bringing the light of Paris to the landscapes of Victoria and forever altering the trajectory of Australian painting.