Portrait of Chuck Close

Chuck Close Paintings: The 13 Most Famous, Through a Gallery's Eye

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 17 works by Chuck Close in our catalogue

In short

To the gallery's eye, Chuck Close's most famous painting is Big Self-Portrait (1968), whose original hangs in the Walker Art Center, Minneapolis. Barack Obama by Chuck Close (2013) and Alex (1994) complete the trio every eye recognises. Of the 17 works by Chuck Close in our catalog, the gallery presents the 13 most famous below, each original with its year, its museum and what makes it unique.

1940 – 2021, Monroe Contemporary realism Most works: Walker Art Center

The gallery's top 10 Chuck Close paintings

1
Big Self-Portrait (1968) by Chuck Close

Big Self-Portrait

1968 · Black and White Photography · Walker Art Center, Minneapolis

To stand before a work like Big Self-Portrait is not merely to observe a likeness; it is to confront an intensely rendered meditation on identity itself. Created in 1968, this piece by Chuck Close captures the artist at a pivotal moment, presenting a self that feels both intimately known and profoundly alien. The composition is a masterful study in compression, tightly framing the head and shoulders until the viewer has…

2
Barack Obama by Chuck Close (2013) by Chuck Close

Barack Obama by Chuck Close

2013 · Acrylic On Canvas · National Portrait Gallery, London

Barack Obama by Chuck Close: A Portrait of Resilience and Reflection Chuck Close’s “Barack Obama” is more than just a photograph; it's a testament to the artist’s groundbreaking approach to portraiture and a poignant exploration of identity. Created in 2013, this diptych—featuring two black and white prints—captures Obama’s gaze with remarkable detail and immediacy, embodying Close’s signature style: monumental hyperrealism achieved through a meticulous grid system. The artwork speaks volumes…

4
Alex/Reduction Block (1993) by Chuck Close

Alex/Reduction Block

1993 · Acrylic On Canvas · Parrish Art Museum, Water Mill

A Portrait of Resilience: Examining Chuck Close’s “Alex/Reduction Block” Chuck Close's "Alex/Reduction Block," completed in 1993, stands as a testament to both artistic innovation and personal struggle—a cornerstone of monumental portraiture that continues to captivate audiences today. Created from a reduction linoleum cut silk screen print, this striking image depicts the face of Alex, a man Close had known for years, capturing him in an unflinching gaze directed towards the…

6
Lorna I (1997) by Chuck Close

Lorna I

1997 · Photography · Kemper Museum of Contemporary Art, Kansas City

Lorna I is a photograph created by the artist Chuck Close. The original image was produced in 1996, and the specific version of this work was printed in 1997. This piece is an inkjet print on kozo paper. The composition focuses on a close-up view of a woman, capturing her face and upper torso against a dark gray backdrop. The subject features tightly coiled hair and a direct gaze toward…

Chuck Close paintings, ranked 11 to 13

The subjects that held Chuck Close's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Chuck Close's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Chuck Close Paintings from this list
Walker Art Center, MinneapolisWalker Art Center Minneapolis 1 Big Self-Portrait
National Portrait Gallery, LondonNational Portrait Gallery London 1 Barack Obama by Chuck Close
Parrish Art Museum, Water MillParrish Art Museum Water Mill 1 Alex/Reduction Block
Kemper Museum of Contemporary Art, Kansas CityKemper Museum of Contemporary Art Kansas City 1 Lorna I
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Paul IV

Chuck Close, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Chuck Close's paintings: the gallery answers

Which Chuck Close painting is the most famous of all?Reveal the answer

Big Self-Portrait (1968), Walker Art Center, Minneapolis. Barack Obama by Chuck Close (2013) and Alex (1994) come next.

How old was Chuck Close on completing Big Self-Portrait?Reveal the answer

28 years old: Big Self-Portrait dates from 1968, and Chuck Close was born in 1940.

Which are Chuck Close's top 10 paintings?Reveal the answer

Big Self-Portrait, Barack Obama by Chuck Close, Alex, Alex/Reduction Block, Self-Portrait, Lorna I, Nat, Mark, Robert - (104,072) and Self-Portrait Spitbite White on Black. The ranking above gives each one's year and museum.

How many works did Chuck Close create?Reveal the answer

Our catalog holds 17 works by Chuck Close, dated from 1968 to 2013.

Where do Chuck Close's most famous originals hang?Reveal the answer

Mostly in Walker Art Center (Minneapolis), National Portrait Gallery (London) and Parrish Art Museum (Water Mill). The museum table above lists them all.

When did Chuck Close create the most famous paintings?Reveal the answer

In 1990s: 3 of the 13 works on this page were made then, Alex among them.

Which are Chuck Close's earliest and latest famous works?Reveal the answer

On this page, the earliest is Big Self-Portrait (1968) and the latest Barack Obama by Chuck Close (2013).

Which subjects did Chuck Close return to most?Reveal the answer

Portrait (3), Face (2) and Detail (2), across the 13 works on this page.

Which medium did Chuck Close work in most?Reveal the answer

Acrylic On Canvas, for 2 of the 13 works on this page.

Which movement is Chuck Close associated with?Reveal the answer

Contemporary realism, judging by the originals on this page.

Chuck Close: the artist

A Life Etched in Detail: The World of Chuck Close

Charles Thomas Close, born July 5, 1940, in Monroe, Washington, and who passed away on August 19, 2021, in Oceanside, New York, was a monumental figure in the landscape of contemporary art. His journey, marked by both profound artistic innovation and personal adversity, redefined portraiture for generations. From an early age, Close faced significant challenges – a neuromuscular condition coupled with dyslexia created obstacles that shaped his unique perspective. These difficulties fostered a deep observation of the world around him, a quality that would become central to his artistic practice. His childhood was further impacted by family tragedy; the loss of his father and his mother’s illness instilled in him a resilience that mirrored the meticulous dedication he later brought to his art. Early exposure to Jackson Pollock's drip paintings at the Seattle Art Museum proved pivotal, igniting within him a passion for pushing artistic boundaries. He pursued formal education at the University of Washington, earning a B.A. in 1962, and continued honing his skills at Yale University, receiving both a BFA (1963) and an MFA (1964). A Fulbright scholarship then propelled him to Vienna’s Akademie der Bildenden Künste, broadening his artistic horizons before he returned to the United States.

From Abstraction to Hyperrealism: The Evolution of a Style

Close's artistic trajectory began with explorations in Abstract Expressionism, but it was during the late 1960s that he embarked on the path that would define his career – photorealism. Rejecting the gestural freedom of abstraction, Close turned to photography as his primary source material. He didn’t aim to merely copy a photograph; instead, he developed an intricate process of translation. Utilizing a grid system, he meticulously transferred photographic images onto enormous canvases, breaking down the image into manageable squares and replicating each detail with painstaking accuracy using acrylic paints and airbrush techniques. This method wasn't about flawless reproduction but rather about revealing the underlying structure of perception itself. His early portraits were monumental in scale, confronting viewers with an almost overwhelming level of detail. He didn’t shy away from imperfections – bloodshot eyes, broken capillaries, pores, and wrinkles were all rendered with unflinching honesty. This emphasis on the flaws of human features wasn't a critique of beauty standards but rather an exploration of the inherent limitations of both photography and representation. He explored various media throughout his career, including fingerprint patterns and color printing processes, always seeking new ways to deconstruct and rebuild the image.

Innovation in the Face of Adversity: A Legacy Forged Through Resilience

The 1970s witnessed Close’s ascent to prominence as a leading figure in photorealism. His large-scale portraits garnered widespread recognition, establishing him as an artist who dared to challenge conventional notions of portraiture. His “fingerprint series” demonstrated a remarkable innovative approach to texture and abstraction; using his own fingerprints to create subtle gradations of gray, he transformed the personal into the universal. However, in 1988, Close’s life took another dramatic turn when he suffered a spinal artery occlusion, resulting in paralysis from the neck down. This devastating event could have ended his career, but instead, it spurred him to adapt and innovate further. He continued to paint, developing new techniques that allowed him to work with limited mobility – even painting with his mouth. This unwavering dedication to his craft is a testament to his artistic spirit and resilience. His work has been exhibited extensively worldwide and resides in prestigious museum collections such as the Art Institute of Chicago, the Museum of Modern Art (New York), and the Tate Gallery (London).

Influences and Lasting Impact: A Transformation of Portraiture

Chuck Close’s artistic lineage is complex. While initially inspired by Pollock's expressive freedom, he ultimately forged his own path, influenced by a desire to objectively observe and meticulously recreate reality. He challenged the traditional understanding of portraiture, moving away from idealized representations towards a more analytical and objective approach. His work questioned the very nature of seeing and representation, forcing viewers to confront the mechanics of perception. Close’s exploration of scale, detail, and process profoundly impacted the development of photorealism and contemporary art as a whole. He demonstrated that photography wasn't simply a tool for capturing reality but also a medium for artistic interpretation and transformation. His influence extends beyond painting; his techniques have resonated with artists working in various disciplines, from sculpture to digital media. Notable works like the striking black-and-white diptych of Barack Obama, the monumental self-portrait *Big Self-Portrait*, the pixelated detail of *Self-Portrait Spitbite White on Black*, and powerful portraits such as *Mark* (Richard Serra) and *Nat* stand as enduring testaments to his artistic vision. Chuck Close’s legacy is not merely one of technical mastery but also of unwavering perseverance, demonstrating that art can flourish even in the face of profound adversity.

A Continuing Dialogue: Chuck Close's Enduring Relevance

  • Photorealism Pioneer: Close remains a central figure in the history of photorealism, inspiring generations of artists to explore the boundaries between photography and painting.
  • Technical Innovation: His grid system and innovative use of materials continue to be studied and emulated by artists today.
  • Resilience and Adaptation: His ability to overcome physical challenges and continue creating art serves as a powerful example of the human spirit’s capacity for adaptation.
  • Exploration of Identity & Perception: His portraits delve into themes of identity, perception, and representation, prompting viewers to question their own understanding of reality.
Despite controversies surrounding allegations of harassment later in his life, Chuck Close’s artistic contributions remain undeniable. He leaves behind a body of work that continues to challenge, provoke, and inspire, solidifying his place as one of the most important artists of the 20th and 21st centuries. His art invites us to look closer, not just at the images he created but also at ourselves and the world around us.