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The 2 Most Famous Anton Ebert Paintings, a Gallery Selection
Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 3 works by Anton Ebert in our catalogue
In short
Of all the originals Anton Ebert left, the most famous is Self-Portrait (1889). Our catalog holds 3 works by Anton Ebert; the gallery has kept the 2 the world admires most, each shown with its date, its museum and its story.
1845 – 1896, Kladruby
Most works: Berlinische Galerie
Anton Ebert's top 10 paintings: the gallery's choice
The museums that keep Anton Ebert's originals
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Anton Ebert | Paintings from this list |
|---|---|---|---|
 Berlinische Galerie |
Berlin | 1 | Female Semi-Nude |
Anton Ebert year by year: the originals that define each
1889 is the year of every dated Anton Ebert work in this selection: here they are, ranked by fame.
Works per year
Pick a year to see its originals.
Collectors' questions about Anton Ebert's paintings
Which work is Anton Ebert most famous for?Reveal the answer
Self-Portrait (1889).
What age was Anton Ebert when Self-Portrait was made?Reveal the answer
44 years old: Self-Portrait dates from 1889, and Anton Ebert was born in 1845.
How many paintings did Anton Ebert leave?Reveal the answer
Our catalog holds 3 works by Anton Ebert.
In which museums do Anton Ebert's masterpieces hang?Reveal the answer
Mostly in Berlinische Galerie (Berlin). The museum table above lists them all.
Anton Ebert: life and work
A Life Between Borders
Anton Ebert entered the world in 1845 at Kladrau Castle near Mies, Bavaria. His early years were shaped by the structured surroundings of the Windisch-Graetz family estate, where his father served as the royal treasurer. This childhood setting provided a foundation for a life that would eventually span several European cultural centers.
His path as an artist led him from the Prague Academy to the studios of Vienna. It was there that he studied under Ferdinand Georg Waldmüller, an instructor whose approach to subject matter and palette left a lasting mark on his technique. While his roots were in Bohemia, Ebert’s movements took him through Berlin and eventually into the heart of Russia around 1870. This migration allowed him to observe a wide variety of lives, from the aristocratic circles of the Imperial family to the rural populations of the Russian countryside.
He spent his final years in Vienna, where he passed away on 16 June 1896. His life was defined by this movement between different landscapes and social strata.
The Art of Observation
Ebert’s work focused heavily on the human figure, particularly children and women. He possessed a particular skill for capturing the textures of daily existence, whether through the heavy fabrics of a peasant's clothing or the delicate details of a formal portrait. His paintings often documented specific cultural identities, such as the traditional folk attire found in his 1879 work, Girl in Folk Costume.
His approach to painting was grounded in realism and a meticulous attention to detail. He used oil on canvas and panel to render skin, fabric, and light with great precision. While some of his portraits leaned toward the classical, others captured more intimate, everyday scenes:
- Portraits of the aristocracy and members of the Imperial family.
- Genre scenes depicting merchants and peasants.
- Landscapes focused on the surroundings of Vienna.
- Miniature portraits executed on ivory.
In works like The Mellon Seller, he applied a realistic style to depict a young woman with watermelons, focusing on the physical reality of the scene. He also drew from his own memories of Kladrau Castle to create scenes involving children, often using the family members of the Windisch-Graetz house as models.
A Lasting Record
Ebert’s significance lies in his role as a documentarian of 19th-century life. Through his portraits and genre paintings, he recorded the customs, costumes, and faces of a period undergoing rapid change. His ability to move between the formal requirements of portraiture for royalty and the honest depiction of ordinary people allowed him to create a broad visual record of his era.
His pieces are held in various collections across Europe, including the Museum of Vienna, the Roumianzeff Museum in Moscow, and the Mainz Art Gallery. These works remain as physical links to the social structures and regional identities of the late 1800s.