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Cleopatra

A hauntingly beautiful Neoclassical marble sculpture by William Wetmore Story capturing Cleopatra in a moment of profound contemplation, offering a timeless piece of classical elegance for your private collection.

Neoclassical sculptor William Wetmore Story created the iconic Cleopatra. Discover his profound marble masterpieces today.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

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Total Price

$ 81

Cleopatra

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Movement: Neoclassical
  • Medium: Marble
  • Year: 1858 (modeled), 1869 (carved)
  • Notable elements or techniques: Detailed anatomy, flowing drapery, asp
  • Artistic style: Neoclassical

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the medium used for the sculpture 'Cleopatra'?
Question 2:
Which artistic style does this sculpture exemplify?
Question 3:
What is the emotional state of Cleopatra depicted in the sculpture?
Question 4:
Who is the artist of this marble sculpture?
Question 5:
According to the description, what type of lines define Cleopatra's drapery and body contours?

A Moment Frozen in Marble

In the quiet stillness of white marble, William Wetmore Story captures a moment of profound psychological depth that transcends the mere depiction of a historical figure. His sculpture, Cleopatra, is not merely a portrait of the last Pharaoh of ancient Egypt, but an evocative study of introspection and impending tragedy. As she sits upon her chair, the viewer is drawn into a heavy, contemplative atmosphere where time seems to suspend itself. The artist avoids the sensationalism of her death, choosing instead to focus on the weight of her thoughts, presenting a queen caught in the somber threshold between power and loss.

The mastery of Story’s technique is evident in the way he pushes the medium to its absolute limits. Through meticulous carving, the cold, hard surface of the marble is transformed into something remarkably organic; one can almost sense the softness of skin and the delicate flow of heavy drapery. The play of light across the polished surfaces creates a dynamic interplay of highlights and deep shadows, lending a lifelike vitality to the figure. This neoclassical virtuosity allows the sculpture to breathe, making the textures of her royal attire and the subtle contours of her form feel palpably real to anyone standing before it.

Symbolism and Neoclassical Elegance

Every element of this composition serves a narrative purpose, weaving together historical accuracy with deep emotional symbolism. The sculpture is rich with archaeological details that ground the piece in its Egyptian setting, such as the nemes—the iconic royal headcloth—and the uraeus, or cobra headdress. Yet, these symbols of absolute authority contrast sharply with her vulnerable posture. A subtle but devastating detail is found curled around her left forearm: the asp, the very instrument of her intended demise. This small, silent presence transforms the work from a mere royal portrait into a gripping drama of self-determination and tragic fate.

For the discerning collector or interior designer, Cleopatra offers more than just aesthetic beauty; it provides a focal point of immense character and intellectual gravity. The monochromatic palette of whites and greys ensures that the piece remains timeless, allowing it to integrate seamlessly into sophisticated, classical, or contemporary spaces. Whether viewed as an exploration of human vulnerability or a tribute to the grandeur of antiquity, this work serves as a profound testament to the power of sculpture to capture the most fleeting and intense of human emotions.

Questions & Answers

Are the colors of "Cleopatra" by William Wetmore Story saturated or muted?

The palette of "Cleopatra" is muted in saturation.

What emotion does the Neoclassicism work "Cleopatra" convey?

The melancholic emotion of "Cleopatra" accompanies its Neoclassicism style.

What is the format of "Cleopatra"?

The format of "Cleopatra" is portrait. This is useful when planning where a reproduction will be placed.


Artist Biography

A Life Shaped by Marble and Law

Born in Salem, Massachusetts, William Wetmore Story began his adult life far from the quiet dust of a sculptor's studio. He was a man of intellect and rigorous study, having graduated from Harvard College in 1838 and later completing his studies at Harvard Law School in 1840. Under the guidance of his father, the Supreme Court Justice Joseph Story, he practiced law and even authored legal treatises regarding contracts and sales. Yet, the heavy books of jurisprudence could not entirely contain a spirit drawn toward the classical world. After a period of practicing law in Boston, a profound shift occurred. Following the commission to create a bust of his late father, he felt a calling to move toward the arts, eventually settling in Rome in 1850.

This transition from the courtroom to the studio was not merely a change in profession but a relocation of his very soul. His home in the Palazzo Barberini became a gathering place for many notable figures living in Italy. He lived among the poets and thinkers of his age, finding himself part of a circle that included the Brownings. This Roman period allowed him to immerse himself in the traditions of antiquity, moving away from the dry logic of American law toward the emotional weight of Greek tragedy and biblical narrative.

The Weight of Emotion in Stone

In his hands, cold marble took on a heavy, psychological presence. He did not seek to merely replicate the human form but to capture the internal struggles of his subjects. His work often focused on figures from antiquity or scripture, imbuing them with a sense of profound thought and impending fate. In his sculpture Cleopatra, he avoided the sensationalism of her death, focusing instead on the quiet introspection of a queen caught in a moment of deep contemplation. The marble was carved to suggest the softness of skin and the heavy flow of drapery, creating a tension between the hard stone and the vulnerable life it represented.

Other works revealed a similar preoccupation with the human condition through dramatic storytelling. His Dalilah explored themes of vulnerability and resilience within a biblical framework, while his Hero Looking for Leander utilized fine-grained white marble to depict a youthful, timid priestess. Even in his more somber monuments, such as the Angel of Grief, there is a palpable sense of loss. This piece, which he designed for his wife Emelyn, rests in the Protestant Cemetery in Rome, marking his final resting place alongside her.

A Legacy of Letters and Stone

Beyond the chisel, Story was a man of many voices. He was an author, poet, and editor who used words to explore the same classical themes found in his sculptures. His writings, such as Roba di Roma and Conversations in a Studio, provided observations on the culture and people of his adopted home. He possessed a wide-ranging intellect that allowed him to move between the precision of legal writing and the imaginative impulse required for poetry and drama.

His influence extended into the very fabric of American identity during the nineteenth century. While he lived much of his life in Italy, his works found their way back to the United States, appearing in collections from the Smithsonian American Art Museum to the Metropolitan Museum of Art. He left behind a family deeply rooted in the arts, with children who pursued their own paths as sculptors and painters. When he passed away at Vallombrosa, Italy, he left a body of work that bridged the gap between the legalistic rigor of his New England upbringing and the classical grandeur of the Roman world.

Quick Facts

  • Artistic Movement Or Style: Neoclassicism
  • Full Name: William Wetmore Story
  • Nationality: American
  • Notable Artworks:
    • Cleopatra
    • Dalilah
    • Angel of Grief
    • Hero Looking for Leander
    • Medea
    • Sappho
  • Place Of Birth: Salem, United States
  • Date Of Birth: 1819
  • Date Of Death: 1895
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