Contemplation
Pastel
Impressionism
1889
19th Century
40.0 x 30.0 cm
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print
Switch to Digital Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (22 October). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Contemplation
Reproduction Medium
Reproduction Size
-
Total Price
$ 300
Contemplation: A Glimpse into Introspection
William Merritt Chase's "Contemplation," created in 1889, is a captivating pastel portrait that embodies the essence of Impressionism. Measuring 40 x 30 cm, this artwork offers a poignant moment frozen in time – a woman lost in thought, her posture and expression conveying a sense of quiet introspection. The piece resides within the collection of the Cape Cod Museum of Art, alongside other notable works by Chase.
Artistic Style and Technique
Chase was a celebrated American artist renowned for his mastery of Impressionism. His skill with pastel is particularly evident in "Contemplation," where he utilizes the medium's unique qualities to create soft textures and vibrant colors. The loose, feathery strokes characteristic of Impressionism are beautifully rendered, capturing the play of light and shadow on the woman’s face and clothing. The technique prioritizes conveying a feeling or impression rather than precise detail, contributing to the overall sense of serenity and intimacy.
Subject and Composition
The subject is a woman seated with her back partially turned towards the viewer, creating an immediate sense of privacy and introspection. She wears a dark dress and a striking black hat adorned with a single yellow flower – a detail that adds a touch of elegance and perhaps symbolic meaning. The composition focuses primarily on her upper body and face, drawing the viewer's attention to her contemplative expression. The muted brown background serves as a subtle contrast, highlighting the woman’s figure without distracting from the central theme.
Symbolism and Emotional Impact
While seemingly simple in its depiction, "Contemplation" carries layers of potential symbolism. The act of turning away suggests a withdrawal into oneself, a moment of reflection removed from external influences. The yellow flower, often associated with joy or optimism, offers a counterpoint to the woman’s pensive mood, hinting at an underlying hopefulness despite her introspection. Overall, the painting evokes feelings of quiet contemplation, solitude, and perhaps even melancholy – inviting viewers to share in the woman's private moment.
Historical Context
Created during the late 19th century, "Contemplation" reflects the broader artistic trends of Impressionism, which emphasized capturing fleeting moments and subjective experiences. Chase’s work aligns with the movement’s focus on everyday life and its rejection of traditional academic painting styles. The piece provides a valuable window into American society during this period, showcasing both the elegance of fashion and the introspective nature of human experience.
Questions & Answers
What is the dominant color of "Contemplation" by William Merritt Chase?
phthalo green (#1a1a18) is the leading color of "Contemplation" by William Merritt Chase.
In what period was "Contemplation" by William Merritt Chase made?
"Contemplation" belongs to the 19th-Century era.
How harmonious are the colors of "Contemplation" by William Merritt Chase?
The colors of "Contemplation" by William Merritt Chase show a strong color unity harmony. Harmony describes how the colors relate to each other.
Artist Biography
A Life Painted in Light: The World of William Merritt Chase
William Merritt Chase, a name synonymous with the blossoming of American Impressionism, was more than just a painter; he was a pivotal force in shaping the nation’s artistic identity at the turn of the 20th century. Born on November 1, 1849, in the humble surroundings of Williamsburg (later Nineveh), Indiana, Chase's journey from rural beginnings to becoming a celebrated artist and influential educator is a testament to his unwavering dedication and innate talent. His early life was marked by a familial relocation to Indianapolis in 1861, where he initially assisted in his father’s business ventures. However, even amidst these practical obligations, the seeds of artistic passion were sown, nurtured by studies with local instructors Barton S. Hays and Jacob Cox. This foundational training ignited a desire for further exploration, leading him briefly into naval service before ultimately gravitating towards the vibrant art scene of New York City in 1869. There, under the tutelage of Joseph Oriel Eaton at the National Academy of Design, and later Lemuell Wilmarth, a student of Jean-Léon Gérôme, Chase began to hone his skills, laying the groundwork for a career that would redefine American painting. A temporary financial setback forced a move to Saint Louis in 1870, but even this challenge proved fruitful, allowing him to establish himself within the local art community and gain recognition for his burgeoning talent.From Academic Roots to Impressionistic Brilliance
Chase’s artistic development was not a sudden leap into Impressionism, but rather a gradual evolution informed by rigorous academic training and extensive travels abroad. A crucial turning point came with his extended sojourn in Munich beginning in 1872, where he studied at the Academy of Fine Arts under Alexander von Wagner and Karl von Piloty. This period instilled in him a mastery of traditional techniques and a penchant for dramatic compositions, yet it was during a subsequent visit to Venice with fellow American artists Frank Duveneck and John Twachtman that Chase began to embrace a more liberated approach to painting. Inspired by the luminous light and vibrant colors of the Italian landscape, he started experimenting with looser brushwork and a heightened sensitivity to atmospheric effects. Upon his return to New York in 1878, Chase fully embraced Impressionistic principles, capturing fleeting moments of modern life with an energetic and captivating style. Works like Keying Up – The Court Jester (1876), exhibited to critical acclaim at the Boston Art Club and Philadelphia Centennial Exposition, showcased his ability to convey movement and personality through bold brushstrokes and a dynamic composition. He continued to explore diverse subjects—striking portraits such as Portrait of Virginia Gerson, evocative landscapes like Gowanus Bay (aka Misty Day, Gowanus Bay), and scenes depicting the vibrancy of urban life, including Alice Fernandez. Other notable works include “A Friendly Call,” “A Study in Curves,” and “Terrace at the Mall, Central Park.”The Educator: Shaping a Generation of Artists
Beyond his accomplishments as a painter, William Merritt Chase left an indelible mark on American art through his dedication to teaching. Recognizing the need for innovative art education, he founded the Chase School in New York City in 1896, which later evolved into Parsons The New School for Design. This institution became a breeding ground for artistic talent, emphasizing direct observation, technical proficiency, and creative experimentation. Unlike many of his contemporaries who favored rigid academic instruction, Chase encouraged his students to develop their individual voices and explore diverse styles. He held teaching positions at the Pennsylvania Academy of the Fine Arts, the Art Students League, and the Brooklyn Art Association, disseminating his artistic philosophy far and wide. His influence extended to numerous artists, including Wayman Elbridge Adams, who openly acknowledged Chase as a mentor. The emphasis on plein air painting—painting outdoors directly from nature—became a cornerstone of his pedagogical approach, fostering a deeper connection between students and their subjects.Legacy and Historical Significance
William Merritt Chase’s place in American art history is secure. He bridged the gap between established academic traditions and the burgeoning Impressionist movement, contributing significantly to the development of a distinctly American artistic identity. His commitment to capturing the essence of modern life—the bustling cityscapes, intimate domestic interiors, and leisurely pursuits of his time—resonated with audiences eager for a new visual language. While his later years saw a temporary eclipse in critical recognition, his work has experienced a resurgence in recent decades, solidifying his reputation as one of America’s most important and influential artists. He wasn't merely documenting scenes; he was interpreting the spirit of an evolving nation through the vibrant lens of Impressionism. His legacy extends beyond his canvases to the countless artists he inspired, ensuring that his innovative approach to painting continues to shape the landscape of American art for generations to come.William Merritt Chase
1849 - 1916 , United States of America
Quick Facts
- Full Name: William Merritt Chase
- Nationality: American
- Date Of Birth: 1849
- Date Of Death: 1916
- Place Of Birth: Nineveh, United States of America
- Notable Artworks:
- Keying Up – The Court Jester
- Idle Hours
- A Study in Curves
- A Friendly Call
- Alice Fernandez
- Artistic Movement Or Style: Impressionism
- Artists Who Influenced This Artist: ['Jean-Léon Gérôme']
- Artists Or Movements Influenced By This Artist: ['Wayman Elbridge Adams']

Glass option is only available in size under 110 CM
