1950
[Construction Site] (Walker Evans, 1950)
Walker Evans (1903–1975) made [Construction Site]. It dates from 1950. It measures 61 × 51 cm.
- 1950
- 61 × 51 cm
[Construction Site], in brief
- Title
- [Construction Site]
- Artist
- Walker Evans (1903–1975)
- Artist born in
- St. Louis, United States of America
- Date
- 1950
- Dimensions
- 61 × 51 cm
High-resolution images of [Construction Site]
Protected by copyright: these files are for personal reference, not a licence to republish.
Walker Evans, [Construction Site] (1950).
Questions on [Construction Site], answered
In what year was "[Construction Site]" by Walker Evans created?
The creation of "[Construction Site]" by Walker Evans is dated 1950.
How big is the original "[Construction Site]"?
"[Construction Site]" measures 61 x 51 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.
Can the image of "[Construction Site]" by Walker Evans be freely reproduced?
Regarding copyright, "[Construction Site]" is still protected by copyright.
Who created "[Construction Site]"?
"[Construction Site]" is attributed to Walker Evans.
What was Walker Evans's age when "[Construction Site]" was created?
Walker Evans made "[Construction Site]" at the age of 47. The artist was born in 1903 and the work is dated 1950.
Is "[Construction Site]" by Walker Evans in the public domain, and why?
"[Construction Site]" by Walker Evans is still protected by copyright. Copyright terms are measured from the artist's death, and Walker Evans died in 1975.
About the artist, Walker Evans
1903–1975, United States of America
Walker Evans
A Witness to America: The Life and Legacy of Walker Evans Walker Evans, born in St. Louis in 1903, emerged as a pivotal figure in American photography, his name inextricably linked with the visual record of the Great Depression. Yet to define him solely by this period would be to diminish the breadth of his artistic vision and enduring influence. His journey was one of constant exploration, evolving from literary aspirations to a uniquely observant photographic style that captured not just *what* America was, but *how* it felt – its quiet dignity, its stark realities, and its often-overlooked beauty.