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JAB - 8

Tracey Keza: Rwandan artist exploring identity & culture through video & photography. Conservation focused work. Fellow of African Voices Media Lab.

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JAB - 8

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Collectible Description

A visual documentation of a local girls boxing club in Rwanda, this on-going project follows 6 girls from Inkuba Boxing Club as theyhone their craft, in hopes to one day get an opportunity to participate in a boxing tournament, represent their country or ideallysupport themselves and their families. With boxers ranging from 7-23 year olds, all from varying socio-economic backgrounds, andconsidering how scarce funding for boxing is in Rwanda, it was an incredible feat to learn that some of the girls had been boxingfor 10 years. This project that aims to learn more about their journey came from my interest as someone who recently took upboxing, and started wondering, where are all the girls?Although this project is still in its initial stage, I’m inspired by the commitment, skill, and style that these girls display, despite thehurdles that make it hard for them to even just show up. The quick jabs, impressive footwork, and flare are exciting to watch. Oneof the most rewarding things for me as a photographer is being given the chance to document their journey and fleeting momentsor simply what teenagers do together. There’s no doubt that the girls respect the fact that boxing gives them crucial self defenseskills - the coach’s initial goal when he established the club - but they also care about the craft, the sportsmanship, and the skill ittakes to stay in the ring during a fight, or to win the fight.Boxing being an underrepresented sport in Rwanda, especially girls’ and women’s boxing, I was curious to find female boxers inRwanda and to learn about their experiences. Without proper resources, training programs, or facilities, it is hard for these youngboxers to stay in the game, let alone consider going professional. Like most things in the past year, pandemic has put a dent in theday to day normal operations of the club - it has made it hard for most girls to come to practice regularly, and to maintain all theCOVID-19 precautions because they have to share a lot of the equipment amongst themselves. My intention in this project drawsfrom the desire to create imagery that documents a sport as well as the boxers, in a way they want to be portrayed.

Artist Biography

A Visual Poet of Identity and Conservation: The World of Tracey Keza

Tracey Keza, born in Kigali, Rwanda in 1990, is a compelling voice in contemporary art, seamlessly blending the disciplines of video and photography to explore profound themes of identity, culture, and conservation. Her work isn’t merely documentation; it's an intimate conversation with her surroundings, a delicate yet powerful examination of belonging, resilience, and the urgent need for environmental stewardship. Keza’s upbringing—spanning Kenya, South Africa, and her native Rwanda—has indelibly shaped her artistic perspective, fostering a nuanced understanding of cross-cultural narratives and the complexities inherent in defining “home.” This multinational experience is palpable in her art, which often features striking portraits and evocative landscapes that challenge conventional representations and invite viewers to contemplate their own relationship with place and heritage.

Early Influences and Artistic Development

Keza’s academic foundation in Environmental Science from Trinity College provided a crucial framework for her later artistic pursuits. This scientific background isn't separate from her creative practice but rather deeply interwoven within it, informing her commitment to conservation-focused projects. Her early work began as an exploration of personal identity, evolving into broader investigations of community and the socio-political landscapes that shape individual lives. A pivotal moment in her development came with a residency at Studio Revolt in 2016, where she initiated “Hijabs & Hoodies,” a series that directly confronts stereotypes through powerful black and white portraits. This project demonstrated Keza’s willingness to engage with sensitive social issues and utilize art as a catalyst for dialogue. The subsequent activation of this work at the Smithsonian Asian Pacific American Center's "CROSSLINES: A Culture Lab on Intersectionality" solidified her position as an artist capable of sparking meaningful conversations on a national stage. Her time as a creative resident at 72andSunny further honed her storytelling abilities, leading to the creation of platforms addressing mass incarceration—a testament to her dedication to using art for social justice.

Themes and Techniques: A Hybrid Approach

Keza’s artistic style is characterized by a compelling hybrid approach that merges fine art aesthetics with documentary photography's immediacy. Her black and white photographs are particularly striking, often capturing raw emotion and vulnerability in her subjects. The deliberate choice of monochrome emphasizes form, texture, and the power of human expression, stripping away distractions to focus on the core narrative. Beyond still imagery, Keza’s work extends into video, allowing for a more immersive exploration of time, movement, and sound. Her films are not simply visual records but carefully crafted experiences that invite viewers to connect with her subjects on a deeper emotional level. A recurring theme in her oeuvre is the celebration of female strength and resilience, exemplified by projects like “JAB,” which documents Rwandan girls boxing clubs—a powerful testament to determination and community spirit.

Fellowships and Recognition: Amplifying Conservation Voices

Keza’s dedication to both artistic excellence and social impact has garnered significant recognition within the art world and beyond. Her selection as a fellow of African Conservation Voices Media Lab in 2021 underscores her commitment to environmental storytelling, providing her with resources and platforms to amplify critical conservation messages. This fellowship was followed by her inclusion as a Jackson Wild Summit Fellow in 2022, further solidifying her position as a leading voice in wildlife filmmaking. As a NEWF Fellow and a PADI Certified Rescue Diver, Keza demonstrates a tangible connection to the natural world—a commitment that permeates her work. These accolades are not merely honors but opportunities for growth, collaboration, and increased impact.

Historical Significance and Future Directions

Tracey Keza’s work occupies an important space within contemporary art, bridging the gap between personal narrative, cultural exploration, and environmental advocacy. Her ability to seamlessly blend artistic techniques with a deep commitment to social justice sets her apart as a truly unique voice. She is part of a growing movement of African artists who are challenging dominant narratives and reclaiming their own stories. Her focus on identity and culture resonates deeply in a world grappling with issues of globalization, displacement, and the preservation of cultural heritage. As she continues to develop her practice, Keza’s work promises to offer even more profound insights into the complexities of our time—a visual poetry that inspires empathy, fosters understanding, and calls for urgent action. Her ongoing projects suggest a continued exploration of the intersection between human lives and the natural world, solidifying her legacy as an artist who not only documents reality but actively shapes it.
tracey keza

tracey keza

1990 - , Rwanda

Quick Facts

  • Artistic Movement Or Style: Contemporary art
  • Date Of Birth: 1990
  • Full Name: Tracey Keza
  • Nationality: Rwandan
  • Notable Artworks:
    • JAB - 5
    • JAB - 3
    • Hijabs and Hoodies - 12
  • Place Of Birth: Kigali, Rwanda
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