The wind (Arthur Murch)
Arthur Murch (1902–1989) made The wind. It is kept at Art Gallery of New South Wales in Sydney, Australia.
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StatsThe wind, in brief
- Title
- The wind
- Artist
- Arthur Murch (1902–1989)
- Artist born in
- Sydney, Australia
- Where to see it
- Art Gallery of New South Wales, Sydney, Australia
Which museum holds The wind?
Art Gallery of New South Wales
Sydney, Australia
Origins and History of the Gallery The Art Gallery of New South Wales was founded in 1872 as the New South Wales Academy of Art. This establishment focused on organizing annual exhibitions and providing a platform for emerging artists. The institution held its first public exhibition in 1874.
High-resolution images of The wind
Protected by copyright: the image is shown for reference only.
Other sizes, crops and citation →Arthur Murch, The wind, Art Gallery of New South Wales.
Questions on The wind, answered
Where can I see the original "The wind" by Arthur Murch?
"The wind" by Arthur Murch is on display at the Art Gallery of New South Wales, Sydney, Australia. The museum listing refers to the original work, not to reproductions.
Can the image of "The wind" by Arthur Murch be freely reproduced?
"The wind" by Arthur Murch is still protected by copyright. This status governs how the image of the work may be reproduced.
Who created "The wind"?
"The wind" was created by Arthur Murch. The information on this page describes Arthur Murch's original work.
Why is the copyright status of "The wind" what it is?
The copyright status of "The wind" - still protected by copyright - follows from the artist's death in 1989.
Is "The wind" by Arthur Murch kept in the artist's home country?
Yes - the artwork is kept in the artist's home country. The birth country of Arthur Murch is Australia, and the museum holding the original of "The wind" is in Australia.
About the artist, Arthur Murch
1902–1989, Australia
Arthur Murch
Early Life and Artistic Training Arthur Murch entered the world on 8 July 1902, in the suburb of Croydon within Sydney, New South Wales. His early years in Australia provided the foundation for a life dedicated to the visual arts, though his path was shaped by the guidance of those who saw his potential. It was through the influence of Antonio Dattilo-Rubbo that the young man first encountered the profound lessons of the French Post-Impressionists. Through these teachings, the works of Cézanne and Seurat began to inform his understanding of light and form, planting the seeds of a developing aesthetic.
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