Art Deco · 1929

Andromeda (Tamara de Lempicka, 1929)

Tamara de Lempicka (1898–1980) made Andromeda. It dates from 1929. It belongs to the Art Deco movement.

  • 1929
Andromeda by Tamara de Lempicka, 1929
Andromeda by Tamara de Lempicka, 1929.

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Andromeda, in brief

Title
Andromeda
Artist
Tamara de Lempicka (1898–1980)
Artist born in
Warsaw, Poland
Date
1929
Movement
Art Deco
Subject
flowers

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Andromeda by Tamara de Lempicka, 1929
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Tamara de Lempicka, Andromeda (1929).

Questions on Andromeda, answered

In what year was "Andromeda" by Tamara de Lempicka created?

"Andromeda" dates from 1929. The date places the work within Tamara de Lempicka's career and its era.

What does "Andromeda" by Tamara de Lempicka depict?

"Andromeda" by Tamara de Lempicka depicts: flowers.

Is "Andromeda" by Tamara de Lempicka in the public domain?

Regarding copyright, "Andromeda" is still protected by copyright.

Which artist is "Andromeda" attributed to?

"Andromeda" was created by Tamara de Lempicka. The information on this page describes Tamara de Lempicka's original work.

What style does "Andromeda" belong to?

"Andromeda" by Tamara de Lempicka belongs to the Art Deco movement. This movement provides the stylistic context of the work.

At what age did Tamara de Lempicka make "Andromeda"?

When "Andromeda" was created in 1929, Tamara de Lempicka - born in 1898 - was 31 years old.

Why is the copyright status of "Andromeda" what it is?

"Andromeda" by Tamara de Lempicka is still protected by copyright. Copyright terms are measured from the artist's death, and Tamara de Lempicka died in 1980.

About the artist, Tamara de Lempicka

Tamara de Lempicka

1898–1980, Poland

Tamara de Lempicka

The Aristocrat of the Jazz Age Born Maria Teresa Górska in Warsaw, Poland, the woman who would become known to the world as Tamara de Lempicka lived a life that mirrored the sharp, polished edges of her own canvases. Her early years were spent within the sophisticated circles of a wealthy Polish-Jewish family, a world of European spas and high society that instilled in her a lifelong devotion to elegance. This sheltered existence was upended by the tremors of the Russian Revolution, forcing her and her husband, Tadeusz Łempicki, to flee toward the promise of Paris. In the city of light, she sought to reinvent herself, adopting a name that carried a certain aristocratic weight, and began to transform from a socialite into a professional force.

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