Paper

Student Artwork Guide

A Friendly Call

Name Class Date

William Merritt Chase, A Friendly Call (1895), Chester Dale Collection. National Gallery of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Merritt Chase originaluniqueart.com/en/artists/william-merritt-chase/
Artist’s dates
1849 – 1916
Painted
1895
Medium
Oil On Canvas
Original size
77 x 123 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Held at
Chester Dale Collection. National Gallery of Art originaluniqueart.com/en/museums/chester-dale-collection-national-gallery-of-art-washington-d-c/
Notable_elements
Accurate rendering of Chase's studio at Shinnecock Hills, Long Island; use of color and light reminiscent of French Impressionists
Style
American Impressionist
Subject
Chase's wife Alice chatting with a fashionably dressed visitor in the artist's studio

In context

A Friendly Call — William Merritt Chase

How big is it?

The original measures 77 × 123 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 46. The artist lived to 67. 273 of the 506 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Merritt Chase (1849–1916) ▲ this work, 1895 every dated painting, decade by decade

First works: up to 1886 Main working years: 1886–1902 Late works: from 1902

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/william-merritt-chase-a-friendly-call-8XZ7AV-en/

Colours

Measured from the image

    Main colour

    Driftwood #ac946d

    Catalogued palette

    • #AC946D
    • #3A2C1B
    • #7C5C3B
    • #DACFBD

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Merritt Chase over the last twelve months — 15 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.3%
    2. 2 United States of America 7.6%
    3. 3 Singapore 6.9%
    4. 4 Hong Kong 6.8%
    5. 5 Romania 2.9%
    6. 6 Italy 0.5%
    7. 7 France 0.3%
    8. 8 Mexico 0.3%
    9. 9 Malaysia 0.3%
    10. 10 Argentina 0.2%
    11. · 5 other countries 0.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William Merritt Chase

    1. 1 Kate Freeman Clark, 1902 1.1%
    2. 2 My Little Daughter Dorothy, 1894 1.0%
    3. 3 Good Friends, 1909 1.0%
    4. 4 Idle Hours, 1894 0.8%
    5. 5 Terrace at the Mall, Central Park, 1890 0.8%
    6. 6 Still Life: Fish, 1908 0.8%
    7. 7 Swollen Stream at Shinnecock, 1895 0.8%
    8. 8 The Park, 1887 0.8%
    9. 9 Portrait of Miss D. (also known as My Daughter Dieudonnee), 1900 0.8%
    10. 10 Mother and Child (also known as The First Portrait, Mother and Daughter, His First Portrait), 1887 0.8%
    11. 11 Fish, 1910 0.8%
    12. 12 The Lone Fisherman, 1890 0.7%
    13. 13 The Kimono, 1895 0.7%
    14. 14 'For the LIttle One (also known as Hall at Shinnecock)', 1895 0.7%
    15. 15 My Daughter Alice, 1897 0.7%
    16. 16 Study of Girl in Japanese Dress, 1895 0.7%
    17. 17 The Deserted Beach, 1902 0.7%
    18. 18 Memories, 1910 0.7%
    19. 19 Fish Still Life (also known as Still LIfe - Fish and Big Bowl, Still LIfe - Striped Bass) 0.7%
    20. 26 A Friendly Call, 1895 this painting 0.5%

    Together these works take 15.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 673 works by this artist, of which 349 were looked at at least once. This painting ranks 26 of them, with 0.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    A Friendly Call — William Merritt Chase

    A Glimpse into Gilded Age Elegance

    "A Friendly Call" (1895) by William Merritt Chase invites viewers into an intimate moment of social grace and domestic tranquility. This captivating oil-on-canvas painting captures the essence of late 19th-century American life, blending Impressionist techniques with a rich narrative that resonates across time.

    An Intimate Domestic Scene

    The artwork depicts two elegantly dressed women engaged in conversation within Chase's studio at his summer home in Shinnecock Hills, Long Island. The woman on the left sits gracefully on a sofa, while her companion occupies a chair to the right. Their refined attire and relaxed postures suggest a leisurely afternoon spent in pleasant company. The detailed rendering of their clothing and the intricate patterns on the cushions and upholstery highlight Chase's meticulous attention to detail.

    Impressionist Mastery

    Chase, an exponent of American Impressionism, employs loose brushwork and a focus on capturing light and atmosphere. The warm, muted color palette—dominated by earthy tones of red, brown, and beige, complemented by softer hues like white, yellow, and pastel pinks—creates a cozy and intimate atmosphere. Natural lighting streams in from a window on the right, casting soft shadows and illuminating parts of the room, enhancing the overall mood of the painting.

    Historical Context and Symbolism

    Painted in 1895, "A Friendly Call" reflects the opulence and social norms of the Gilded Age. The refined interior and elegant attire of the women suggest themes of domesticity, social status, and the passage of time. Chase's studio, accurately rendered in the painting, was known for its lavish decor, including exotic musical instruments and oriental carpets, which added to the artistic ambiance.

    Emotional Impact and Appeal

    The painting exudes a sense of elegance and nostalgia, evoking a feeling of warmth and comfort. The balanced composition, with figures positioned on either side of the canvas, creates a symmetrical visual weight that draws the viewer into the scene. The detailed rendering of the women's clothing and the intricate patterns on the cushions and upholstery add depth and context to the scene.

    Why Collectors and Designers Love This Piece

    "A Friendly Call" is a timeless masterpiece that adds a touch of sophistication and historical charm to any space. Its rich narrative, Impressionist techniques, and warm color palette make it a sought-after piece for art lovers, collectors, and interior designers alike. Whether displayed in a traditional or contemporary setting, this painting serves as a focal point that sparks conversation and admiration.

    Bring This Masterpiece into Your Home

    Experience the elegance and tranquility of "A Friendly Call" with a high-quality hand-painted reproduction from AllPaintingsStore.com. Our expert artists meticulously recreate every detail, ensuring that you receive a piece that captures the essence of Chase's original work. Elevate your space with this captivating artwork and enjoy the timeless beauty it brings.

    Artist and museum

    Artist

    William Merritt Chase

    Born in Nineveh, United States of America

    A Life Painted in Light: The World of William Merritt Chase

    William Merritt Chase, a name synonymous with the blossoming of American Impressionism, was more than just a painter; he was a pivotal force in shaping the nation’s artistic identity at the turn of the 20th century. Born on November 1, 1849, in the humble surroundings of Williamsburg (later Nineveh), Indiana, Chase's journey from rural beginnings to becoming a celebrated artist and influential educator is a testament to his unwavering dedication and innate talent. His early life was marked by a familial relocation to Indianapolis in 1861, where he initially assisted in his father’s business ventures. However, even amidst these practical obligations, the seeds of artistic passion were sown, nurtured by studies with local instructors Barton S. Hays and Jacob Cox. This foundational training ignited a desire for further exploration, leading him briefly into naval service before ultimately gravitating towards the vibrant art scene of New York City in 1869. There, under the tutelage of Joseph Oriel Eaton at the National Academy of Design, and later Lemuell Wilmarth, a student of Jean-Léon Gérôme, Chase began to hone his skills, laying the groundwork for a career that would redefine American painting. A temporary financial setback forced a move to Saint Louis in 1870, but even this challenge proved fruitful, allowing him to establish himself within the local art community and gain recognition for his burgeoning talent.

    From Academic Roots to Impressionistic Brilliance

    Chase’s artistic development was not a sudden leap into Impressionism, but rather a gradual evolution informed by rigorous academic training and extensive travels abroad. A crucial turning point came with his extended sojourn in Munich beginning in 1872, where he studied at the Academy of Fine Arts under Alexander von Wagner and Karl von Piloty. This period instilled in him a mastery of traditional techniques and a penchant for dramatic compositions, yet it was during a subsequent visit to Venice with fellow American artists Frank Duveneck and John Twachtman that Chase began to embrace a more liberated approach to painting. Inspired by the luminous light and vibrant colors of the Italian landscape, he started experimenting with looser brushwork and a heightened sensitivity to atmospheric effects. Upon his return to New York in 1878, Chase fully embraced Impressionistic principles, capturing fleeting moments of modern life with an energetic and captivating style. Works like Keying Up – The Court Jester (1876), exhibited to critical acclaim at the Boston Art Club and Philadelphia Centennial Exposition, showcased his ability to convey movement and personality through bold brushstrokes and a dynamic composition. He continued to explore diverse subjects—striking portraits such as Portrait of Virginia Gerson, evocative landscapes like Gowanus Bay (aka Misty Day, Gowanus Bay), and scenes depicting the vibrancy of urban life, including Alice Fernandez. Other notable works include “A Friendly Call,” “A Study in Curves,” and “Terrace at the Mall, Central Park.”

    The Educator: Shaping a Generation of Artists

    Beyond his accomplishments as a painter, William Merritt Chase left an indelible mark on American art through his dedication to teaching. Recognizing the need for innovative art education, he founded the Chase School in New York City in 1896, which later evolved into Parsons The New School for Design. This institution became a breeding ground for artistic talent, emphasizing direct observation, technical proficiency, and creative experimentation. Unlike many of his contemporaries who favored rigid academic instruction, Chase encouraged his students to develop their individual voices and explore diverse styles. He held teaching positions at the Pennsylvania Academy of the Fine Arts, the Art Students League, and the Brooklyn Art Association, disseminating his artistic philosophy far and wide. His influence extended to numerous artists, including Wayman Elbridge Adams, who openly acknowledged Chase as a mentor. The emphasis on plein air painting—painting outdoors directly from nature—became a cornerstone of his pedagogical approach, fostering a deeper connection between students and their subjects.

    Legacy and Historical Significance

    William Merritt Chase’s place in American art history is secure. He bridged the gap between established academic traditions and the burgeoning Impressionist movement, contributing significantly to the development of a distinctly American artistic identity. His commitment to capturing the essence of modern life—the bustling cityscapes, intimate domestic interiors, and leisurely pursuits of his time—resonated with audiences eager for a new visual language. While his later years saw a temporary eclipse in critical recognition, his work has experienced a resurgence in recent decades, solidifying his reputation as one of America’s most important and influential artists. He wasn't merely documenting scenes; he was interpreting the spirit of an evolving nation through the vibrant lens of Impressionism. His legacy extends beyond his canvases to the countless artists he inspired, ensuring that his innovative approach to painting continues to shape the landscape of American art for generations to come.

    Museum

    Chester Dale Collection. National Gallery of Art

    On show in Washington, D.C., United States of America

    A Legacy of Vision: The Chester Dale Collection at the National Gallery of Art

    The National Gallery of Art in Washington D.C. stands as a testament to America’s enduring passion for artistic brilliance, and within its hallowed halls resides a collection that embodies both discerning taste and a profound understanding of modern art's evolution—the Chester Dale Collection. This isn’t simply an assemblage of canvases; it is the materialized vision of one man, Chester Dale, an American banker who began collecting in 1910 alongside his wife Maud Murray, not merely acquiring artworks but charting the course of a new aesthetic sensibility. Dale wasn't driven by fleeting trends, but rather possessed an intuitive grasp of artistic innovation, championing artists poised to redefine the modern era. The collection’s strength lies profoundly within its representation of 19th and 20th-century French painting, offering an intimate journey through the shifting currents of art history—from the ephemeral beauty captured in Impressionism's fleeting moments of light to the bold explorations of form and color that characterize Modernism.

    The Heart of a Collection: Masters of a New Age

    At the core of this remarkable collection reside masterpieces by titans of artistic expression. Paul Cézanne, with his revolutionary approach to perspective and structure, is powerfully represented, offering viewers a glimpse into the very foundations of Cubism. His works within the Dale Collection aren’t merely paintings; they are intellectual puzzles, inviting contemplation on the nature of perception itself. Alongside Cézanne stands Henri Matisse, a master of color and composition whose canvases burst with vibrant energy and emotional depth. The sheer joyfulness emanating from his brushstrokes is palpable, a testament to his belief in art's power to uplift and inspire. But Dale’s vision wasn’t limited to French masters; he also recognized the burgeoning talent within American shores, acquiring works by George Bellows, demonstrating an appreciation for diverse artistic voices. The subjects depicted are wonderfully varied—intimate portraits that capture the essence of their sitters, evocative landscapes transporting us to tranquil scenes, and still lifes brimming with texture and light. A particularly noteworthy piece is Picasso's Pedro Mañach, a striking portrait from his early period, demonstrating the artist’s burgeoning talent and foreshadowing the groundbreaking work that would follow. The collection isn’t simply about showcasing famous names; it’s about revealing the unique artistic language of each creator, their individual approaches to capturing the world around them.

    A Collector's Journey: Shaping a Modern Aesthetic

    Chester Dale wasn’t an art historian or critic, but rather a passionate collector driven by intuition and a deep appreciation for beauty. His journey began in 1910, and over decades he meticulously built a collection that reflected his evolving understanding of modern art. He didn't follow trends; he defined them, acquiring works that challenged conventional norms and pushed the boundaries of artistic expression. The papers held at the Smithsonian’s Archives of American Art reveal a man deeply engaged with the artists and movements of his time, constantly learning and refining his taste. His generosity in donating a substantial portion of his collection to the National Gallery in 1941, followed by further bequests upon his death in 1963, cemented his legacy as a pivotal figure in American art patronage. The Dale Collection isn’t just about the artworks themselves; it's about the story of a man who dared to see beyond established conventions and embrace the future of art—a vision that continues to resonate today.

    Enduring Impact & Accessibility

    The Chester Dale Collection has been the focus of numerous exhibitions, most recently with “Twentieth-Century French Paintings from the Chester Dale Collection” in 2025, and previously with "From Impressionism to Modernism: The Chester Dale Collection" in 2010. These displays have allowed audiences to delve deeper into the collection’s themes and appreciate its historical significance. The impact of Dale's gift extends beyond the aesthetic realm; it fundamentally altered the National Gallery’s approach to American modern art, leading to a reevaluation of the museum’s collecting policies and ultimately broadening its scope. The collection continues to inspire scholars, artists, and art enthusiasts alike, serving as a vital resource for understanding the evolution of modern art and the role of private collectors in shaping cultural institutions. Perhaps one of the most remarkable aspects of the Chester Dale Collection is its accessibility. As part of the National Gallery of Art, admission is free, ensuring that anyone can experience these masterpieces firsthand. Located on the National Mall in Washington D.C., the collection is easily accessible by public transportation, making it a central destination for art lovers from around the globe. The Chester Dale Collection stands as a powerful reminder of the transformative power of art and the enduring legacy of a visionary collector who dedicated his life to enriching our cultural landscape—an invitation to explore, contemplate, and connect with the artistic spirit that continues to shape our world.

    Where to read more

    Find this online

    QR code linking to the download page for A Friendly Call

    originaluniqueart.com/en/art/download/william-merritt-chase-a-friendly-call-8XZ7AV-en/

    Cite this artwork

    MLA
    Chase, William Merritt. A Friendly Call. 1895, Chester Dale Collection. National Gallery of Art. https://originaluniqueart.com/en/art/william-merritt-chase-a-friendly-call-8XZ7AV-en/
    APA
    Chase, William Merritt (1895). A Friendly Call [Painting]. Chester Dale Collection. National Gallery of Art. https://originaluniqueart.com/en/art/william-merritt-chase-a-friendly-call-8XZ7AV-en/
    Chicago
    William Merritt Chase. A Friendly Call. 1895. Chester Dale Collection. National Gallery of Art. https://originaluniqueart.com/en/art/william-merritt-chase-a-friendly-call-8XZ7AV-en/
    Harvard
    Chase, William Merritt (1895) A Friendly Call. Chester Dale Collection. National Gallery of Art. Available at: https://originaluniqueart.com/en/art/william-merritt-chase-a-friendly-call-8XZ7AV-en/

    Look closely

    A Friendly Call — William Merritt Chase

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: domestic scene, gilded age, social portrait. Do you agree? What would you add, or take away?
    5. Look back at Idle Hours (1894), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    A Friendly Call — William Merritt Chase

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. Who is the artist of 'A Friendly Call'?

      • A Winslow Homer
      • B William Merritt Chase
      • C Augustus Saint-Gaudens
    2. 2. In which year was 'A Friendly Call' painted?

      • A 1875
      • B 1895
      • C 1905
    3. 3. What artistic movement is 'A Friendly Call' associated with?

      • A Realism
      • B Impressionism
      • C Cubism
    4. 4. Where was the scene of 'A Friendly Call' set?

      • A Chase's studio in New York City
      • B Chase's summer house at Shinnecock Hills, Long Island
      • C A Parisian café
    5. 5. Which of the following elements is NOT a notable feature of 'A Friendly Call'?

      • A Accurate rendering of Chase's studio
      • B Use of color and light reminiscent of French Impressionists
      • C Abstract geometric shapes

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Which museum holds the original "A Friendly Call"?

    You can see the original "A Friendly Call" at the Chester Dale Collection. National Gallery of Art, Washington, D.C., United States of America.

    What is the color identity of "A Friendly Call" by William Merritt Chase?

    "A Friendly Call" by William Merritt Chase uses an earthy palette, with driftwood (#ac946d) as the dominant color.

    Is "A Friendly Call" available as a fine art print?

    To get a print of "A Friendly Call" by William Merritt Chase, simply order it on this page: a fine art print on cotton canvas or archival canvas paper.

    What is the luminance of "A Friendly Call" by William Merritt Chase?

    The colors of "A Friendly Call" show a gentle luminance luminance.

    Where should a reproduction of "A Friendly Call" by William Merritt Chase be hung?

    With its panoramic shape, a reproduction of "A Friendly Call" is suggested for a living room.

    What explains the copyright situation of "A Friendly Call" by William Merritt Chase?

    The copyright status of "A Friendly Call" - in the public domain - its copyright has expired - follows from the artist's death in 1916.

    What are the dimensions of the original "A Friendly Call" by William Merritt Chase?

    "A Friendly Call" measures 77 x 123 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.

    Where can I buy a hand-painted reproduction of "A Friendly Call" by William Merritt Chase?

    "A Friendly Call" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on this page, with a choice of sizes.