Color Field · 1962
2-68 (Morris Louis, 1962)
Morris Louis (1912–1962) made 2-68. It dates from 1962. It belongs to the Color Field movement. It measures 203 × 47 cm.
- 1962
- 203 × 47 cm
2-68, in brief
- Title
- 2-68
- Artist
- Morris Louis (1912–1962)
- Artist born in
- Baltimore, United States
- Date
- 1962
- Dimensions
- 203 × 47 cm
- Movement
- Color Field
High-resolution images of 2-68
Protected by copyright: these files are for personal reference, not a licence to republish.
Morris Louis, 2-68 (1962).
Questions on 2-68, answered
What is the creation date of "2-68" by Morris Louis?
"2-68" dates from 1962. The date places the work within Morris Louis's career and its era.
What are the dimensions of the original "2-68" by Morris Louis?
The recorded dimensions of "2-68" by Morris Louis are 203 x 47 cm. Reproductions can be ordered in other sizes while keeping the same proportions.
Can the image of "2-68" by Morris Louis be freely reproduced?
"2-68" by Morris Louis is still protected by copyright. This status governs how the image of the work may be reproduced.
Which artist is "2-68" attributed to?
The artist behind "2-68" is Morris Louis. The work is catalogued under Morris Louis's name.
What style does "2-68" belong to?
The movement associated with "2-68" by Morris Louis is Color Field. This classification situates the work among related artists and artworks.
At what age did Morris Louis make "2-68"?
Morris Louis made "2-68" at the age of 50. The artist was born in 1912 and the work is dated 1962.
Is "2-68" by Morris Louis in the public domain, and why?
"2-68" by Morris Louis is still protected by copyright. Copyright duration runs from the artist's death, which occurred in 1962.
About the artist, Morris Louis
1912–1962, United States
Morris Louis
Early Life and Education Born: Morris Louis Bernstein, November 28, 1912, Baltimore, Maryland Parents: Louis Bernstein (furniture salesman) and Cecelia Luckman Bernstein. Education: Attended public schools in Baltimore; Maryland Institute of Fine and Applied Arts (now MICA), 1929-1932. Did not complete a degree. Early influences included Eugene Speicher and Paul Cézanne.