The Fifth Child Burning
Acrylic On Canvas
WallArt
Contemporary Assemblage
1994
221.0 x 182.0 cm
Souls Grown Deep
Giclée / Art Print
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The Fifth Child Burning
Giclée / Art Print
Reproduction Size
-
Total Price
$ 81
Collectible Description
The Fifth Child Burning: A Testament to Resilience and Remembrance
Lonnie Holley’s “The Fifth Child Burning” isn't merely sculpture; it’s an embodiment of memory, loss, and the transformative power of confronting trauma through artistic expression. Created in 1994, this arresting assemblage speaks volumes about Holley’s personal journey intertwined with the profound injustices faced by Black communities in America—specifically referencing the devastating bombing at the Sixteenth Street Baptist Church in Birmingham, Alabama, where four young girls perished during the Civil Rights Movement. This event served as a catalyst for Holley's artistic vision, prompting him to grapple with themes of grief and injustice through his distinctive method: repurposing discarded materials into emotionally resonant artworks.A Dialogue Between Destruction and Creation
The sculpture itself is dominated by an old television set—a symbol of both technological advancement and societal disconnection—surrounded by a chair, ties, books, radios, and countless other miscellaneous objects meticulously arranged on what appears to be a weathered wooden table. These aren’t simply materials; they are fragments of lives lived, representing the tangible remnants of experiences endured. Holley's technique is characterized by an intuitive approach – he burns or melts these items before incorporating them into his sculptures, transforming destruction into a form of artistic regeneration. This deliberate act underscores the artist’s belief that beauty can emerge from hardship and that acknowledging pain is crucial to fostering empathy and understanding.Symbolism Rooted in Historical Context
The title "The Fifth Child Burning" immediately establishes a connection to the tragic bombing of Birmingham, referencing the loss of innocence and highlighting the pervasive racism that fueled such violence. Holley’s artistic process isn't simply about assembling objects; it’s about channeling emotion—specifically sorrow—into visual form. The teal and red fabric scraps adorning the vertical element serve as poignant reminders of mourning and resilience, mirroring the enduring spirit of those impacted by injustice. Furthermore, the inclusion of items like roller skates symbolizes youthful energy and potential tragically curtailed by circumstance.A Raw Aesthetic Reflecting Outsider Art Tradition
“The Fifth Child Burning” firmly aligns with the tradition of outsider art—also known as folk art—characterized by its uncompromising honesty and unconventional use of materials. Unlike polished museum pieces, Holley’s sculpture possesses a palpable immediacy, conveying raw emotion without embellishment. The muted color palette—primarily grays, browns, and blacks—reflects the weathered patina of the repurposed objects, emphasizing their history and grounding the artwork in tangible reality. Photographed against a stark white background, the image prioritizes textural detail, inviting viewers to contemplate the sculpture’s materiality alongside its conceptual depth.A Legacy of Remembrance
Ultimately, Holley's work transcends mere visual representation; it’s an invitation to confront uncomfortable truths and honor those who have suffered injustice. “The Fifth Child Burning” stands as a powerful testament to resilience—to finding beauty amidst devastation—and to acknowledging the importance of remembering historical tragedies as catalysts for personal growth and societal change. It exemplifies Holley's unwavering commitment to expressing profound emotions through repurposed materials, cementing his place as one of America’s most compelling voices in contemporary art.Artist Biography
A Life Forged in Found Materials
Lonnie Holley, born February 10, 1950, in Birmingham, Alabama, is more than an artist; he’s a testament to the resilience of the human spirit and the transformative power of creativity. His journey, deeply rooted in the complexities of the Jim Crow South, has blossomed into a globally recognized artistic practice encompassing assemblage sculpture, immersive environments, and profoundly moving music. Holley's story isn’t one of formal training or privileged access; it’s a narrative sculpted by hardship, loss, and an unwavering commitment to self-expression. His early life was characterized by instability – a childhood spent navigating foster homes, working odd jobs from a young age—picking up trash, washing dishes, cooking—and finding temporary shelter in unconventional places like a whiskey house and the state fairgrounds. These experiences weren’t merely biographical details; they became the very bedrock of his artistic vision, imbuing his work with an authenticity that resonates deeply with viewers.The Genesis of Creation: From Grief to Art
A pivotal moment arrived in 1979 when Holley began carving tombstones for his sister’s children who tragically perished in a fire. This act of mourning, born from profound grief, unexpectedly unlocked his artistic path. While searching for suitable materials, he discovered discarded sandstone-like remnants from a local foundry—a byproduct of Birmingham's industrial heartland. He attributes this discovery to something akin to divine intervention, a guiding hand leading him toward a new form of expression. This wasn’t simply finding a medium; it was encountering a voice waiting to be unleashed. The act of shaping these stones into memorials became a catalyst for broader artistic exploration, transforming found objects into powerful expressions of remembrance and loss. He didn't approach the sandstone with preconceived notions but allowed the material itself to dictate the form, an improvisational process that would become a hallmark of his style. This intuitive connection to materials—responding directly to their texture, shape, and inherent history—defines Holley’s unique artistic language.Assemblage and Improvisation: A Unique Artistic Voice
Lonnie Holley's art is fundamentally rooted in assemblage – the art of constructing sculptures from disparate found objects. Metal scraps, weathered wood fragments, discarded stones, everyday detritus—these are not merely materials to Holley; they are vessels carrying stories, memories, and echoes of past lives. His process isn’t about imposing a vision onto these objects but rather allowing them to reveal their potential through intuitive arrangement and connection. He doesn't pre-plan his creations; instead, he responds directly to the materials at hand, letting them guide the form and meaning of his work. This improvisational approach extends beyond sculpture into his musical endeavors as well. His works frequently address themes of spirituality, social justice, personal history, and the beauty found in unexpected places. They reflect on the complexities of human experience, the search for meaning in a fragmented world, and the enduring power of memory. While initially focused on sandstone carvings, Holley’s practice expanded to encompass an ever-widening range of materials, demonstrating his adaptability and resourcefulness as an artist.Recognition and Legacy: A Rising Star
Over the years, Lonnie Holley's work has garnered significant recognition, finding its way into prestigious museum collections worldwide. His art has been exhibited at institutions including the Birmingham Museum of Art, The Halsey Institute of Contemporary Art, The Metropolitan Museum of Art, and the National Gallery of Art, among many others. He is represented by the Souls Grown Deep Foundation, an organization dedicated to supporting and promoting the work of African American artists from the South. Beyond his visual art, Holley embarked on a musical career in 2012, releasing critically acclaimed albums like "Just Before Music," “MITH”, and “National Freedom”. His music blends spoken word, improvisation, and blues influences, creating a sonic landscape as unique and compelling as his sculptures. He has collaborated with artists such as Matthew E. White, further expanding his creative reach. Holley’s story exemplifies the power of self-taught artistry, demonstrating how creativity can flourish outside traditional academic settings. His work provides a poignant commentary on social issues and the experiences of marginalized communities in the American South. He is associated with the Birmingham-Bessemer School of Art, alongside Thornton Dial, Ronald Lockett, and Joe Minter, highlighting a shared aesthetic and thematic focus within the region's artistic landscape. Lonnie Holley’s legacy isn’t just about the art he creates; it’s about the inspiration he provides—a beacon for those who find their voice through unconventional methods and perspectives.Influences and Artistic Kinship
While fiercely independent in his artistic vision, Holley exists within a rich lineage of self-taught Southern artists. His work echoes the spirit of folk art traditions, particularly the African American vernacular tradition of transforming discarded materials into objects of beauty and significance. The influence of spirituality is palpable throughout his oeuvre, reflecting a deep connection to ancestral beliefs and a search for meaning beyond the material world. He shares affinities with artists like Thornton Dial, whose assemblages also grapple with themes of race, history, and social injustice. The Birmingham-Bessemer School of Art, to which Holley is often linked, represents a unique artistic ecosystem—a community of self-taught creators who found strength in shared experiences and a commitment to authentic expression. His work resonates with the improvisational spirit of jazz music, particularly the free jazz movement, where spontaneity and emotional intensity are paramount. Ultimately, Lonnie Holley’s art is a testament to the enduring power of human creativity—a force that can transform pain into beauty, loss into remembrance, and discarded objects into profound statements about the world we inhabit.Lonnie Holley
1950 - , United States of America
Quick Facts
- Artistic Movement Or Style: Assemblage, Outsider art
- Date Of Birth: February 10, 1950
- Full Name: Lonnie Bradley Holley
- Nationality: American
- Notable Artworks:
- Protecting Myself...
- Mith
- Changing My Walk...
- Place Of Birth: Birmingham, USA

Glass option is only available in size under 110 CM

