Magic Realism · 1970
Face (Leonor Fini, 1970)
Leonor Fini (1907–1996) made Face. It dates from 1970. It belongs to the Magic Realism movement.
- 1970
Face, in brief
- Title
- Face
- Artist
- Leonor Fini (1907–1996)
- Artist born in
- Buenos Aires, Argentina
- Date
- 1970
- Movement
- Magic Realism
High-resolution images of Face
Protected by copyright: these files are for personal reference, not a licence to republish.
Leonor Fini, Face (1970).
Questions on Face, answered
When was "Face" made?
"Face" by Leonor Fini was created in 1970.
Can the image of "Face" by Leonor Fini be freely reproduced?
Regarding copyright, "Face" is still protected by copyright.
Who is the artist behind "Face"?
"Face" was created by Leonor Fini. The information on this page describes Leonor Fini's original work.
Which artistic current is "Face" by Leonor Fini part of?
"Face" is a work of Magic Realism. The movement indicates the artistic tradition the work is part of.
At what age did Leonor Fini make "Face"?
Leonor Fini made "Face" at the age of 63. The artist was born in 1907 and the work is dated 1970.
Why is the copyright status of "Face" what it is?
"Face" by Leonor Fini is still protected by copyright. Copyright terms are measured from the artist's death, and Leonor Fini died in 1996.
About the artist, Leonor Fini
1907–1996, Argentina
Leonor Fini
A Life Unbound: The World of Leonor Fini Born in Buenos Aires in 1907, and raised amidst the shifting landscapes of Trieste, Italy, Leonor Fini was an artist whose life itself felt like a perpetual act of transformation. Her early years were marked by instability—frequent relocations dictated by her parents’ tumultuous custody battles—a circumstance that instilled within her a profound sense of self-reliance and a fascination with disguise, themes that would become central to her artistic vision. This nomadic upbringing, coupled with a lack of formal training, fostered an intensely personal approach to artmaking, one rooted in observation, intuition, and a deep engagement with the Old Masters she encountered through books and museum visits. She absorbed the traditions of Renaissance and Mannerist styles, laying a foundation for the unique visual language that would define her career.