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Dragon

'Dragon' by Hokusai embodies Edo period Japanese art’s observation, craftsmanship, and symbolic depth—a monumental series capturing nature’s grandeur within a single print. Explore this masterpiece at WikiArt!

Discover Katsushika Hokusai (1760-1849), Japan's ukiyo-e master! Explore 'The Great Wave,' landscapes, manga & woodblock prints. Influenced Impressionism & more!

Giclée / Art Print

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Total Price

$ 81

reproduction

Dragon

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Artistic style: Landscape painting
  • Location: Private Collection
  • Subject or theme: Mount Fuji; Symbolism of power and movement
  • Medium: Woodblock print
  • Influences: Japanese cosmology
  • Year: 1830-1840
  • Title: Dragon

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the artist known for?
Question 2:
Which technique was prominently used in creating this artwork?
Question 3:
What is the primary subject matter depicted in ‘Dragon’?
Question 4:
The Prussian blue pigment used in this print was an accidental import from which country?
Question 5:
‘Dragon’ belongs to what genre of art?

Collectible Description

A Symphony in Crimson and Azure: Exploring Katsushika Hokusai’s “Dragon”

Katsushika Hokusai’s “Dragon,” more than just a depiction of a mythical creature, embodies the spirit of Edo period Japanese art—a profound meditation on observation, masterful execution, and layered symbolic resonance. Produced circa 1830-1840 during Hokusai's prolific output amidst his monumental series “Thirty-Six Views of Mount Fuji,” this woodblock print exemplifies the dynamism inherent in his signature style, capturing not merely a visual representation but an emotional experience rooted in centuries of artistic tradition. It’s a piece that speaks to the viewer long after initial observation, prompting contemplation on themes of imperial power, natural harmony, and the ephemeral beauty of existence.

The Essence of Ukiyo-e Technique: Prussian Blue and Precise Craftsmanship

Hokusai revolutionized ukiyo-e—the “floating world” genre—by prioritizing immediacy and movement over idealized representations prevalent in Western painting traditions. Unlike his contemporaries who sought to portray subjects as flawless embodiments of beauty, Hokusai focused on capturing the raw energy of nature, mirroring its turbulent grandeur within the confines of a single print. This remarkable achievement is achieved through innovative use of Prussian blue pigment – an accidental import from Europe that dramatically expanded the palette available to Japanese artists – meticulously layered upon finely grained rice paper. The printing process itself involved multiple blocks carved by skilled artisans, each responsible for transferring color and tonal variations onto the paper with astonishing precision. Consider the subtle gradations of tone mimicking the undulating surface of seawater; this level of detail speaks volumes about Hokusai’s dedication to craftmanship and his understanding of how visual elements could convey emotion.

Mount Fuji's Influence: Landscape as Spiritual Symbol

“Dragon” is inextricably linked to Hokusai’s monumental series “Thirty-Six Views of Mount Fuji,” which aimed to elevate the landscape beyond mere scenic beauty into a vehicle for contemplation and spiritual enlightenment. The composition deliberately incorporates elements associated with auspiciousness—the dragon itself, representing imperial power and benevolent rule; swirling clouds mirroring turbulent skies; and stylized waves conveying dynamism and unpredictability. These visual motifs resonate deeply within Japanese cosmology, where dragons symbolize prosperity and protection, and Mount Fuji embodies stability and permanence amidst the ceaseless flow of time. Hokusai’s intention wasn't simply to depict a mountain; he sought to convey its profound significance as a focal point for spiritual reflection—a testament to his artistic vision.

Symbolism Beyond Representation: Dragon Imagery in Edo Period Art

The dragon motif held considerable symbolic weight during the Edo period, reflecting anxieties about imperial authority and celebrating resilience against adversity. Frequently depicted in Buddhist iconography alongside lotus blossoms symbolizing purity and enlightenment, the dragon embodies both strength and humility—a duality that underscores Hokusai’s broader artistic concerns. Its presence within “Dragon” serves as a reminder of Japan's enduring connection to mythology and folklore, inviting viewers to consider the deeper meanings embedded within its visual language. The print’s masterful execution elevates it beyond mere aesthetic pleasure, transforming it into an object of contemplation and appreciation for those attuned to the nuances of Japanese artistic tradition.

Emotional Resonance: Capturing Transient Beauty

Ultimately, “Dragon” succeeds in conveying a powerful emotional experience—a sense of awe before the sublime grandeur of nature combined with an awareness of its impermanence. Hokusai’s ability to capture this duality speaks to the core tenets of Zen Buddhism and underscores his conviction that beauty resides not only in outward appearance but also in inner contemplation. Viewing this print is akin to embarking on a journey into the heart of Edo period artistic sensibility—a celebration of observation, technique, and the enduring power of symbolism to illuminate the human condition.

Artist Biography

A Life Etched in Ink: The World of Katsushika Hokusai

Katsushika Hokusai, a name synonymous with Japanese art and the iconic image of *The Great Wave off Kanagawa*, was far more than just a printmaker. Born in Edo (modern-day Tokyo) around 1760, his life was a restless pursuit of artistic mastery, a constant evolution marked by shifting names and an insatiable curiosity. From humble beginnings as the son of a mirror maker, Hokusai’s early inclination towards art wasn't immediately encouraged; yet, he relentlessly honed his skills, reportedly beginning to draw at the age of six. This dedication would define a career spanning nearly nine decades, leaving behind a legacy that continues to resonate with audiences worldwide. His father, Nakajima Ise, though not an artist himself, recognized and perhaps fostered this nascent talent, laying the groundwork for a journey that would transform Japanese visual culture. Hokusai’s early life wasn't one of privilege, but rather a steady climb fueled by ambition and a deep-seated passion to capture the essence of the world around him.

From Apprenticeship to Innovation: The Blossoming of a Style

Hokusai’s formal artistic training began at twelve when he entered the studio of Katsukawa Shunshō, a leading master of *ukiyo-e* – “pictures of the floating world.” This genre, popular during the Edo period, depicted scenes from everyday life: actors, courtesans, landscapes, and glimpses into the vibrant urban culture. Under Shunshō’s guidance, Hokusai mastered the techniques of woodblock printing, a demanding process requiring precision and artistry. However, he wasn't content to simply replicate his teacher’s style. Even in his early work, a restless spirit was evident, a desire to push boundaries and explore new avenues of expression. He experimented with different subjects, from book illustrations to single-sheet prints, constantly refining his skills and developing a unique visual language. This period also saw the first of many name changes – a common practice among *ukiyo-e* artists signifying periods of artistic reinvention or affiliation with different schools. He initially focused on illustrating books, which provided him with steady work and allowed him to develop his compositional skills. But it was his move towards single-sheet prints that truly unleashed his creative potential.

Mount Fuji and the Floating World: Defining Masterpieces

Hokusai’s artistic output was astonishingly prolific; thousands of woodblock prints, paintings, and illustrated books bear his signature. While he explored a wide range of subjects, it was his series *Thirty-six Views of Mount Fuji* (circa 1831) that cemented his fame. This collection, featuring the now-iconic *The Great Wave off Kanagawa*, wasn’t merely a depiction of a landscape; it was a masterful exploration of perspective, composition, and the power of nature. The wave itself, a towering force about to crash down on tiny boats, embodies both the beauty and the terror of the sea. Beyond *Fuji*, works like *Fireworks at Ryōgoku Bridge* (1790) demonstrated his ability to capture dynamic scenes of daily life with remarkable energy and detail. His *Hokusai Manga* – a collection of sketches and studies encompassing people, animals, landscapes, and fantastical creatures – was groundbreaking in its scope and influence, foreshadowing the development of modern manga as an art form. These works weren’t isolated achievements; they were milestones in a continuous artistic journey, each building upon the last to create a body of work that is both deeply rooted in Japanese tradition and remarkably innovative.

A Legacy Beyond Borders: Hokusai's Enduring Influence

Hokusai’s impact extended far beyond Japan. In the late 19th century, as Japan opened its doors to the West, *ukiyo-e* prints flooded European markets, sparking a phenomenon known as *Japonisme*. Artists like Claude Monet, Edgar Degas, and Vincent van Gogh were captivated by Hokusai’s bold compositions, vibrant colors, and unconventional perspectives. Van Gogh, in particular, was deeply influenced by *The Great Wave*, even recreating it in his own paintings. Hokusai's influence wasn't limited to Impressionism; it permeated various modern art movements, shaping the way artists approached composition, color, and subject matter. His emphasis on capturing fleeting moments, his dynamic use of line, and his ability to find beauty in everyday life resonated with a generation of artists seeking new forms of expression. Even today, Hokusai’s work continues to inspire and challenge artists around the world, solidifying his place as one of the most important figures in art history. He continued painting until his death in 1849 at the age of 89, leaving behind a vast body of work that remains a testament to his unwavering dedication and artistic genius.

The Old Man Mad About Painting

Hokusai’s life was one of constant reinvention, marked by numerous name changes – over thirty throughout his career – each reflecting a new phase in his artistic development. He often referred to himself as “Gakyō Rōjin,” or "Old Man Crazy to Paint," a fitting title for an artist who remained passionately devoted to his craft well into his eighties. This relentless pursuit of perfection, coupled with his innovative spirit and profound understanding of both Japanese tradition and the wider world, cemented Hokusai’s legacy as a true master of *ukiyo-e* and a pivotal figure in the history of art. His work continues to captivate audiences, reminding us of the power of art to transcend cultural boundaries and connect us to something larger than ourselves.
  • Major Influences: Ukiyo-e traditions, Chinese landscape painting, everyday life in Edo.
  • Key Characteristics: Bold lines, vibrant colors, dynamic compositions, keen observation of nature.
Katsushika Hokusai

Katsushika Hokusai

1760 - 1849 , Japan

Quick Facts

  • Artistic Movement Or Style: Ukiyo-e
  • Artists Or Movements Influenced By This Artist:
    • Impressionism
    • Vincent van Gogh
    • Claude Monet
  • Artists Who Influenced This Artist: ['Chinese landscape painting']
  • Date Of Birth: October 31, 1760
  • Date Of Death: May 10, 1849
  • Full Name: Katsushika Hokusai
  • Nationality: Japanese
  • Notable Artworks:
    • The Great Wave off Kanagawa
    • Thirty-six Views of Mt. Fuji
    • Hokusai Manga
    • Fireworks at Ryōgoku Bridge
  • Place Of Birth: Tokyo, Japan
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