1915
Building Forms (Joseph Stella, 1915)
Joseph Stella (1877–1946) made Building Forms. It dates from 1915. It measures 63 × 46 cm.
- 1915
- 63 × 46 cm
Building Forms, in brief
- Title
- Building Forms
- Artist
- Joseph Stella (1877–1946)
- Artist born in
- Muro Lucano, Italy
- Date
- 1915
- Dimensions
- 63 × 46 cm
High-resolution images of Building Forms
Joseph Stella, Building Forms (1915). Public domain.
Colours matched to the original by a digital expert, the file finely retouched, faithful to the artist's brushwork.
Own the high-resolution fileQuestions on Building Forms, answered
What is the creation date of "Building Forms" by Joseph Stella?
"Building Forms" dates from 1915. The date places the work within Joseph Stella's career and its era.
What are the dimensions of the original "Building Forms" by Joseph Stella?
The original "Building Forms" by Joseph Stella measures 63 x 46 cm.
Is "Building Forms" free of copyright?
"Building Forms" by Joseph Stella is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.
Who is the artist behind "Building Forms"?
"Building Forms" was created by Joseph Stella. The information on this page describes Joseph Stella's original work.
What was Joseph Stella's age when "Building Forms" was created?
Joseph Stella was 38 years old when creating "Building Forms" in 1915. The age is computed from the artist's birth year, 1877.
What explains the copyright situation of "Building Forms" by Joseph Stella?
The copyright status of "Building Forms" - in the public domain - its copyright has expired - follows from the artist's death in 1946.
About the artist, Joseph Stella
1877–1946, Italy
Joseph Stella
A Bridge Between Worlds: The Life and Art of Joseph Stella Born in the small Italian village of Muro Lucano in 1877, Joseph Stella’s journey was one of constant reinvention and a passionate embrace of modernity. Initially destined for a career in medicine after his family emigrated to New York City in 1896, Stella quickly found himself drawn to the world of art, abandoning medical studies to enroll at the Art Students League and later the New York School of Art under the tutelage of William Merritt Chase. His early work reflected a gritty realism, depicting the harsh realities of immigrant life in the city’s slums – a far cry from the vibrant dynamism that would come to define his mature style. These initial paintings, though significant for their social commentary, served as a foundation upon which he would build a truly unique artistic vision.