1954
Flowers Mirror (Joseph Solman, 1954)
Joseph Solman (1909–2008) made Flowers Mirror. It dates from 1954. It measures 51 × 31 cm.
- 1954
- 51 × 31 cm
Flowers Mirror, in brief
- Title
- Flowers Mirror
- Artist
- Joseph Solman (1909–2008)
- Artist born in
- Vitebsk, Belarus
- Date
- 1954
- Dimensions
- 51 × 31 cm
High-resolution images of Flowers Mirror
Protected by copyright: these files are for personal reference, not a licence to republish.
Joseph Solman, Flowers Mirror (1954).
Questions on Flowers Mirror, answered
When was "Flowers Mirror" made?
"Flowers Mirror" dates from 1954. The date places the work within Joseph Solman's career and its era.
How big is the original "Flowers Mirror"?
The original "Flowers Mirror" by Joseph Solman measures 51 x 31 cm.
Is "Flowers Mirror" free of copyright?
"Flowers Mirror" by Joseph Solman is still protected by copyright. This status governs how the image of the work may be reproduced.
Who is the artist behind "Flowers Mirror"?
"Flowers Mirror" was created by Joseph Solman. The information on this page describes Joseph Solman's original work.
What was Joseph Solman's age when "Flowers Mirror" was created?
Joseph Solman was 45 years old when creating "Flowers Mirror" in 1954. The age is computed from the artist's birth year, 1909.
Why is the copyright status of "Flowers Mirror" what it is?
"Flowers Mirror" by Joseph Solman is still protected by copyright. Copyright terms are measured from the artist's death, and Joseph Solman died in 2008.
About the artist, Joseph Solman
1909–2008, Belarus
Joseph Solman
The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.