1950
Studio Interior With Statue (Joseph Solman, 1950)
Joseph Solman (1909–2008) made Studio Interior With Statue. It dates from 1950. It measures 41 × 61 cm.
- 1950
- 41 × 61 cm
Studio Interior With Statue, in brief
- Title
- Studio Interior With Statue
- Artist
- Joseph Solman (1909–2008)
- Artist born in
- Vitebsk, Belarus
- Date
- 1950
- Dimensions
- 41 × 61 cm
High-resolution images of Studio Interior With Statue
Protected by copyright: these files are for personal reference, not a licence to republish.
Joseph Solman, Studio Interior With Statue (1950).
Questions on Studio Interior With Statue, answered
What is the creation date of "Studio Interior With Statue" by Joseph Solman?
The creation of "Studio Interior With Statue" by Joseph Solman is dated 1950.
What size is "Studio Interior With Statue" by Joseph Solman in real life?
The recorded dimensions of "Studio Interior With Statue" by Joseph Solman are 41 x 61 cm. Reproductions can be ordered in other sizes while keeping the same proportions.
Is "Studio Interior With Statue" free of copyright?
"Studio Interior With Statue" by Joseph Solman is still protected by copyright. This status governs how the image of the work may be reproduced.
Who created "Studio Interior With Statue"?
"Studio Interior With Statue" was created by Joseph Solman. The information on this page describes Joseph Solman's original work.
At what age did Joseph Solman make "Studio Interior With Statue"?
When "Studio Interior With Statue" was created in 1950, Joseph Solman - born in 1909 - was 41 years old.
Is "Studio Interior With Statue" by Joseph Solman in the public domain, and why?
The copyright status of "Studio Interior With Statue" - still protected by copyright - follows from the artist's death in 2008.
About the artist, Joseph Solman
1909–2008, Belarus
Joseph Solman
The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.