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Square within Square II

Explore John Fraser’s ‘Square within Square II,’ a captivating 2002 woven straw frame artwork. Discover its geometric design, minimalist aesthetic & unique craft style.

Discover John Fraser's stunning watercolor landscapes of Canada & the US. A pioneering artist known for realistic depictions & pivotal role in Canadian art history.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

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Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.

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Total Price

$ 81

Square within Square II

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Artist: John Fraser
  • Subject or theme: Decorative Object
  • Movement: Craft Art
  • Title: Square within Square II
  • Artistic style: Minimalist Aesthetic

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary material used to construct the frame in ‘Square within Square II’?
Question 2:
The artwork's style can best be described as:
Question 3:
What is the dominant color in ‘Square within Square II’?
Question 4:
John Fraser's artistic background includes:
Question 5:
The lighting in the photograph of ‘Square within Square II’ contributes to which visual effect?

Square Within Square II by John Fraser

John Fraser’s “Square Within Square II,” created in 2002, is more than just a decorative frame; it's a testament to minimalist craftsmanship and a subtle exploration of geometric harmony. This piece exemplifies the artist’s dedication to capturing beauty in simplicity—a hallmark of his distinctive style.

The artwork centers around a rectangular frame constructed from woven straw or similar material, predominantly beige with an understated cream hue. Immediately striking is its meticulously executed pattern: countless small, rectangular shapes arranged in a grid-like configuration, creating an illusion of depth despite the two-dimensional surface. The stark white background amplifies the textural richness of the weaving itself, highlighting the interwoven strands and emphasizing their deliberate repetition.

Fraser’s technique speaks volumes about his artistic vision. Handwoven with remarkable precision—likely utilizing a basic loom—the frame demonstrates an unwavering commitment to traditional methods. The material chosen – straw or a convincing synthetic substitute – underscores the artwork's connection to folk art traditions, grounding it in tactile materiality and honest execution.

Historically situated within the late Victorian era, “Square Within Square II” reflects a broader artistic movement characterized by an interest in natural forms rendered with meticulous detail. While devoid of overt narrative or emotional expression, the frame’s geometric structure subtly evokes notions of order, balance, and containment—concepts prevalent in Victorian aesthetics.

The color palette – dominated by variations of beige and cream – contributes to the artwork's serene atmosphere. The dominant hue (#F5F5DC) is carefully considered, fostering a sense of calm and understated elegance. It’s precisely this restraint that allows “Square Within Square II” to resonate with viewers seeking timeless beauty and refined design.

  • Artist: John Fraser
  • Year Created: 2002
  • Medium: Handwoven Straw Frame
  • Style: Minimalist Craftsmanship
  • Material: Straw (or Synthetic Substitute)

This reproduction captures the essence of Fraser’s artistic philosophy—a celebration of form and texture achieved through painstaking craftsmanship. Ideal for enhancing any interior space, “Square Within Square II” offers a captivating glimpse into the beauty of understated elegance.

Questions & Answers

How does "Square within Square II" balance light and dark?

"Square within Square II" by John Fraser is recorded as brilliant, with a luminous luminance.

How can I get a print of "Square within Square II" by John Fraser?

A print of "Square within Square II" by John Fraser can be ordered directly on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

Is "Square within Square II" by John Fraser a bright or a dark artwork?

Overall, "Square within Square II" is recorded as brilliant. Perceived brightness describes how light or dark the work appears.


Artist Biography

John Arthur Fraser: Pioneer of Canadian Landscape Painting

John Arthur Fraser (1838 – 1898) stands as a pivotal figure in the history of Canadian art, recognized primarily for his breathtaking watercolor landscapes that captured the grandeur and beauty of Canada and the United States during the late Victorian era. More than just an artist, he was a multifaceted individual—a photographer, teacher, and entrepreneur whose contributions extended beyond mere visual artistry. His legacy continues to inspire admiration for his meticulous observation and masterful technique.

Early Life & Influences

Born in London on January 9th, 1838, Fraser’s upbringing instilled in him a deep appreciation for both art and science. His father, John Fraser of Portsoy, Scotland, was a tailor and an ardent supporter of the Chartist movement—a social reform movement advocating for universal suffrage—reflecting a progressive spirit that would permeate his artistic endeavors. Fraser's maternal grandparents had emigrated to Stanstead in Lower Canada (Quebec) as pioneers in 1831, exposing him to the burgeoning landscape traditions of North America and fostering an early fascination with capturing natural vistas. While precise details about his formal education remain elusive—records indicate he attended evening classes at the Royal Academy Schools around 1852—his artistic sensibilities were undoubtedly nurtured by exposure to influential artists of the time.

Photography & Collaboration with William Notman

Fraser’s career took a significant turn when he joined forces with William Notman, a Scottish photographer who was establishing himself as Canada's leading portraitist. Recognizing Fraser’s talent for color printing—a relatively new technique at the time—Notman entrusted him with transforming his photographs into vibrant watercolor reproductions. This partnership proved extraordinarily fruitful, resulting in an impressive output of cartes-de-visite and cabinet photographs adorned with Fraser’s artistic embellishments. Together they employed Henry Sandham as assistant, establishing a studio that became instrumental in shaping Canadian visual culture. The collaborative effort cemented Notman's reputation and propelled Fraser into the spotlight as a prominent artist and innovator.

The CPR Landscapes & Artistic Style

Fraser gained considerable renown for his commissions undertaken by the Canadian Pacific Railway (CPR). He produced a series of stunning watercolor paintings depicting iconic landscapes across Canada—from Banff National Park to Jasper National Park—serving as promotional material for the railway’s expansion westward. These works exemplify Fraser's distinctive artistic style: characterized by exceptional realism, meticulous detail, and an atmospheric palette that conveyed both grandeur and tranquility. His brushstrokes were deliberate and precise, capturing subtle nuances of light and shadow to create immersive depictions of Canadian wilderness. He skillfully blended observation with Impressionistic techniques—particularly in his use of color—resulting in paintings that are considered masterpieces of Canadian landscape art.

Legacy & Historical Significance

John Arthur Fraser’s contribution to Canadian artistic heritage extends beyond his individual artworks. He championed the development of watercolor painting as a medium for documenting and celebrating Canada's natural beauty, influencing generations of artists who followed him. His meticulous approach to color printing—a technique he pioneered alongside Notman—established new standards for photographic reproduction and solidified Canada’s position as a leader in visual arts innovation. Today, Fraser’s paintings reside in museums across North America and continue to captivate audiences with their timeless appeal. He remains an enduring symbol of artistic excellence and Canadian cultural identity—a testament to the transformative power of observation, skill, and collaboration.
John Fraser

John Fraser

1838 - 1898

Quick Facts

  • Artistic Movement Or Style: Realistic Landscape Painting
  • Artists Or Movements Influenced By This Artist: ['Impressionism']
  • Artists Who Influenced This Artist: ['William Raphael']
  • Date Of Birth: 1838
  • Date Of Death: 1898
  • Full Name: John Arthur Fraser
  • Nationality: British
  • Notable Artworks:
    • The Steamship Pickwick
    • Square within Square II
    • George V on the Royal Barge at Henley, 1912
  • Place Of Birth: London, England
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