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The Last Supper

Explore Tintoretto’s dramatic "The Last Supper" (1594). A monumental Venetian masterpiece showcasing intense emotion & dynamic composition. Discover this iconic artwork's rich history & artistic brilliance.

Discover Tintoretto (Jacopo Comin), a Venetian Renaissance master renowned for his dramatic compositions, bold brushwork ('Il Furioso'), and innovative use of light & perspective. Explore iconic works & his lasting legacy!

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

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Pick from our preset sizes that match the artwork's original proportions.

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Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

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Total Price

$ 575

The Last Supper

Reproduction Medium

Reproduction Size

-

Total Price

$ 575

Quick Facts

  • year: 1594
  • dimensions: 365 x 568 cm
  • title: The Last Supper
  • influences: Caravaggio, Michelangelo, Titian

Art Quiz

There is only one correct answer for each question.

Question 1:
To which artistic movement is Tintoretto's 'The Last Supper' most closely associated?
Question 2:
What is a defining characteristic of Tintoretto’s style as exemplified in this painting?
Question 3:
What is the subject matter depicted in 'The Last Supper'?
Question 4:
Approximately what are the dimensions of Tintoretto's 'The Last Supper'?
Question 5:
Which artistic technique, characterized by strong contrasts between light and dark, is prominently used in this artwork?

A Dramatic Vision of Faith & Betrayal

Jacopo Tintoretto’s “The Last Supper,” completed in 1594 for the church of San Giorgio Maggiore in Venice, is a breathtaking departure from traditional depictions of this pivotal biblical moment. Far removed from serene portrayals of quiet contemplation, Tintoretto delivers a scene charged with dynamic energy, psychological tension, and profound spiritual weight. This monumental fresco captures not a peaceful meal, but the immediate aftermath of Christ’s announcement of his impending betrayal – a moment suspended between faith and despair.

Masterful Technique & Venetian Style

Tintoretto, known as “Il Furioso” (the Furious) for his remarkably swift and energetic painting style, showcases his mastery in this work. Employing bold brushstrokes and dramatic *chiaroscuro*—the stark contrast between light and dark—he creates a theatrical atmosphere that draws the viewer directly into the emotional core of the scene. The composition is asymmetrical and dynamic; figures swirl and gesture with unrestrained emotion, disrupting any sense of static order. This innovative approach, characteristic of Venetian Mannerism, prioritizes expressive power over classical balance. Oil on canvas allows for rich textures and a luminosity that enhances the spiritual intensity.

Historical & Religious Context

Created during the Counter-Reformation, Tintoretto’s “Last Supper” reflects the period's emphasis on emotional engagement with religious narratives. The work was commissioned to inspire devotion and reaffirm Catholic doctrine. San Giorgio Maggiore, a Benedictine monastery, served as a focal point for Venetian spiritual life, and this fresco was intended to be a powerful visual sermon for its worshippers. It stands alongside other significant works by Tintoretto within the church, forming a cohesive artistic program.

Decoding the Symbolism

At the heart of the composition, Christ gestures towards the bread and wine – potent symbols representing his body and blood, central tenets of Christian Eucharist. The apostles react with a spectrum of emotions: shock, disbelief, anger, and sorrow are vividly etched on their faces. Judas Iscariot, subtly positioned apart from the group and clutching a bag (representing his payment for betrayal), is identifiable through his shadowed demeanor and isolation. Above, ethereal figures suggest divine witnessing or intervention, reinforcing the sacredness of the event. The table itself acts as an anchor, but its receding perspective pulls the viewer into the unfolding drama.

Emotional Resonance & Lasting Impact

“The Last Supper” isn’t merely a historical depiction; it's a visceral experience. Tintoretto masterfully conveys the psychological turmoil and spiritual crisis of this defining moment in Christian history. The painting evokes feelings of vulnerability, betrayal, and ultimately, faith in the face of adversity. Its dramatic composition and emotional intensity continue to captivate audiences centuries later, making it a powerful testament to Tintoretto’s genius and a compelling addition to any art collection or interior space seeking depth and spiritual resonance. A reproduction allows you to bring this masterpiece's profound emotion and artistic innovation into your home.

Questions & Answers

How saturated is the palette of "The Last Supper"?

The colors of "The Last Supper" by Jacopo Tintoretto have a muted saturation. Saturation describes how vivid or muted the colors are.

Is "The Last Supper" by Jacopo Tintoretto a portrait, landscape or square composition?

"The Last Supper" by Jacopo Tintoretto has a landscape format. The format describes the proportions of the composition.

Where should a reproduction of "The Last Supper" by Jacopo Tintoretto be hung?

Format (landscape) and recommended space (living room) are the two placement facts recorded for "The Last Supper" by Jacopo Tintoretto.


Artist Biography

A Venetian Master of Drama and Light

Jacopo Tintoretto, born Jacopo Robusti in Venice around 1518, remains one of the most compelling and enigmatic figures of the High Renaissance and early Baroque periods. His very nickname, “Tintoretto” – little dyer – speaks to his family’s trade, yet it belies the immense artistry that would distinguish him from all others. Unlike many artists who benefited from structured apprenticeships, Tintoretto's path was largely self-directed, fueled by an insatiable curiosity and a relentless drive for innovation. While accounts suggest a brief and unsuccessful stint under Titian, the acknowledged master of Venetian colorism, it seems the experience proved more contentious than formative. Titian’s alleged dismissal of the young Jacopo – whether due to jealousy or artistic disagreement – spurred Tintoretto toward an independent course, one characterized by audacious experimentation and a uniquely dynamic style. He immersed himself in anatomical study, reportedly through dissection, and honed his skills by meticulously copying classical sculpture and the works of other masters. This dedication laid the foundation for a career that would redefine Venetian painting.

Forging a Distinctive Style: *Il Furioso*

Tintoretto’s artistic development was marked by an almost feverish energy, earning him another evocative nickname: *Il Furioso* – “the Furious One.” This moniker wasn't merely descriptive of his working pace but also captured the intensity and emotional charge that permeated his canvases. His early works already hinted at a departure from traditional Venetian conventions. While acknowledging Titian’s influence in color, Tintoretto gravitated towards Michelangelo’s powerful figures and dramatic compositions. He synthesized these influences into something entirely new: a style characterized by elongated forms, swirling draperies, and an innovative use of perspective that often created a sense of dizzying depth and movement. He abandoned the meticulous finish favored by his contemporaries, opting instead for a rapid, almost sketch-like brushstroke that conveyed immediacy and raw emotion. This technique, combined with his masterful manipulation of light and shadow – *chiaroscuro* – allowed him to create scenes of unparalleled drama and psychological intensity. He wasn’t simply depicting events; he was conveying their emotional core.

Monumental Achievements: San Rocco and Beyond

Tintoretto's prodigious output spanned decades, encompassing religious narratives, historical allegories, and portraits. However, his most significant achievement lies in the cycle of paintings he created for the Scuola Grande di San Rocco, a Venetian confraternity dedicated to Saint Roch. Over a period of more than fifty years, Tintoretto adorned the Scuola’s halls with over sixty canvases, transforming it into a breathtaking visual testament to faith and human experience. Works like “The Last Supper,” completed late in his life, demonstrate his continued experimentation with perspective and composition. Departing from traditional depictions, Tintoretto placed the scene in a dramatically lit, architecturally unstable space, emphasizing the emotional turmoil of Christ’s final meal with his disciples. Other notable works include "The Miracle of St Mark Freeing the Slave," a powerful display of dynamic composition and foreshortening, and numerous paintings for Venetian churches and palaces that showcase his mastery of scale and narrative storytelling. These monumental projects cemented Tintoretto's reputation as one of Venice’s most important artists.

Legacy and Historical Significance

Jacopo Tintoretto died in Venice in 1594, leaving behind a vast and influential body of work. He bridged the gap between the High Renaissance and the Baroque period, anticipating many of the stylistic innovations that would define the latter. His dramatic compositions, expressive brushwork, and innovative use of light and shadow profoundly influenced artists such as Caravaggio, Rembrandt, and Delacroix. He wasn’t merely a painter; he was a visual storyteller who understood how to harness the power of art to evoke emotion and inspire awe. As one of the three great Venetian painters of the 16th century – alongside Titian and Paolo Veronese – Tintoretto played a crucial role in shaping the artistic landscape of Venice during its golden age. His work reflects not only the religious fervor and political tensions of his time but also a uniquely personal vision that continues to resonate with audiences today, solidifying his place as one of history’s most important and captivating artists. His legacy is a testament to the enduring power of artistic innovation and the transformative potential of human creativity.
Jacopo Tintoretto

Jacopo Tintoretto

1518 - 1594 , Italy

Quick Facts

  • Artistic Movement Or Style: Renaissance, Mannerism
  • Artists Or Movements Influenced By This Artist:
    • Caravaggio
    • Baroque masters
  • Artists Who Influenced This Artist:
    • Titian
    • Michelangelo
  • Date Of Birth: 1518
  • Date Of Death: 1594
  • Full Name: Jacopo Tintoretto
  • Nationality: Italian
  • Notable Artworks:
    • Miracle of St Mark
    • Last Supper
    • Assumption of Virgin
  • Place Of Birth: Venice, Italy
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