Surrealism · 1934
Untitled (Hand-Shell) (Dora Maar, 1934)
Dora Maar (1907–1997) made Untitled (Hand-Shell). It dates from 1934. It belongs to the Surrealism movement. It measures 40.1 × 28.9 cm.
- 1934
- 40.1 × 28.9 cm
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StatsUntitled (Hand-Shell), in brief
- Title
- Untitled (Hand-Shell)
- Artist
- Dora Maar (1907–1997)
- Artist born in
- 6th arrondissement of Paris, France
- Date
- 1934
- Dimensions
- 40.1 × 28.9 cm
- Movement
- Surrealism
High-resolution images of Untitled (Hand-Shell)
Protected by copyright: these files are for personal reference, not a licence to republish.
Dora Maar, Untitled (Hand-Shell) (1934).
Questions on Untitled (Hand-Shell), answered
When was "Untitled (Hand-Shell)" made?
The creation of "Untitled (Hand-Shell)" by Dora Maar is dated 1934.
How big is the original "Untitled (Hand-Shell)"?
The recorded dimensions of "Untitled (Hand-Shell)" by Dora Maar are 40.1 x 28.9cm. Reproductions can be ordered in other sizes while keeping the same proportions.
Can the image of "Untitled (Hand-Shell)" by Dora Maar be freely reproduced?
"Untitled (Hand-Shell)" by Dora Maar is still protected by copyright. This status governs how the image of the work may be reproduced.
Who is the artist behind "Untitled (Hand-Shell)"?
"Untitled (Hand-Shell)" was created by Dora Maar. The information on this page describes Dora Maar's original work.
What art movement does "Untitled (Hand-Shell)" by Dora Maar belong to?
The movement associated with "Untitled (Hand-Shell)" by Dora Maar is Surrealism. This classification situates the work among related artists and artworks.
What was Dora Maar's age when "Untitled (Hand-Shell)" was created?
Dora Maar made "Untitled (Hand-Shell)" at the age of 27. The artist was born in 1907 and the work is dated 1934.
Why is the copyright status of "Untitled (Hand-Shell)" what it is?
"Untitled (Hand-Shell)" by Dora Maar is still protected by copyright. Copyright terms are measured from the artist's death, and Dora Maar died in 1997.
About the artist, Dora Maar
1907–1997, France
Dora Maar
Dora Maar: A Surrealist Visionary and Political Witness Dora Maar (Henriette Theodora Markovitch, 1907-1997) remains a captivating figure in the annals of 20th-century art – a photographer, painter, and intellectual whose life was inextricably intertwined with the turbulent currents of Surrealism, political activism, and the passionate intensity of her relationship with Pablo Picasso. Often overshadowed by the brilliance of her collaborator, Maar’s unique vision, marked by psychological depth, social critique, and a strikingly unconventional approach to both photography and painting, deserves far greater recognition. Her story is not merely one of a muse; it's that of an artist who forged her own path amidst a world grappling with war, revolution, and the shifting landscapes of artistic expression. Early Life and Artistic Beginnings: Born in Paris to a Croatian architect father and a French mother, Maar’s early years were spent in Buenos Aires.
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