Le Pardon
The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”
Questions & Answers
How much light do the colors of "Le Pardon" appear to reflect?
The luminance recorded for "Le Pardon" by Sergei Eisenstein is bright balance.
What colors dominate "Le Pardon" by Sergei Eisenstein?
"Le Pardon" is defined by an earthy palette led by clay (#8d6945).
How can I get a print of "Le Pardon" by Sergei Eisenstein?
"Le Pardon" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.
Sergei Eisenstein (1898 – 1979)
Sergei Eisenstein (1898-1948): Revolutionary Soviet filmmaker & theorist. Pioneer of montage editing, creator of iconic films like Battleship Potemkin & Ivan the Terrible.
About this artwork
- Title: Le Pardon
- Artist: Sergei Eisenstein
- Format: Landscape
- Copyright status: Under copyright
- Movement: Expressionism
- Main color: Clay
- Keywords: tan paper art , sergei eisenstein , black ink drawing
- Color hue: Ochre to Sepia
- Perceived brightness: brilliant