Menu
Preview AR preview Buy Hand Made Painting Switch to Digital Image Send
Details Guide Add to favorites Download Similars X-Ray Diaporama Q&A Stats

Baroncelli Polyptych

Giotto pioneered naturalism with the Scrovegni Chapel frescoes. Discover the father of Renaissance art today.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.

Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (29 October)

Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer

Total Price

$ 81

Baroncelli Polyptych

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Notable elements or techniques: Innovative fresco technique; Naturalistic portrayal
  • Title: Baroncelli Polyptych
  • Location: Baroncelli Chapel, Florence
  • Dimensions: 185 x 323 cm
  • Artistic style: Proto-Renaissance
  • Influences: Byzantine art

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary subject matter depicted in Giotto Di Bondone’s Baroncelli Polyptych?
Question 2:
In what architectural setting is the Baroncelli Polyptych located?
Question 3:
What artistic style characterized Giotto Di Bondone’s work, distinguishing it from the prevalent Byzantine tradition?
Question 4:
Approximately when was Giotto Di Bondone’s Baroncelli Polyptych created?
Question 5:
Which chapel is Giotto Di Bondone’s Baroncelli Polyptych associated with?

A Window Into Early Renaissance Emotion: Exploring Giotto’s Baroncelli Polyptych

The Baroncelli Polyptych stands as an unparalleled achievement of the Florentine Early Renaissance, capturing not merely visual beauty but also a profound shift in artistic sensibility. Painted by Giotto di Bondone around 1334, this monumental fresco—measuring 185 x 323 cm—dominates the Baroncelli Chapel within Santa Croce Basilica, Florence, serving as a testament to Giotto’s revolutionary vision and cementing his place among the titans of Western art. Its enduring fascination stems from its ability to convey complex theological ideas with startling immediacy – an accomplishment rarely seen in contemporary Byzantine art.

Composition and Style: Breaking Free From Tradition

Giotto decisively rejected the stylized conventions of Byzantium, prioritizing anatomical accuracy and naturalistic representation. Unlike preceding artists who employed flattened perspectives and idealized figures draped in shimmering gold, Giotto meticulously rendered human forms with remarkable realism, capturing subtle musculature and drapery folds that breathed life into his subjects. The fresco’s central panel depicts the Coronation of the Virgin Mary, showcasing Jesus Christ held aloft by Mary—a poignant depiction of divine grace amidst earthly vulnerability. Surrounding them are twelve saints, each positioned with careful consideration to create a dynamic composition that draws the viewer's eye across the surface. The chapel’s gilded frame amplifies this visual impact, emphasizing the grandeur and solemnity of the scene.

Technique: Tempera Paint – A Bold Innovation

Giotto skillfully employed tempera paint—a medium known for its brilliance and durability—allowing him to achieve vibrant colors that would have been unattainable with oil paints at the time. This technique involved grinding pigments into a binder (typically egg yolk) creating a durable, luminous surface finish. The meticulous layering of color – achieved through glazing – contributes significantly to the fresco’s ethereal quality, simulating light and shadow with astonishing precision. Giotto's mastery of tempera exemplifies his commitment to capturing the essence of reality—a cornerstone of the burgeoning Renaissance aesthetic.

Historical Context: Reflecting Spiritual Renewal

The Baroncelli Polyptych emerged during a period of significant spiritual upheaval in Europe. The Black Death had ravaged Italy, prompting profound reflection on mortality and divine providence. Giotto’s depiction of Mary’s Coronation resonated deeply with Florentine piety, embodying the hope for redemption and reaffirming faith amidst despair. Furthermore, it represents a crucial step away from the symbolic language of medieval art toward a more humanist perspective—one that prioritized human emotion and experience alongside theological dogma.

Symbolism: Divine Grace Amidst Human Frailty

Beyond its visual splendor, the Polyptych is laden with symbolism reflecting Christian theology. The coronation itself signifies Mary’s exaltation into heaven—a triumphant affirmation of her role as Queen of Heaven. The saints surrounding Jesus represent various facets of Christendom, embodying virtues and offering prayers for divine protection. Giotto's careful placement of figures underscores the importance of faith and devotion in achieving spiritual enlightenment – a message that continues to inspire viewers centuries later.

Emotional Impact: A Moment Frozen in Time

The Baroncelli Polyptych transcends mere artistic skill; it communicates profound emotion—a palpable sense of reverence and compassion for Mary and Jesus. Giotto’s expressive faces convey tenderness, sorrow, and awe—capturing the human condition with unparalleled sensitivity. This emotional resonance is achieved through masterful use of color, light, and gesture—elements that combine to create a powerfully evocative experience for the viewer. It remains an unforgettable masterpiece, demonstrating Giotto's enduring legacy as one of the most influential artists in Western history.

Questions & Answers

What level of contrast does "Baroncelli Polyptych" by Giotto di Bondone show?

The light-dark contrast of "Baroncelli Polyptych" is recorded as bold. Contrast describes how strongly light and dark areas differ.

How light is "Baroncelli Polyptych" overall?

In terms of perceived brightness, "Baroncelli Polyptych" by Giotto di Bondone is balanced.

How is "Baroncelli Polyptych" recommended to be printed - what size, what orientation?

large size, panoramic orientation: that is the print setup suggested for "Baroncelli Polyptych" by Giotto di Bondone.


Artist Biography

The Shepherd Boy of Florence: Giotto’s Revolutionary Vision

Born around 1267 in the rolling hills near Florence, Italy, Giotto di Bondone emerged from humble beginnings to become arguably the most pivotal figure in the transition from medieval artistic conventions toward the Renaissance. His early life is steeped in legend – a shepherd boy discovered sketching remarkably lifelike sheep on rocks, catching the discerning eye of the Florentine master Cimabue. Whether fact or folklore, this tale encapsulates the essence of Giotto’s genius: an innate ability to capture the natural world with unprecedented realism and emotional depth. Taken as an apprentice by Cimabue, Giotto quickly surpassed his teacher, absorbing technical skills but forging a path distinctly his own. The Byzantine style, dominant at the time, favored stylized figures, flattened perspectives, and lavish gold backgrounds – symbols of spiritual transcendence rather than earthly representation. Giotto, however, yearned to depict humanity not as ethereal icons, but as individuals imbued with feeling, existing within tangible space.

Breaking from Byzantium: A New Naturalism

Giotto’s artistic revolution wasn't a sudden upheaval, but a gradual evolution. His early works already hinted at the shift to come, demonstrating a growing emphasis on volume, weight, and believable anatomy. He began to observe light and shadow not merely as decorative elements, but as tools to sculpt form and create depth. This nascent naturalism is evident in his contributions to the frescoes in the Upper Basilica of Saint Francis of Assisi – though authorship remains debated, many scholars recognize Giotto’s hand in scenes that display a marked departure from prevailing Byzantine aesthetics. He wasn't simply rejecting tradition; he was building upon it, infusing established forms with a newfound sense of humanity and emotional resonance. He understood the power of narrative, crafting compositions that told stories not through rigid symbolism, but through expressive gestures, believable interactions, and carefully constructed settings.

The Scrovegni Chapel: A Masterpiece of Storytelling

Giotto’s masterpiece, and arguably one of the most important works in Western art history, is the fresco cycle adorning the Scrovegni Chapel (also known as the Arena Chapel) in Padua. Completed around 1305, this breathtaking series depicts the life of Christ and the Virgin Mary with a revolutionary level of realism and emotional intensity. Each scene unfolds like a carefully staged drama, populated by figures who are not merely representations of religious archetypes, but fully realized human beings experiencing joy, sorrow, fear, and hope. The *Last Judgment*, dominating one entire wall, is a powerful testament to Giotto’s skill in conveying both divine majesty and the raw vulnerability of humanity facing its ultimate reckoning. The use of perspective, though not mathematically precise by later Renaissance standards, creates a convincing illusion of depth, drawing the viewer into the narrative. The figures are grounded, their bodies possessing weight and volume, and their expressions convey a range of emotions that were previously unseen in religious art.

Beyond Frescoes: Architecture and Lasting Legacy

Giotto’s talents extended beyond painting; he was also a respected architect. In 1334, he was commissioned to design the Campanile – the bell tower – of Florence Cathedral, a project that showcased his innovative approach to architectural form. Though he died before its completion, his designs laid the foundation for this iconic Florentine landmark. His influence on subsequent generations of artists is immeasurable. He bridged the gap between the medieval and Renaissance worlds, paving the way for masters like Masaccio, Leonardo da Vinci, and Michelangelo. Vasari, in his seminal *Lives of the Artists*, credited Giotto with “giving to painting the great art of doing things from life,” a testament to his profound impact on the course of Western art. Giotto didn’t merely depict the world; he sought to understand it, to capture its essence, and to convey that understanding through the power of visual storytelling. His legacy continues to inspire awe and admiration centuries after his death, solidifying his place as one of history's greatest artistic innovators.

Key Achievements & Lasting Influence

  • Revolutionized Painting: Moved away from Byzantine stylization towards naturalism and emotional realism.
  • Pioneered Perspective: Introduced techniques to create depth and spatial awareness in paintings.
  • Masterful Storytelling: Created compelling narratives through fresco cycles, like the Scrovegni Chapel.
  • Architectural Contributions: Designed the Campanile of Florence Cathedral, demonstrating architectural skill.
  • Foundation for Renaissance Art: His work laid the groundwork for the artistic achievements of the Renaissance period.
Giotto di Bondone

Giotto di Bondone

1267 - 1337 , Italy

Explore artworks organized by themes, styles, and characteristics.