1950
Cloud and Rain (David Hare, 1950)
David Hare (1917–1992) made Cloud and Rain. It dates from 1950.
- 1950
Cloud and Rain: the essentials
- Title
- Cloud and Rain
- Artist
- David Hare (1917–1992)
- Artist born in
- New York City, United States
- Date
- 1950
Cloud and Rain in high resolution
David Hare, Cloud and Rain (1950).
Questions about Cloud and Rain
Do the colors of "Cloud and Rain" appear strong or soft?
The color intensity of "Cloud and Rain" is monochromatic. Intensity describes how strong the colors appear.
Is "Cloud and Rain" by David Hare in the public domain?
"Cloud and Rain" by David Hare is still protected by copyright. This status governs how the image of the work may be reproduced.
What color palette is used in "Cloud and Rain" by David Hare?
"Cloud and Rain" by David Hare uses a neutrals color palette. The palette summarizes the work's overall color character.
How strong are the colors of "Cloud and Rain"?
The color of "Cloud and Rain" is muted in saturation and monochromatic in intensity.
How many people view "Cloud and Rain"?
Statistics about "Cloud and Rain" by David Hare are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.
Where can I see a preview of "Cloud and Rain"?
A preview of "Cloud and Rain" by David Hare is available on the artwork's Preview page.
Is "Cloud and Rain" by David Hare a portrait, landscape or square composition?
"Cloud and Rain" by David Hare is a landscape composition. The proportions are worth checking before choosing a print size.
How old was David Hare when creating "Cloud and Rain" in 1950?
David Hare made "Cloud and Rain" at the age of 33. The artist was born in 1917 and the work is dated 1950.
Is there a slideshow for "Cloud and Rain" by David Hare?
"Cloud and Rain" by David Hare can be viewed as a slideshow on the artwork's Diaporama page.
About the artist, David Hare
1917–1992, United States
David Hare
The Sculptural Reality of David Hare To look at the work of David Hare is to confront a deliberate fragmentation of reality. He was an American sculptor who did not merely represent dreams but reconstructed them through heavy, tangible materials. While his contemporaries often drifted into pure abstraction, Hare anchored his explorations in the weight of steel and bronze. His practice was defined by a refusal to let the image remain purely symbolic; instead, he forced it into a physical, biomorphic presence that demands attention through its very mass.