Portrait of John Sloan

John Sloan Paintings: The 100 Most Famous, Through a Gallery's Eye

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 238 works by John Sloan in our catalogue

In short

To the gallery's eye, John Sloan's most famous painting is McSorley's Bar (1912), whose original hangs in the Detroit Institute of Arts, Detroit. The Lafayette (1927) and Wake of the Ferry (1907) complete the trio every eye recognises. Of the 238 works by John Sloan in our catalog, the gallery presents the 100 most famous below, each original with its year, its museum and what makes it unique.

1871 – 1951, Lock Haven Ashcan school Most works: The Phillips Collection

The gallery's top 10 John Sloan paintings

1
McSorley's Bar (1912) by John Sloan

McSorley's Bar

1912 · Oil On Canvas · Detroit Institute of Arts, Detroit

The Artist and His Work John Sloan, a prominent American artist, was a founding member of The Eight, a group of painters known for their realistic depictions of urban life. He played a significant role in the Ashcan School of realism artists, which aimed to capture the essence of New York City and its residents during the early 20th century. The Painting: McSorley's Bar McSorley's Bar, painted in 1912, is…

2
The Lafayette (1927) by John Sloan

The Lafayette

1927 · Oil On Canvas

The painting The Lafayette by John Sloan, created in 1927, is a quintessential representation of urban life during the early 20th century. This oil on canvas artwork measures 77 x 91 cm and is currently housed at The Metropolitan Museum of Art in New York City. Artistic Context John Sloan was a prominent figure in the Ashcan School, a group of American Realist artists who focused on depicting everyday life…

3
Wake of the Ferry (1907) by John Sloan

Wake of the Ferry

1907 · Oil On Canvas · Detroit Institute of Arts, Detroit

To stand before Wake of the Ferry is to step across a threshold into a moment suspended between worlds—a quiet breath taken on the vast, indifferent expanse of water. This painting does not shout its drama; rather, it whispers secrets carried upon the fog. The scene, captured from the deck of a ferry, immediately envelops the viewer in an atmosphere of muted contemplation. One feels the chill dampness rising from…

4
Girl in Fur Hat (1909) by John Sloan

Girl in Fur Hat

1909 · Oil On Canvas · New Britain Museum of American Art, New Britain

A young woman emerges from a deep, velvet darkness, her presence defined by the way light catches the soft textures of her attire. She sits in a moment of stillness, her gaze turned inward as if lost in a private thought. The light falls across her face with a gentle, directional touch, illuminating the warmth of her skin and the pale, ruffled folds of a white scarf that rests against…

5
The Cot (1907) by John Sloan

The Cot

1907 · Oil

In the quiet intimacy of a bedroom, a woman sits on the edge of her bed in The Cot. Painted by John Sloan about 1907, the scene captures a private moment of stillness. She looks down, her attention fixed on something unseen, while the soft textures of white sheets and pillows surround her. The atmosphere feels heavy with the weight of a lived-in space, a room where the mundane becomes…

6
Edgar Varèse (1924) by John Sloan

Edgar Varèse

1924 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

The air in the room feels heavy, thick with the scent of oil and the weight of unspoken thought. A man sits before us, his presence commanding the space through a quiet, intense gravity. This is Edgar Varèse, caught in a moment of profound stillness that seems to vibrate with an internal rhythm. His dark, wavy hair frames a face etched with seriousness, a countenance that refuses to offer easy…

7
A mechanical Baa-Baa! (1906) by John Sloan

A mechanical Baa-Baa!

1906 · Acrylic · Amon Carter Museum of American Art, Fort Worth

John French Sloan’s “A Mechanical Baa-Baa!” isn't merely a depiction of an antique shop; it’s a meticulously crafted narrative frozen in time, offering a poignant window into the burgeoning fascination with industrial innovation and the quiet rhythms of everyday life at the turn of the 20th century. Painted in 1906, during his tenure as a key figure within the Ashcan School movement – an American realist style that championed the…

John Sloan paintings, ranked 11 to 100

11Dramatic Music (1897) by John SloanDramatic Music1897 · Pennsylvania Academy of Fine Arts 12Henrietta with Red Book (1913) by John SloanHenrietta with Red Book1913 · Reading Public Museum 13Evening, Rocky Neck (1916) by John SloanEvening, Rocky Neck1916 14Nude At Piano (1928) by John SloanNude At Piano1928 15Nude, Red Hair, Standing (1928) by John SloanNude, Red Hair, Standing1928 16Nude, Terra Cotta (1933) by John SloanNude, Terra Cotta1933 17Fishing Port, Gloucester by John SloanFishing Port, Gloucester 18Nude with Red Hand Mirror (1950) by John SloanNude with Red Hand Mirror1950 19Santa Fe Siesta (1949) by John SloanSanta Fe Siesta1949 20The Sewing Woman (1901) by John SloanThe Sewing Woman1901 · Metropolitan Museum of Art 21The Haymarket (1907) by John SloanThe Haymarket1907 · Brooklyn Museum 22Three A.M. (1909) by John SloanThree A.M.1909 · Philadelphia Museum of Art 23The Mountains, September by John SloanThe Mountains, September 24Dust Storm, Fifth Avenue by John SloanDust Storm, Fifth Avenue 25East Entrance, City Hall, Philadelphia by John SloanEast Entrance, City Hall, Philadelphia 26Passing Schooner (1917) by John SloanPassing Schooner1917 27The Rathskeller by John SloanThe RathskellerCleveland Museum of Art 28Gwendolyn by John SloanGwendolynSmithsonian American Art Museum 29Election Night by John SloanElection Night 30Throbbing Fountain, Madison Square (1907) by John SloanThrobbing Fountain, Madison Square1907 · Thyssen-Bornemisza Museum 31Chinese Restaurant (1909) by John SloanChinese Restaurant1909 32Clown Making Up (1910) by John SloanClown Making Up1910 · The Phillips Collection 33Stein and Press (1906) by John SloanStein and Press1906 · Art Gallery of Hamilton 34Daisy (1905) by John SloanDaisy1905 35Green's Cat (1900) by John SloanGreen's Cat1900 36Young Woman in Black and White (Mary Kerr) (1902) by John SloanYoung Woman in Black and White (Mary Kerr)1902 37The Wake of the Ferry II (1907) by John SloanThe Wake of the Ferry II1907 · The Phillips Collection 38Prone Nude by John SloanProne Nude 39Woman brushing her hair by John SloanWoman brushing her hair 40Sketch for the Lafayette by John SloanSketch for the Lafayette 41Reading in the Subway by John SloanReading in the Subway 42Seated Woman by John SloanSeated Woman 43Nude and Arch by John SloanNude and Arch 44Atlantic City Beach by John SloanAtlantic City Beach 45The Day on the Roof by John SloanThe Day on the Roof 46Portrait of Paul de Kock by John SloanPortrait of Paul de Kock 47Robert Henri, Painter by John SloanRobert Henri, Painter 48Picture Racks At The Macbeth Gallery by John SloanPicture Racks At The Macbeth Gallery 49Fun, One Cent, from the series New York City Life by John SloanFun, One Cent, from the series New York City Life 50Nude On Blanket by John SloanNude On Blanket 51Rendezvous (Angna Enters in ''Rendezvous'') by John SloanRendezvous (Angna Enters in ''Rendezvous'') 526th Avenue and 30th Street by John Sloan6th Avenue and 30th Street 53Nude by John SloanNude 54Nude at Piano by John SloanNude at Piano 5514th Street, The Wigwam by John Sloan14th Street, The Wigwam 56Mother by John SloanMother 57untitled (3863) by John Sloanuntitled (3863) 58untitled (6051) by John Sloanuntitled (6051) 59untitled (6892) by John Sloanuntitled (6892) 60untitled (3766) by John Sloanuntitled (3766) 61Coytesville, New Jersey by John SloanCoytesville, New Jersey 62Rainy Night by John SloanRainy Night 63Anshutz on Anatomy by John SloanAnshutz on Anatomy 64Nude on Stairs by John SloanNude on Stairs 65Fifth Avenue Critics 1 by John SloanFifth Avenue Critics 1 66Shine, Washington Square, New York City by John SloanShine, Washington Square, New York City 67untitled (6941) by John Sloanuntitled (6941) 68untitled (5375) by John Sloanuntitled (5375) 69untitled (746) by John Sloanuntitled (746) 70The Picture Buyer by John SloanThe Picture Buyer 71Back to Market, Santa Fe by John SloanBack to Market, Santa Fe 72back room by John Sloanback room 73Woman Hanging Clothes by John SloanWoman Hanging Clothes 74Easter Eve (1907) by John SloanEaster Eve1907 75the ferrys wake (1907) by John Sloanthe ferrys wake1907 76Movies, Five Cents by John SloanMovies, Five Cents 77Gray and Brass (1907) by John SloanGray and Brass1907 78Hairdresser's Window (1907) by John SloanHairdresser's Window1907 79Poster and cover for February 15, 1896, The Echo by John SloanPoster and cover for February 15, 1896, The Echo 80Country Road (1908) by John SloanCountry Road1908 81South Beach Bathers (1907) by John SloanSouth Beach Bathers1907 82Ferry Slip, Winter (1906) by John SloanFerry Slip, Winter1906 83Movies (1913) by John SloanMovies1913 · Toledo Museum of Art 84Pile Driver (1916) by John SloanPile Driver1916 · Brauer Museum of Art 85Six O'Clock, Winter (1912) by John SloanSix O'Clock, Winter1912 · The Phillips Collection 86Seacoast, Gloucester (1915) by John SloanSeacoast, Gloucester1915 · Birmingham Museum of Art 87Main Street, Gloucester (1917) by John SloanMain Street, Gloucester1917 · New Britain Museum of American Art 88Pink and Blue (1915) by John SloanPink and Blue1915 89Wonson's Rocks and Ten Pound Island (1915) by John SloanWonson's Rocks and Ten Pound Island1915 90A Gloucester Day (1915) by John SloanA Gloucester Day1915 91Humoresque (1915) by John SloanHumoresque1915 92A Woman's Work (1912) by John SloanA Woman's Work1912 · Cleveland Museum of Art 93Gloucester Inlet (1914) by John SloanGloucester Inlet1914 94Carol with Red Curls (1913) by John SloanCarol with Red Curls1913 95Rain, Rooftops, West 4th Street (1913) by John SloanRain, Rooftops, West 4th Street1913 96The New Blue Dress (1913) by John SloanThe New Blue Dress1913 97Carmine Theater (1912) by John SloanCarmine Theater1912 98Evening Arroyo (1919) by John SloanEvening Arroyo1919 99Cornelia Street (1920) by John SloanCornelia Street1920 100Travelling Carnival, Santa Fe (1924) by John SloanTravelling Carnival, Santa Fe1924 · Smithsonian American Art Museum

John Sloan's famous paintings, period by period

The subjects that held John Sloan's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep John Sloan's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by John Sloan Paintings from this list
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 4 Clown Making Up, The Wake of the Ferry II, Six O'Clock, Winter
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 3 McSorley's Bar, Wake of the Ferry
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 2 Girl in Fur Hat, Main Street, Gloucester
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 The Rathskeller, A Woman's Work
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Gwendolyn, Travelling Carnival, Santa Fe
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Yeats at Petitpas
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 Edgar Varèse
Amon Carter Museum of American Art, Fort WorthAmon Carter Museum of American Art Fort Worth 1 A mechanical Baa-Baa!

John Sloan, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

John Sloan's paintings: the gallery answers

Which John Sloan painting is the most famous of all?Reveal the answer

McSorley's Bar (1912), Detroit Institute of Arts, Detroit. The Lafayette (1927) and Wake of the Ferry (1907) come next.

How old was John Sloan on completing McSorley's Bar?Reveal the answer

41 years old: McSorley's Bar dates from 1912, and John Sloan was born in 1871.

Which are John Sloan's top 10 paintings?Reveal the answer

McSorley's Bar, The Lafayette, Wake of the Ferry, Girl in Fur Hat, The Cot, Edgar Varèse, A mechanical Baa-Baa!, Yeats at Petitpas, Bleecker Street, Saturday Night and Self-portrait. The ranking above gives each one's year and museum.

How many works did John Sloan create?Reveal the answer

Our catalog holds 238 works by John Sloan, dated from 1890 to 1950.

Where do John Sloan's most famous originals hang?Reveal the answer

Mostly in The Phillips Collection (Washington, D.C.), Detroit Institute of Arts (Detroit) and New Britain Museum of American Art (New Britain). The museum table above lists them all.

When did John Sloan create the most famous paintings?Reveal the answer

In 1910s: 22 of the 100 works on this page were made then, McSorley's Bar among them.

Which are John Sloan's earliest and latest famous works?Reveal the answer

On this page, the earliest is Self-portrait (1890) and the latest Nude with Red Hand Mirror (1950).

Which subjects did John Sloan return to most?Reveal the answer

Urban scene (9), People (8) and American art (6), across the 100 works on this page.

Which medium did John Sloan work in most?Reveal the answer

Oil On Canvas, for 14 of the 100 works on this page.

Which movement is John Sloan associated with?Reveal the answer

Ashcan school, judging by the originals on this page.

Which John Sloan originals does the The Phillips Collection hold?Reveal the answer

Clown Making Up, The Wake of the Ferry II and Six O'Clock, Winter: the The Phillips Collection, Washington, D.C. holds 3 of the works on this page.

John Sloan: the artist

Early Life and Artistic Awakening

John French Sloan, born August 2, 1871, in Lock Haven, Pennsylvania, emerged from humble beginnings that profoundly shaped his artistic vision. His childhood was marked by a familial need for support; his father’s struggles with mental health necessitated young John taking on responsibilities beyond his years. This early exposure to the realities of working-class life—a world often overlooked by the established art circles—would become a defining characteristic of his oeuvre. He moved with his family to Philadelphia, where he honed his skills initially not through formal academic training, but as an assistant cashier at Porter and Coates, a bookstore brimming with prints and illustrations. This environment proved formative; it allowed him to study masters like Dürer and Rembrandt, fostering a deep appreciation for draftsmanship and etching techniques. It was here, amidst the commerce of printed images, that Sloan began creating his own art, quietly developing a style rooted in observation and meticulous detail. His early work wasn’t born from privilege or leisure, but from necessity and a keen eye for the world around him—a foundation upon which he would build a remarkable career.

The Ashcan School and Urban Realism

Sloan's trajectory shifted dramatically with his encounter with Robert Henri, a charismatic painter who championed artistic independence and a commitment to portraying everyday life. This connection led Sloan to the heart of what became known as the Ashcan School—a group of artists dedicated to depicting the gritty realities of turn-of-the-century New York City. Alongside William Glackens, George Luks, Everett Shinn, and others, Sloan rejected the idealized landscapes and portraits favored by many of their contemporaries, instead turning their attention to the bustling streets, crowded tenements, and vibrant social life of the city’s poorer neighborhoods. His work became a visual chronicle of this often-ignored world—capturing scenes from McSorley's Bar to women drying their hair on rooftops. Sloan wasn’t merely documenting; he was imbuing these scenes with a sense of empathy and dignity, elevating the lives of ordinary people onto the canvas. He possessed an uncanny ability to capture the *essence* of neighborhood life, the subtle gestures and fleeting moments that revealed the character of a place and its inhabitants. This commitment to realism wasn’t simply aesthetic; it was also informed by his socialist leanings, though he always maintained a distinction between his art and his political beliefs.

Style and Influences

Sloan's artistic style is characterized by a distinctive blend of influences. While rooted in realism, his work wasn’t devoid of stylistic nuance. He employed dark, rich hues—often emphasizing the contrast between light and shadow—to create a sense of drama and atmosphere. His compositions were carefully constructed, often utilizing strong diagonals to draw the viewer's eye into the scene. The influence of etching is evident in his precise linework and attention to detail, even in his paintings. Beyond Henri, Sloan drew inspiration from European masters like Edgar Degas and Honoré Daumier, admiring their ability to capture movement and social commentary. However, he forged a uniquely American voice, one that resonated with the energy and dynamism of New York City. His work wasn’t about grand narratives or historical events; it was about the small moments, the everyday experiences that constituted the fabric of urban life. He found beauty in the mundane, transforming ordinary scenes into compelling works of art. Wake of the Ferry, for example, exemplifies his ability to imbue a seemingly simple scene with emotional depth and symbolic resonance.

Legacy and Lasting Impact

John French Sloan’s legacy extends far beyond his contributions to the Ashcan School. He was a prolific artist who worked in various mediums—painting, etching, lithography, drawing—and consistently explored themes of urban life, social justice, and human connection. His commitment to portraying the realities of working-class America paved the way for future generations of artists who sought to challenge conventional artistic norms and engage with social issues. He was a dedicated teacher, sharing his knowledge and passion with countless students throughout his career. Even as artistic tastes evolved, Sloan remained true to his vision, continuing to paint scenes that reflected his deep connection to New York City and its people. His work continues to resonate today, offering a poignant glimpse into a bygone era and reminding us of the enduring power of art to illuminate the human condition. His paintings are not merely historical documents; they are timeless portraits of life, love, and loss. Sloan’s influence can be seen in the works of subsequent realist painters and continues to inspire artists who seek to find beauty and meaning in the everyday world.