Portrait of Jacob Huysmans

The 34 Most Famous Jacob Huysmans Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 35 works by Jacob Huysmans in our catalogue

In short

Of all the originals Jacob Huysmans left, the most famous is Cupid preparing his Bow (after Van Dyck) (1673), in the collection of the Kingston Lacy, Wimborne Minster. Close behind it come Catherine of Braganza (1638-1705) (1667) and Catherine of Braganza (1638-1705) (1663). Our catalog holds 35 works by Jacob Huysmans; the gallery has kept the 34 the world admires most, each shown with its date, its museum and its story.

1633 – 1696, Antwerp Baroque Most works: Royal Collection

Jacob Huysmans's top 10 paintings: the gallery's choice

The Jacob Huysmans selection continues, 11 to 34

The subjects that held Jacob Huysmans's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Jacob Huysmans's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Jacob Huysmans Paintings from this list
Royal Collection, LondonRoyal Collection London 3 Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705), Frances Stewart, later Duchess of Richmond (1647-1702)
National Portrait Gallery, LondonNational Portrait Gallery London 2 John Maitland, Duke of Lauderdale, Izaak Walton
National Trust, AntonyNational Trust Antony 2 Anne Morice (d.1713 1714), Lady Pole, Sir William Morice (1602–1676), PC, MP
National Trust, GranthamNational Trust Grantham 2 Sir Richard Mason (1619–1685), MP, Anne Margaret Long (c.1637–1711), Lady Mason
Kingston Lacy, Wimborne MinsterKingston Lacy Wimborne Minster 1 Cupid preparing his Bow (after Van Dyck)
Kenwood House, LondonKenwood House London 1 Portrait of Catharine of Braganza (1638-1705), Queen of England
Dulwich Picture Gallery, LondonDulwich Picture Gallery London 1 Portrait of a Lady
Lyme ParkLyme Park 1 Possibly Elizabeth Chicheley, Mrs Legh

Jacob Huysmans decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Jacob Huysmans's paintings

Which work is Jacob Huysmans most famous for?Reveal the answer

Cupid preparing his Bow (after Van Dyck) (1673), Kingston Lacy, Wimborne Minster. Catherine of Braganza (1638-1705) (1667) and Catherine of Braganza (1638-1705) (1663) come next.

What age was Jacob Huysmans when Cupid preparing his Bow (after Van Dyck) was made?Reveal the answer

40 years old: Cupid preparing his Bow (after Van Dyck) dates from 1673, and Jacob Huysmans was born in 1633.

What are the ten most famous Jacob Huysmans paintings?Reveal the answer

Cupid preparing his Bow (after Van Dyck), Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705), Portrait of Catharine of Braganza (1638-1705), Queen of England, John Maitland, Duke of Lauderdale, King Charles II (1630-1685), Queen Catherine (of Braganza) (1638-1705) (after Sir Peter Lely), Portrait of a Lady, Dr Peter Barwick (1619–1705) and Possibly Elizabeth Chicheley, Mrs Legh. The ranking above gives each one's year and museum.

How many paintings did Jacob Huysmans leave?Reveal the answer

Our catalog holds 35 works by Jacob Huysmans, dated from 1660 to 1696.

In which museums do Jacob Huysmans's masterpieces hang?Reveal the answer

Mostly in Royal Collection (London), National Portrait Gallery (London) and National Trust (Antony). The museum table above lists them all.

In which years did Jacob Huysmans paint the most famous works?Reveal the answer

In 1660s: 9 of the 34 works on this page were made then, Catherine of Braganza (1638-1705) among them.

What are the first and the last famous originals of Jacob Huysmans?Reveal the answer

On this page, the earliest is Portrait of a Lady (1660) and the latest Lady Elizabeth Pope (1660–1719), Lady Lee, Later Countess of Lindsey, as Diana (1696).

Which subjects did Jacob Huysmans choose most often?Reveal the answer

Opulence (3), Portraiture (2) and Formal (2), across the 34 works on this page.

To which art movement does Jacob Huysmans belong?Reveal the answer

Baroque, judging by the originals on this page.

Which Jacob Huysmans works hang at the Royal Collection?Reveal the answer

Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705) and Frances Stewart, later Duchess of Richmond (1647-1702): the Royal Collection, London holds 3 of the works on this page.

Jacob Huysmans: life and work

The Radiant Brush of Jacob Huysmans: A Master of Baroque Splendor

In the vibrant, turbulent landscape of seventeenth-century Flanders, few names evoke the dramatic flair of the Baroque era quite like Jacob Huysmans. Born in Antwerp around 1633, Huysmans was a man destined for the canvas, emerging from a lineage where artistic talent was woven into the very fabric of family life. With an uncle and brother who were accomplished landscape painters, his upbringing was steeped in the visual language of light and form. Under the rigorous tutelage of celebrated history painters such as Gillis Backereel and Frans Wouters, he mastered the ability to breathe life into subjects, learning to balance meticulous anatomical observation with the grand, expressive gestures that would later define his signature style.

The trajectory of Huysmans’ life took a transformative turn when he migrated toward England, arriving in London around 1662, just as the nation was emerging from the shadows of political and religious upheaval. To establish himself within the competitive English art market, he initially practiced the art of the "pastiche," creating skillful, smaller-scale interpretations of the legendary Anthony van Dyck. This strategic homage allowed him to harmonize his Flemish training with the established tastes of the English aristocracy, eventually paving the way for a career that would see him stand as a formidable rival to the court painter Peter Lely. While Lely was celebrated for a more restrained and sober approach, Huysmans offered a lush, exuberant alternative that captured the imagination of the era's most powerful figures.

Royal Patronage and the Splendor of the Court

The true zenith of Huysmans’ career was reached through his profound connection to Queen Catherine of Braganza. As a fellow Roman Catholic, the Portuguese-born Queen found in Huysmans an artist who could translate her royal dignity into something both divine and earthly. His relationship with the court was not merely professional but deeply embedded in the cultural and religious currents of the Restoration period. The famous diarist Samuel Pepys famously noted the brilliance of Huysmans’ workshop, describing his skill as something that could rival or even exceed the great Lely. Through his portraits of the Queen—depicting her both in regal splendor and in more allegorical, tender roles like a shepherdess—Huysmans helped craft the visual identity of a monarch who captivated an entire nation.

Beyond the royal family, Huysmans’ brush touched the lives of the highest echelons of English nobility. His ability to render the tactile richness of silk, the heavy weight of velvet, and the shimmering glow of pearls made him the preferred chronicler of aristocratic status. Notable works from his repertoire include:

A Legacy Written in Light and Shadow

The historical significance of Jacob Huysmans lies in his role as a bridge between the classical traditions of the Flemish masters and the evolving tastes of the English Baroque. He did not merely copy the past; he infused it with a new, energetic vitality. Even when faced with the displacement caused by the Great Fire of London, which saw him residing temporarily in Chichester, his artistic output remained a testament to resilience and stylistic evolution. His work remains a vital window into a period where art was used as a tool for both political legitimacy and religious expression.

Today, when we gaze upon a Huysmans portrait, we are not just looking at a likeness of a person, but at a carefully constructed drama of light, shadow, and status. His ability to blend the grandeur of history painting with the intimacy of portraiture ensures his place in the pantheon of great European masters. He remains an artist whose legacy is defined by the exuberant spirit of an era that sought beauty amidst the complexities of a changing world.