the collector's folio

Dante Gabriel Rossetti Most Popular Paintings

The 25 artworks by Dante Gabriel Rossetti our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Dante Gabriel Rossetti · 1828 – 1882

Saint Catherine

1857 · Tate Gallery, London

Dante Gabriel Rossetti's 'Saint Catherine' (1857) is a Pre-Raphaelite masterpiece featuring the saint in a richly detailed, symbolic scene. Explore its vibrant colors, intricate composition, and connection to medieval legend.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$25027 × 37 cm Commission this artwork

Ecce Ancilla Domini! (also known as The Anunciation)

1850 · Tate Gallery, London · original 73 x 42 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20024 × 42 cm Commission this artwork

Same size as the original$27042 × 73 cm Commission at original size

Dantis Amor

1860 · Tate Gallery, London

Dantis Amor by Dante Gabriel Rossetti: A captivating Pre-Raphaelite oil painting from 1860, showcasing ethereal beauty and symbolic detail at the Tate Gallery.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$22532 × 31 cm Commission this artwork

The Day Dream

1880 · Victoria and Albert Museum, London

A serene Pre-Raphaelite vision of a woman lost in thought beneath a blossoming tree, Dante Gabriel Rossetti captures profound tranquility in this 1880 masterpiece that invites you to bring poetic beauty into your home.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20025 × 41 cm Commission this artwork

Venus Verticordia

1868 · original 69 x 98 cm

Discover Dante Gabriel Rossetti’s ‘Venus Verticordia’. A Pre-Raphaelite masterpiece featuring a sensual nude, roses, & golden apple. Explore its rich detail & melancholic beauty.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20028 × 35 cm Commission this artwork

Same size as the original$39469 × 98 cm Commission at original size

Wedding of St George and the Princess, The

1857 · Tate Gallery, London

Discover Dante Gabriel Rossetti’s ‘Wedding of St George’! A stunning Pre-Raphaelite masterpiece brimming with symbolism & rich detail. Explore this iconic 1857 oil painting.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$22531 × 32 cm Commission this artwork

The wedding of St George

1864 · Art Gallery of New South Wales, Sydney · original 47 x 53 cm

Discover Dante Gabriel Rossetti’s ‘The Wedding of St George,’ a Pre-Raphaelite masterpiece! Explore this 1864 oil painting's rich symbolism, Elizabeth Siddal’s poignant role & dramatic style.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$30035 × 28 cm Commission this artwork

Same size as the original$35053 × 47 cm Commission at original size

Joan of Arc

1864 · Tate Gallery, London

Rossetti’s ‘Joan of Arc’: A haunting Pre-Raphaelite portrait. Intense emotion, detailed realism & symbolic sword. Explore this iconic 1864 masterpiece.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20032 × 32 cm Commission this artwork

Proserpine

1874 · Tate Gallery, London · original 61 x 125 cm

A hauntingly beautiful Pre-Raphaelite vision of the goddess Proserpine by Dante Gabriel Rossetti captures a mood of mythic melancholy and eternal beauty, inviting you to explore this timeless masterpiece for your collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20022 × 46 cm Commission this artwork

Same size as the original$42361 × 125 cm Commission at original size

Paolo and Francesca da Rimini

1867 · National Gallery of Victoria, Melbourne · original 43 x 36 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20029 × 35 cm Commission this artwork

Same size as the original$21836 × 43 cm Commission at original size

Sybilla Palmifera

1866 · Lady Lever Art Gallery, Ліверпуль

Dante Gabriel Rossetti’s ‘Sybilla Palmifera’ (1866) – a Pre-Raphaelite masterpiece! Explore this sensual portrait, rich colors & symbolic details. A captivating work of art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20029 × 35 cm Commission this artwork

La Bella Mano

1874 · original 157 x 107 cm

Explore Dante Gabriel Rossetti’s ‘La Bella Mano,’ a stunning Pre-Raphaelite oil painting of three women. Discover its rich detail, symbolism & intimate narrative – a masterpiece of Victorian art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$25027 × 38 cm Commission this artwork

Same size as the original$780107 × 157 cm Commission at original size

La Donna Della Finestra

1879 · Fogg Art Museum, Cambridge

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20026 × 38 cm Commission this artwork

Sir Galahad at the Ruined Chapel

1859 · Birmingham Museum and Art Gallery, Birmingham

Delve into Dante Gabriel Rossetti's 'Sir Galahad at the Ruined Chapel,' a haunting watercolor capturing chivalry and spirituality amidst decaying grandeur. Explore Pre-Raphaelite artistry & symbolism.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20034 × 29 cm Commission this artwork

The Bride

1865 · Tate Gallery, London · original 80 x 76 cm

A luminous display of Pre-Raphaelite beauty defines Dante Gabriel Rossetti’s The Bride, a 1865 masterpiece of Victorian elegance and symbolic depth that invites you to bring this timeless romantic vision into your home.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20029 × 35 cm Commission this artwork

Same size as the original$37176 × 80 cm Commission at original size

How Sir Galahad, Sir Bors and Sir Percival Were Fed with the Sanct Grael; but Sir Percival’s Sister Died by the Way

View the most popular artwork of Dante Gabriel Rossetti ranked #16: How Sir Galahad, Sir Bors and Sir Percival Were Fed with the Sanct Grael; but Sir Percival’s Sister Died by the Way

1864 · Tate Modern, London · original 42 x 29 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20039 × 26 cm Commission this artwork

Same size as the original$20742 × 29 cm Commission at original size

Jane Morris

1865 · Victoria and Albert Museum, London

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20030 × 34 cm Commission this artwork

The Girlhood of Mary Virgin

1849 · Tate Gallery, London · original 83 x 65 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20028 × 36 cm Commission this artwork

Same size as the original$34865 × 83 cm Commission at original size

The Blessed Damozel

1878 · original 84 x 174 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20024 × 42 cm Commission this artwork

Same size as the original$65784 × 174 cm Commission at original size

Dante's Dream

1872 · Walker Art Gallery, Liverpool · original 216 x 312 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20038 × 26 cm Commission this artwork

Astarte Syriaca

1878 · original 106 x 183 cm

Captured in exquisite detail by Dante Gabriel Rossetti during the Victorian era, Astarte Syriaca portrays three women adorned in Grecian attire amidst a serene sky dotted with clouds—a mesmerizing blend of beauty and symbolism that invites contemplation.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20025 × 41 cm Commission this artwork

Same size as the original$816106 × 183 cm Commission at original size

Jane Burden (1839–1914), Mrs William Morris

1893 · National Trust, Wolverhampton · original 48 x 48 cm

Discover Dante Gabriel Rossetti's captivating portrait of Jane Morris, the iconic Pre-Raphaelite muse. A stunning depiction of beauty and Victorian elegance.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20031 × 32 cm Commission this artwork

Same size as the original$24448 × 48 cm Commission at original size

Jane Morris

1865 · Victoria and Albert Museum, London

A captivating black & white photograph of Jane Morris by Dante Rossetti, capturing her melancholic beauty and Victorian elegance. A timeless Pre-Raphaelite portrait.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 23 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20027 × 37 cm Commission this artwork

Study for

1870 · William Morris Gallery, Walthamstow

Explore Dante Rossetti’s haunting ‘Study for,’ a Pre-Raphaelite chalk sketch depicting medieval magic & love. Discover its symbolism, technique & cultural significance at the William Morris Gallery.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 24 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$32532 × 31 cm Commission this artwork

Regina Cordium

Experience Dante Gabriel Rossetti's 'Regina Cordium,' a mesmerizing Pre-Raphaelite portrait of Elizabeth Siddal, steeped in symbolism and Victorian romance. Explore its rich details & tragic story.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 345 artworks by Dante Gabriel Rossetti
Delivery: Worldwide, about 5 weeks

from$20028 × 36 cm Commission this artwork

The artist

Dante Gabriel Rossetti

1828 – 1882

Quick facts

Viberomantic
Copyright statusPublic domain
Color intensitybalanced, vivid, monochromatic
Also known asDante G. Rossetti, D. G. Rossetti, Dante Rossetti, Dante Gabriel Rosetti, D. G. Rosetti
Room fitliving room
Emotional tonemelancholic
Lifespan54 years
Died1882

Biography

The Life of Dante Gabriel Rossetti

Dante Gabriel Rossetti was a multi-faceted creator whose influence persists because he refused to separate the written word from the visual image. Born in London, United Kingdom, on 12 May 1828, he operated at the intersection of poetry and painting. He was the son of an Italian scholar, Gabriele Pasquale Giuseppe Rossetti, and Frances Mary Lavinia Polidori. This intellectual lineage provided the foundation for a career that spanned illustration, translation, and fine art. He did not merely paint scenes; he translated literary concepts into physical form.

His life was defined by a refusal to adhere to the rigid academic standards of the 19th century. Instead of following established patterns, he sought a direct connection to the emotional weight of his subjects. This approach made him a central figure in the Pre-Raphaelite movement. His work often functioned as a visual counterpart to his own sonnets, creating a unified sensory experience. He died in Birchington-on-Sea, Kent, England, on 9 April 1882, at the age of 53.

His output was vast and varied, encompassing several distinct modes of expression:

Poetry and sonnets
Book illustrations
Oil paintings
Translations of literary works

Early Life, Family and Training

Rossetti’s artistic foundation was built on a specific, scholarly lineage. His father, Gabriele Pasquale Giuseppe Rossetti, was an Italian scholar and political refugee who had dedicated his life to the study of Dante Alighieri. This intellectual environment, shaped by his father's expertise and the nurturing of his mother, Frances Mary Lavinia Polidori, ensured that literature was never a secondary interest but a primary component of his development. Growing up in a household of intellectuals, he was raised alongside his siblings: Maria Francesca, William Michael, and Christina Georgina Rossetti. This family unit functioned as a concentrated hub of literary and creative energy, providing the early stimulus required for his later fusion of verse and image.

His formal training followed a structured path through the London art scene. After attending King's College School, he moved into specialized technical instruction at Henry Sass' Drawing Academy between 1841 and 1845. This period of study provided the necessary discipline before he progressed to the Antique School of the Royal Academy. His development was further refined under the guidance of Ford Madox Brown, a figure whose influence helped direct Rossetti toward the specific aesthetic rigor that would define his early career. This sequence of instruction—from domestic education to the structured academies of London—transformed a scholar's son into a technician capable of executing complex, detailed compositions.

The Pre-Raphaelite Brotherhood and Early Works

In 1848, Rossetti helped launch a visual rebellion by co-founding the Pre-Raphaelite Brotherhood alongside William Holman Hunt and John Everett Millais. This group rejected the stale, academic conventions of the era, opting instead for a return to the sincerity and detail found in Italian art before the High Renaissance. His early output was defined by this commitment to religious and symbolic subjects. In 1849, he produced The Girlhood of Mary Virgin, a work that established his interest in meticulous detail. This was followed by Ecce Ancilla Domini! in 1850, a painting that demonstrated the movement's rejection of idealized, artificial forms in favor of a more direct, truthful representation.

As his career progressed, his focus shifted from strictly religious themes toward portraiture and the exploration of individual character. His 1853 portrait of William Rossetti shows a move toward capturing psychological depth through precise, controlled execution. Even as his style evolved into more complex, sensual territory in later years, the foundation remained rooted in the technical rigor established during his Brotherhood years. This is evident in his 1874 portrait of Mrs Georgin A Fernandez, which utilizes pastel to achieve a specific, atmospheric presence that differs significantly from his early oil works.

Technique and Artistic Style

Rossetti’s visual language was built on a tension between meticulous realism and a heavy, symbolic weight. In his early period, he rejected the muddy, academic palettes of the mid-19th century, opting instead for pure colors applied against white backgrounds. This technique forced a clarity that demanded attention. He did not merely paint scenes; he constructed them through a lens of medieval revivalism, looking back to the sincerity of the era before Raphael to find a way to express modern sentiment. His work often centered on a single female figure, frequently framed by a luxuriant background of vegetation that felt as much like a psychological state as a physical setting.

As his career progressed, his approach shifted from the sharp, detailed observations of the Pre-Raphaelite Brotherhood toward a much denser, more opulent style. This later phase drew heavily from the later Italian Renaissance, trading early clarity for a sense of saturated, heavy texture. He moved away from narrative clarity toward a more subjective, sensual form of symbolism. This was not a solitary visual endeavor; he frequently wrote sonnets to accompany his pictures, ensuring the literary and the visual were inseparable. The image and the poem functioned as a single unit of expression.

The Girlhood of Mary Virgin (1849)
Ecce Ancilla Domini! (1850)
Venus Verticordia (1864–1868)
Proserpine (1874)
The Day Dream (1880)

Key Works and Subjects

Rossetti’s output is defined by a shift from narrative detail toward a concentrated focus on the female form and mythological tension. His 1865-6 work, The Beloved, demonstrates this transition, utilizing a composition that contrasts the pale skin of the bride with a dark-skinned page. This period saw him moving away from the crowded scenes of his youth toward a more singular, intense study of beauty. His later years produced The Day Dream in 1880, a work that depicts a woman seated on a sycamore bough, blending the figure with the surrounding foliage.

The artist frequently returned to themes of longing and entrapment. In Proserpine (1874), he used the pomegranate and the shadow of a corridor to represent the goddess's confinement in the underworld. This preoccupation with psychological states is equally present in Beata Beatrix and Dante's Dream (1872), where the subjects inhabit a dreamlike space. His Venus Verticordia (1864–1868) further highlights this interest in erotic symbolism, using elements like Cupid's arrow and specific floral motifs to communicate desire.

The Girlhood of Mary Virgin (1849)
Ecce Ancilla Domini! (1850)
Venus Verticordia (1864–1868)
The Beloved (1865-6)
Dante's Dream (1872)
Proserpine (1874)

The Influence of Female Muses

Rossetti’s canvases were rarely mere compositions; they were reflections of the women who occupied his personal life. His aesthetic was inseparable from the women he loved and the models he employed, most notably Elizabeth Siddal, Fanny Cornforth, and Jane Morris. His marriage to Elizabeth Siddal remains a central, heavy fact of his biography, anchoring his early period in a reality that often bled into his mythological subjects. These women provided the physical and emotional templates for his shift from strict realism toward a more symbolic, sensual style.

Jane Morris, in particular, became a dominant presence in his later work, her features defining a specific type of enigmatic beauty. She was the face of several significant paintings, including Proserpine, The Day Dream, and Pia de' Tolomei. Through Morris, Rossetti moved away from the sharp, photographic detail of his youth toward a more lush, atmospheric approach. Her presence in his art was not a passive occurrence; it was a deliberate choice that shaped the very direction of his visual language.

Proserpine
The Day Dream
Pia de' Tolomei

Legacy and Lasting Influence

Rossetti’s impact on the trajectory of modern art is measured by his role as a central architect of the Pre-Raphaelite Brotherhood. He helped shift the focus of British art away from the sterile, academic traditions of the time. His influence extended far beyond the borders of the United Kingdom, directly shaping the development of the Aesthetic Movement and Symbolism. By prioritizing subjective experience and emotional depth, his work provided a foundation for the European Symbolists who sought to represent the subconscious through visual metaphor.

His literary output was equally significant, rooted in the early poetic influences of John Keats and William Blake. This intersection of verse and image defined his unique contribution to the 19th-century landscape. He did not merely illustrate stories; he created a unified sensory experience where the boundaries between poetry and paint dissolved. This approach encouraged subsequent generations to treat the canvas as a space for psychological and spiritual exploration rather than simple narrative illustration.

Proserpine
The Blessed Damozel
Venus Verticordia
The Day Dream

Where to See the Works Today

To encounter the physical reality of Rossetti’s output, one must look to London. The Tate Gallery holds the largest concentration of his work, with 16 pieces available for study. This collection provides the most comprehensive view of his shift from early religious realism to his later, more complex symbolism. Other significant holdings in the city include the National Portrait Gallery, which contains 4 works, and the Victoria and Albert Museum, which also holds 4. These institutions offer the necessary context to understand how his aesthetic challenged the academic standards of the Victorian era.

Beyond the capital, his presence is felt in several major regional and international collections. The Birmingham Museum and Art Gallery maintains 7 of his works, providing a substantial look at his development outside of London. In the United States, the Fogg Art Museum in Cambridge holds 4 pieces. Seeing these works in situ reveals the actual textures and colors that defined his approach to the female form and mythological subjects.

The Girlhood of Mary Virgin (1849)
Ecce Ancilla Domini! (1850)
Proserpine (1874)
Venus Verticordia (1864–1868)
The Blessed Damozel (1878)
The Day Dream (1880)

Questions & Answers

What are the birth city and country of Dante Gabriel Rossetti?

Dante Gabriel Rossetti was born in London, in United Kingdom.

Can I explore Dante Gabriel Rossetti's works by subject?

Dante Gabriel Rossetti's works can be explored by subject on the artist's Subject Atlas page.

What are the birthplace and birth year of Dante Gabriel Rossetti?

Dante Gabriel Rossetti was born in London in 1828.

By the OriginalUniqueArt.com Editorial Team Updated Oct. 13, 2026

Collector's quiz

Who were the two artists that Rossetti co-founded the Pre-Raphaelite Brotherhood with in 1848?
What was the profession of Rossetti's father, Gabriele Rossetti?
Which of these works is an example of Rossetti's early Pre-Raphaelite work mentioned in the text?
In which city was Dante Gabriel Rossetti born?
Which movement did Rossetti's work play a crucial role in the development of, alongside Symbolism?

one You choose the size

Standard formats or any custom dimension, matched to the proportions of the original.

two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

Commission your Dante Gabriel Rossetti

Every artwork by Dante Gabriel Rossetti in our catalog can be painted to order, in the size that suits the room.

All artworks by Dante Gabriel Rossetti