Famous 19th Century Ζωγράφοι: 100 Original Voices

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Γκυστάβ Κουρμπέ 1819–1877

Γάλλος Born in Ορρανές Ρεαλισμός Wikipedia in 31/32 languages

This meant looking at what was actually present rather than what tradition suggested should be there. He focused on the truth of the subject, often choosing to present the mundane and the unidealized as his primary focus. The shift from Romanticism toward the modern era found its momentum in the way he handled paint and subject.

Where to see His canvases are scattered across several major collections, inviting a close look at the textures of his paint.

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Τζόζεφ Μάλλορντ Ουίλλιαμ Τέρνερ 1775–1851

Βρετανός Born in Κόβεντ Γκάρντεν Ρομαντισμός Wikipedia in 31/32 languages

The Morning After the Deluge (1843): Μια δυναμική απεικόνιση των δυνά.

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Κάσπαρ Ντάβιντ Φρίντριχ 1774–1840

Γερμανός Born in Γκράιφσβαλντ Ρομαντισμός Wikipedia in 31/32 languages

Born in the Baltic port city of Greifswald in 1774, Caspar David Friedrich’s early years were shaped by a profound sense of loss. His technical skills were further honed in Copenhagen, where he was exposed to landscape traditions that he would eventually transform into a medium for expressing inner emotional states. His reputation underwent a significant rediscovery in the late 20th century, as he was recognized as a central figure in German Romanticism.

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Εντγκάρ Ντεγκά 1834–1917

Γάλλος Born in Παρίσι Ρεαλισμός Wikipedia in 32/32 languages

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Πιέρ-Ωγκύστ Ρενουάρ 1841–1919

Γάλλος Born in Λιμόζ Ιμπρεσιονισμός Wikipedia in 32/32 languages

His early years were defined by a preoccupation with the way light interacts with the physical world. He utilized loose brushstrokes and a palette of saturated colors to capture the fleeting atmosphere of a moment.

Where to see The distribution of his canvases across the globe reflects the widespread reach of his influence.

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Ζαν Ωγκύστ Ντομινίκ Ενγκρ 1780–1867

Γάλλος Born in Μοντωμπάν Νεοκλασικισμός Wikipedia in 32/32 languages

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Ζωρζ Σερά 1859–1891

Γάλλος Born in πρώην 5ο δημοτικό διαμέρισμα του Παρισιού ['Νεο-Ιμπρεσιονισμός', 'Ποστ-Ιμπρεσιονισμός', 'Πουαντιγιλλισμός', 'Διαχωρισμός', 'Χρωμολουμινάρισμος'] Wikipedia in 30/32 languages

Seurat replaced the spontaneous, intuitive brushwork of his predecessors with a calculated, systematic approach to light. He developed Pointillism, a method defined by the application of small, distinct dots of pure color onto a canvas. The Fauvists adopted his emphasis on bold, non-naturalistic color, while the Cubists drew from his ability to deconstruct forms into geometric components.

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Ζαν-Λουί-Τεοντόρ Ζερικώ 1791–1824

Γάλλος Born in Ρουέν Ρομαντισμός Wikipedia in 30/32 languages

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Ζαν Φρανσουά Μιγέ 1814–1875

Γάλλος Born in Γρουτσι Ρεαλισμός, Σχολή της Βαρμπιζόν Wikipedia in 30/32 languages

In 1837, he moved to Paris to enroll at the École des Beaux-Arts. His first submission to the Salon, Saint Anne Instructing the Virgin, was rejected by the jury. His insistence on depicting the working class with dignity provided the necessary groundwork for the emergence of Social Realism and the later developments of Impressionism.

Where to see Paris remains the primary destination for his work.

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Χίλμα Αφ Κλιντ 1862–1944

Swedish Born in Σόλνα Abstract art, Spiritualism Wikipedia in 24/32 languages

Coming from a family steeped in naval tradition yet also possessing an interest in botany and mathematics, she received a traditional artistic education at the Tekniska Skolan (Technical School) and subsequently at the Royal Academy of Fine Arts in Stockholm, graduating with honors in 1887. Her encounters with Rudolf Steiner, founder of Anthroposophy, further refined her spiritual beliefs and artistic approach.

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Ζαν-Μπατίστ Καμίλ Κορό 1796–1875

Γάλλος Born in Παρίσι Νεοκλασικισμός, Ρεαλισμός, Ιμπρεσιονισμός Wikipedia in 30/32 languages

He spent time sketching and making preliminary paintings directly in the landscape to capture the immediate light. This method allowed him to build up his compositions through a specific layering of thin washes of oil paint onto the canvas. By the time he reached his final decade, he was known in Parisian circles as "Père Corot." This title reflected more than just his age; it spoke to his position as a central figure for those navigating the shift from academic traditions toward new ways of seeing.

Where to see To find his traces, one often looks to Paris.

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Τζέιμς ΜακΝίλ Ουίσλερ 1834–1903

Αμερικανός Born in Λόουελ Τοναλισμός & Αισθητισμός Wikipedia in 30/32 languages

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Μπερτ Μοριζό 1841–1895

Γαλλική Born in Μπουρζ Ιμπρεσιονισμός Wikipedia in 30/32 languages

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Τζον Κόνσταμπλ 1776–1837

British Born in Ηστ Μπέργκχολτ Romanticism Wikipedia in 30/32 languages

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Ουίνσλοου Χόμερ 1836–1910

Αμερικανός Born in Βοστώνη Αμερικανική Ρεαλιστική Τέχνη Wikipedia in 24/32 languages

In 1859, Homer moved to New York City and opened a studio in the Tenth Street Studio Building. The years that followed saw him traveling through New York State, Virginia, and Massachusetts. This commitment to seeing things as they were—from the aftermath of the Civil War to the shifting landscapes of the coast—ensures his place among the most important artists in the American tradition.

Where to see Tracing the physical presence of his work requires visiting several major institutions across the United States.

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Άλφονς Μούχα 1860–1939

Τσέχος Born in Βρόντο Αρτ Νούβου Wikipedia in 31/32 languages

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Ανρί ντε Τουλούζ-Λωτρέκ 1864–1901

French Born in Αλμπί Post-Impressionism Wikipedia in 31/32 languages

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Ουίλιαμ - Αντόλφ Μπουγκερώ 1825–1905

Γάλλος Born in Λα Ροσέλ Ακαδημαϊκός Ρεαλισμός Wikipedia in 29/32 languages

Working primarily in oil, Bouguereau constructs scenes through academic realism, focusing heavily on the female human body. This structural choice, reminiscent of Renaissance artists, provides a sense of depth and order to his mythological themes and realistic genre paintings. The height of the nineteenth century finds him as the quintessential salon painter, a figure of immense popularity in France and the United States.

Where to see The physical presence of his canvases remains scattered across major international institutions.

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Ντάντε Γκάμπριελ Ροσέτι 1828–1882

English Born in Λονδίνο Pre-Raphaelite Brotherhood, Symbolism Wikipedia in 31/32 languages

He did not merely paint scenes; he constructed them through a lens of medieval revivalism, looking back to the sincerity of the era before Raphael to find a way to express modern sentiment. This later phase drew heavily from the later Italian Renaissance, trading early clarity for a sense of saturated, heavy texture. She was the face of several significant paintings, including Proserpine, The Day Dream, and Pia de' Tolomei.

Where to see The Tate Gallery holds the largest concentration of his work, with 16 pieces available for study.

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Καμίλ Πισαρό 1830–1903

Δανικός-Γάλλος Born in Σαρλότ Αμαλί ['Ιμπρεσιονισμός', 'Νεοιμπρεσιονισμός', 'Μετα-ιμπρεσιονισμός'] Wikipedia in 31/32 languages

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Ιλιά Ρέπιν 1844–1930

Ρώσος γεννημένος στην Ουκρανία Born in Τσουχούιβ Ρεαλισμός Wikipedia in 32/32 languages

Repin established himself as the foremost exponent of the Russian Realist style, a movement that sought to strip away academic idealization in favor of the unvarnished truth of contemporary life. During his time in France and Italy, he encountered the burgeoning Impressionist movement, and the influence of French plein-air techniques became evident in his later work. Ivan the Terrible and His Son Ivan (1885).

Where to see The physical presence of Repin's oeuvre is scattered across several major institutions, reflecting the breadth of his influence.

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Ανρί Ρουσσώ 1844–1910

Born in Λαβάλ Wikipedia in 31/32 languages

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Αλφρέντ Σισλέ 1839–1899

Βρετανός Born in πρώην 4ο δημοτικό διαμέρισμα του Παρισιού Ιμπρεσιονισμός Wikipedia in 31/32 languages

While many of his contemporaries drifted between different genres, Sisley’s focus remained remarkably singular. This devotion to the immediate, lived experience of nature made him perhaps the most consistent of the Impressionists in his method. He acted as a vital link between the Barbizon school, with its grounded realism, and the full flowering of Impressionism.

Where to see In Paris, his presence is felt strongly within the Musée d'Orsay, which holds a significant number of his canvases.

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Γκυστάβ Ντορέ 1832–1883

Γάλλος Born in Στρασβούργο Ρομαντισμός Wikipedia in 30/32 languages

He does not wait for formal instruction to master the line. At fifteen, he enters the bustling, satirical atmosphere of the French journal Le Journal pour rire. His 1866 illustrations for the Bible achieved massive success, cementing a visual language for sacred texts that persists in the public imagination.

Where to see The physical remnants of Doré’s prolific output are scattered across several continents, preserved in institutions that hold his diverse range of media.

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Τζον Σίνγκερ Σαρτζέντ 1856–1925

Αμερικανός Born in Φλωρεντία Ιμπρεσιονισμός Wikipedia in 27/32 languages

To further refine his skills, he enrolled at the École des Beaux-Arts, drawing from life models and casts to solidify his foundation. The unveiling of Madame X (Portrait of Madame Pierre Gautreau) at the 1884 Salon ignited a scandal that threatened his burgeoning career. By the time of his death on April 15, 1925, the scope of Sargent's output had reached a vast scale, encompassing roughly 900 oil paintings and over 2,000 watercolors.

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Γκυστάβ Μορώ 1826–1898

Γάλλος Born in Παρίσι Συμβολισμός Wikipedia in 28/32 languages

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Ονορέ Ντωμιέ 1808–1879

Γάλλος Born in Μασσαλία Ρεαλισμός, Σάτιρα Wikipedia in 29/32 languages

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Πωλ Σινιάκ 1863–1935

Γάλλος Born in Παρίσι Νέο-ιμπρεσιονισμός, Διαιρετικός ιμπρεσιονισμός Wikipedia in 29/32 languages

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Ιβάν Αϊβαζόφσκι 1817–1900

Ρώσος Born in Θεοδοσία Ρωσικός Ρομαντισμός Wikipedia in 32/32 languages

As a Russian Romantic painter, he prioritized the visceral impact of light and movement over static accuracy. He achieved this through a specific technical discipline: applying paint in thin, translucent layers. In 1845, he traveled to the Aegean Sea, the Ottoman capital Constantinople, and the Greek islands of Patmos and Rhodes.

Where to see Aivazovsky’s presence in modern collections remains substantial, ensuring his technical approach to light and water is still accessible to those studying marine art.

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Χιροσίτζε 1797–1858

Ιαπωνικός Born in Έντο *Ukiyo-e* Wikipedia in 30/32 languages

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Πιερ Μπονάρ 1867–1947

Γάλλος Born in Φοντεναί-ω-Ροζ Μετα-Ιμπρεσιονισμός, Ιντιμισμός, Les Nabis Wikipedia in 27/32 languages

He became a founding member of Les Nabis, a group of artists who sought to move beyond mere representation. The prints of Hokusai and other Japanese masters offered him a new way to organize space and line. While his early years were defined by his membership in Les Nabis alongside Edouard Vuillard and Paul Serusier, his work eventually moved beyond the group's specific boundaries.

Where to see The physical presence of Bonnard’s vision remains scattered across several major institutions, allowing his specific approach to light and domesticity to be studied in various contexts.

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Οντιλόν Ρεντόν 1840–1916

Γάλλος Born in Μπορντώ Συμβολισμός Wikipedia in 28/32 languages

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Άρνολντ Μπέκλιν 1827–1901

Ελβετός Born in Βασιλεία Συμβολισμός Wikipedia in 27/32 languages

Giorgio de Chirico, ο οποίος βρήκε μια βαθιά σύνδεση στην απομόνωση των συνθέσεων του Άρνολδου Μπόκλιν. Salvador Dalí και Max Ernst, που άντλησαν από την ικανότητά του να αναμιγνύει το κωμικό με το εφιαλτικό.

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Μαίρη Κάσατ 1844–1926

Αμερικανίδα Born in Αλεγκέινι Ιμπρεσιονισμός Wikipedia in 32/32 languages

Her training expands as she moves through Courance and Écouen, studying under Édouard Frère and Paul Soyer. In 1872, the scene shifts to Parma, Italy. Her impact is recognized by her induction into the National Women's Hall of Fame in 1973.

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Ζαν-Λεόν Ζερόμ 1824–1904

French Born in Βεζούλ Academicism, Orientalism, Neo-Grec Wikipedia in 29/32 languages

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Φρενδερίκ Έντουιν Κέρκ 1826–1900

Αμερικανός Born in Χάρτφορντ Ριβερσάιντερ Σχολή Wikipedia in 24/32 languages

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Εμίλ Μπερνάρ 1868–1941

Γαλλική Born in Λιλ Ποστ-ιμπρεσιανισμός και Κλοισονίζμος Wikipedia in 28/32 languages

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Φρέντερικ Λέιτον 1830–1896

Βρετανός Born in Σκάρμπορο Ακαδημικός, Προ-Ραφαέλιο Wikipedia in 26/32 languages

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Τζον Γουίλιαμ Γουότερχαουζ 1849–1917

Βρετανός (Αγγλός) Born in Ρώμη Πρεραφαηλισμός, Ρομαντισμός, Συμβολισμός Wikipedia in 29/32 languages

Hylas and the Nymphs, Ariadne και Penelope and the Suitors είναι επιπλέον παραδείγματα της ικανότητάς του να μεταμορφώνει κλασικές ιστορίες σε οπτικά εντυπωσιακά και συναισθηματικά φορτισμένα έργα τέχνης. Τα ζωγραφικά του έργα δεν ήταν απλά όμορφα, αλλά περιέβαλαν μια αίσθηση αφηγηματικής δύναμης, προσκαλώντας τους θεατές να προβληματιστούν για την πολυπλοκότητα της ανθρώπινης εμπειρίας.

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Φρεντερίκ Μπαζίλ 1841–1870

Γάλλος Born in Μονπελιέ Εντασσιατισμός Wikipedia in 28/32 languages

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Τεοντόρ Ρουσώ 1812–1867

Γαλλική Born in Παρίσι Σχολή Barbizon Wikipedia in 29/32 languages

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Κάρλ Λάρσον 1853–1919

Σουηδός Born in Στοκχόλμη Ρεαλισμός, Αρχιτεκτονική Wikipedia in 28/32 languages

Παρά το γεγονός ότι ο Λάρσον είναι περισσότερο γνωστός για τις οικείες σκηνές του, είναι σημαντικό να θυμόμαστε ότι θεωρούσε τα μνημειακά του έργα – φρεσκογραφίες σε δημόσια κτίρια – ως την πιο σημαντική καλλιτεχνική του επιτυχία.

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Γιαν Ματέικο 1838–1893

Πολωνός Born in Ελεύθερη Πόλη της Κρακοβίας Ρομαντισμός Wikipedia in 30/32 languages

In the city of Kraków, Poland, the child Jan Matejko entered a world shaped by the quiet rhythms of music and the heavy weight of history. Ann's High School, the rigors of formal schooling proved difficult, and he left the institution in 1851 after struggling with his grades. He was remembered as Poland's most famous painter, a man who earned the title of "national painter" by turning the heavy weight of history into something the people could see and feel.

Where to see To follow the traces of his brush is to travel through the great halls of Europe, where his visions of the past remain held in trust.

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Έμιλ Νόλντε 1867–1956

Γερμανικός-Δανικός Born in Νόλτε Γερμανικός Εκφραστισμός Wikipedia in 28/32 languages

The Mocking of Christ (1909) – μια δυναμική και συναισθηματικά φορτισμένη θρησκευτική σκηνή. Autumn Sea (1908) - αποδεικνύοντας το εκφραστικό τοπικό του ζωγραφικό στυλ.

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Πολ Ντελαρός 1797–1856

Born in Παρίσι Wikipedia in 26/32 languages

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Τζέιμς Ένσορ 1860–1949

Βέλγος Born in Οστένδη ['Συμβολισμός', 'Εκφρασιονισμός'] Wikipedia in 25/32 languages

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Τζων Έβερετ Μιλαί 1829–1896

Βρετανός Born in Σαουθάμπτον Προ-Ραφαηλιακή Αδελφότητα Wikipedia in 28/32 languages

Christ in the House of His Parents (1849-1850): Tate Britain, London – Ένα αμφιλεγόμενο αριστούργημα που αποτελεί παράδειγμα της πρώτης Προ-Ραφαέλειας ρεαλιστικής ζωγραφικής. Ophelia (1851-1852): Tate Britain, London –Ίσως το πιο διάσημο έργο του, γνωστό για την ονειρική του ομορφιά και τον συμβολικό της πλούτο. A Huguenot (1851-1852): Ιδιωτική Συλλογή - Μια δραματική απεικόνιση θρησκευτικού συγκρούσεων και απαγορευμένης αγάπης.

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Γκυστάβ Καγιεμπότ 1848–1894

Γάλλος Born in Παρίσι Ρεαλισμός και Ιμπρεσιονισμός Wikipedia in 26/32 languages

His technique often felt closer to the heavy, grounded depictions of Courbet or Millet than the atmospheric experiments of Monet or Morisot. He prioritized a precise rendering of form and a clear, structured depiction of modern life, avoiding the blurred edges that characterized much of the era's avant-garde output. A first comprehensive international retrospective in 1994–1995 finally solidified this standing, presenting his vision to a global audience on a scale that matched his historical importance.

Where to see The Musée d'Orsay holds a substantial portion of his output, including the large-scale Boating Party and the gritty, realistic The Floor Scrapers.

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Ιβάν Σίσκιν 1831–1898

Ρώσος Born in Γιελάμπουγκα Ρεαλισμός, Περεδίβνικες Wikipedia in 30/32 languages

After his early schooling, Shishkin moved to the Saint Petersburg Imperial Academy of Arts, where he studied from 1857 to 1860. In 1861, he visited Munich, Germany, to observe the works of established artists.

Where to see To experience the quiet presence of Shishkin’s forests, one can visit several significant collections across Russia.

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Χοακίν Σορόγια 1863–1923

Ισπανός Born in Βαλένθια Λουμινισμός, Ιμπρεσιονισμός, Κοινωνικός Ρεαλισμός Wikipedia in 27/32 languages

He was a painter who preferred the directness of the outdoors, choosing to paint almost all of his works en plein air. This commitment to working in the open air allowed him to confront the shifting elements head-on. The Return from Fishing; Hauling the Boat (1894).

Where to see For those wishing to walk through the spaces that shaped his life, the Museo Sorolla in Madrid offers a rare glimpse into his private world.

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Εζέν Μπουντέν 1824–1898

Γάλλος Born in Ονφλέρ Πρωτοπόρος του Ιμπρεσιονισμού Wikipedia in 26/32 languages

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Τόμας Κόουλ 1801–1848

Anglo-American Born in Μπόλτον Hudson River School Wikipedia in 25/32 languages

His approach often involved placing small figures or solitary structures against moody, expansive natural landscapes. He possessed a keen ability to render the textures of the American wilderness, often using the interplay of light and shadow to create a sense of atmosphere and depth. As the founder of the Hudson River School, he provided the first significant vocabulary for a nation seeking to define itself through its own soil and sky.

Where to see The Museum of Fine Arts in Boston also maintains a collection of his paintings, offering further insight into his development.

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Άλμπερτ Μπιερστάιν 1830–1902

Γερμανικός-Αμερικανός Born in Ζόλινγκεν Σχολή του Hudson River, Λουμινισμός Wikipedia in 23/32 languages

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Λόρενς Άλμα-Ταντέμα 1836–1912

Ολλανδός Born in Ντρόνραϊπ Βικτοριανική Ζωγραφική Wikipedia in 26/32 languages

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Έντουαρντ Μπερν - Τζόουνς 1833–1898

British Born in Μπέρμιγχαμ ['Pre-Raphaelite Brotherhood', 'Aestheticism', 'Symbolism', 'Arts and Crafts'] Wikipedia in 27/32 languages

His path led him to an apprenticeship under Dante Gabriel Rossetti, a move that anchored him within the Pre-Raphaelite Brotherhood. His early work often carried the weight of Rossetti’s influence, particularly in the way he handled shadows and the heavy, soulful presence of his figures. Through his partnership with Morris & Co., he helped bring a renewed focus to traditional crafts, moving art away from the canvas and into the textures of daily life.

Where to see To see his hand in person, one might start in Walthamstow at the William Morris Gallery, which holds nine of his works.

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Σουζάν Βαλάντον 1865–1938

Γάλλος Born in Μπεσίν-συρ-Γκαρτάμπ Post-Impressionisme Wikipedia in 27/32 languages

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Ρώδικος 1840–1917

Γάλλος Born in Πάρις Σύγχρονη Σχέδιο

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Κέτε Κόλβιτς 1867–1945

Γερμανική Born in Κούνιχσμπεργκ Εκφρατισμός Wikipedia in 28/32 languages

Käthe Kollwitz, born Käthe Schmidt on July 8, 1867, in Kaliningrad, Russia (later part of Germany), emerged from a family deeply rooted in both intellectual ferment and social conscience. She continued her studies in Berlin and Munich, immersing herself in the artistic currents of the late 19th century, but always returning to the human condition as her central subject. In 1919, she achieved a historic milestone by becoming the first woman elected to the Prussian Academy of Arts—a testament to her artistic achievements and growing influence.

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Φέρντιναντ Χόντλερ 1853–1918

Ελβετός Born in Βέρνη Συμβολισμός, Παραλληλισμός, Ρεαλισμός Wikipedia in 26/32 languages

Born in Bern, Switzerland, in 1853, Ferdinand Hodler’s early years were defined by a quiet, persistent grief. His move to Geneva in 1871 marked a departure from the commercial demands of his youth. In works such as The Night, completed in 1890, he explored themes of repose and mortality through recumbent figures, a subject that challenged the prevailing tastes of the time.

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Ουίλιαμ Χόλμαν Χαντ 1827–1910

Βρετανός Born in Λονδίνο Προραφαέλειτ Wikipedia in 28/32 languages

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Βιλιαμ Μόρρις 1834–1896

Αγγλικός Born in Βαλταμόστοου Αισθητική κίνηση

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Αντουάν-Ζαν Γκρο 1771–1835

Born in Παρίσι Wikipedia in 26/32 languages

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Εντουάρ Βιγιάρ 1868–1940

French Born in Κουιζώ Les Nabis, Intimism Wikipedia in 23/32 languages

Jean-Édouard Vuillard was born on 11 November 1868 in Cuiseaux, France. He faced setbacks when he failed to enter the École des Beaux-Arts in both 1886 and 1887. His tenure as a prominent member of the Nabis, a group of post-impressionist artists, allowed him to experiment with a visual language that prioritized subjective experience over mere imitation.

Where to see The quiet, patterned interiors that defined his career are preserved in several major international collections.

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Άντολφ φον Μέντσελ 1815–1905

Γερμανός Born in Βρότσλαβ Ρεαλισμός Wikipedia in 24/32 languages

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Αριστίντ Μαγιόλ 1861–1944

Γαλλική Born in Μπανιούλς-συρ-Μερ Κλασική γλυπτική και Συμβολισμός Wikipedia in 26/32 languages

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Μπέρτελ Θόρβαλντσεν 1770–1844

Born in Κοπεγχάγη Wikipedia in 29/32 languages

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Τόμας Ίκινς 1844–1916

American Born in Φιλαδέλφεια Realism Wikipedia in 24/32 languages

Born in Philadelphia, Thomas Eakins was shaped by a household defined by precision. In 1866, he left Philadelphia for Paris to further his studies. The house he occupied in North Philadelphia, a structure that witnessed his lifelong devotion to his craft, was designated a National Historic Landmark in 1965.

Where to see The physical presence of Eakins's vision remains scattered across several major institutions, primarily concentrated in the American Northeast.

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Σαρλ-Φρανσουά Ντωμπινί 1817–1878

Γάλλος Born in Παρίσι Μπαμπριζόν, Εντύπωση Wikipedia in 28/32 languages

Harvest (1857): Ένα κλασικό παράδειγμα της ικανότητας του Daubigny να απεικονίζει την αγροτική ζωή και την ατμόσφαιρα, τώρα εκτίθεται στο Musée d'Orsay. The Ponds of Gylieu (1864): Δείχνει τη δεξιοτεχνία του στην ζωγραφική τοπίων και τις ατμοσφαιρικές προοπτικές, βρίσκεται σήμερα στο Cincinnati Art Museum. Moonlight (1865): Εμφανίζει την ικανότητά του να απεικονίζει νυχτερινά σκηνικά με λεπτές επιδράσεις φωτός.

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Ανρί Φαντέν-Λατούρ 1836–1904

Γάλλος Born in Γκρενόμπλ Ρεαλισμός και Συμβολισμός Wikipedia in 25/32 languages

The Palace of Aurora (1873): Ένα συναρπαστικό έργο συμβολισμού απεικονίζοντας τη θεά της αυγής, που παρουσιάζει την μονα.

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Πιέρ Πυβί ντε Σαβάν 1824–1898

Γάλλος Born in Λυών Συμβολισμός Wikipedia in 24/32 languages

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Ρόζα Μπωνούρ 1822–1899

Γάλλος Born in Μπορντώ Ρεαλισμός, Ζωορεαλισμός Wikipedia in 24/32 languages

Rosa Bonheur's artistic style wasn’t about romanticizing animals; it was about portraying them with unwavering honesty and detail. She eschewed sentimentality, opting instead for a scientific approach to her subjects. Beyond her artistic contributions, Bonheur's life story serves as a powerful example of female empowerment and artistic independence.

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Φίλιπ Ότο Ρούνγκε 1777–1810

Born in Βόλγκαστ Wikipedia in 23/32 languages

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Τομά Κουτύρ 1815–1879

Γάλλος Born in Σανλίς Ρομαντισμός και Ρεαλισμός Wikipedia in 23/32 languages

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Ζαν-Μπατίστ Καρπώ 1827–1875

Γάλλος Born in Βαλανσιέν Ρεαλισμός, Δυναμισμός Wikipedia in 22/32 languages

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Μάξιμος Κλίνκερ 1857–1920

Γερμανός Born in Λειψία Συμβολισμός Wikipedia in 22/32 languages

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Φορντ Μάντοξ Μπράουν 1821–1893

Βρετανός Born in Καλαί Πρεραφαέλειτες Wikipedia in 22/32 languages

His early studies focused on copying Old Master prints, absorbing techniques and compositional strategies from artists like Rembrandt and Raphael, establishing a foundational understanding of artistic tradition. His unwavering belief in the transformative power of art continues to inspire admiration and scholarly inquiry, securing his place among Britain's most influential artistic figures."

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Γιοσιτόσι 1839–1892

Ιαπωνός Born in Έντο Ukiyo-e Wikipedia in 15/32 languages

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Γιόχαν Γιόνγκιντ 1819–1891

Ολλανδός Born in Λάττροπος Προπάρεδρος του Ιμπρέσιονισμού Wikipedia in 19/32 languages

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Ρατζά Ραβί Βαρμά 1848–1906

Ινδός Born in Κιλιμάντζαρο Ακαδημαϊκός & Ινδική σύνθεση Wikipedia in 22/32 languages

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Γιόχαν Φριντρίχ Όβερμπεκ 1789–1869

Γερμανός Born in Λύμπεκ Ναζαρηνισμός, Ρομαντισμός Wikipedia in 21/32 languages

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Ναντάρ 1820–1910

Born in Παρίσι Wikipedia in 31/32 languages

Quand j’étais photographe: Δημοσίευσε μια απομνημονωδικό που αναλογείται τη ζωή και το έργο του, προσφέροντας πολύτιμες πληροφορίες για τη φωτογραφία του 19ου αιώνα. Ιστορική Σημασία: Οι καινοτόμες τεχνικές και η καλλιτεχνική όραση του Nadar επηρέασαν βαθιά την ανάπτυξη της φωτογραφίας ως μορφή τέχνης. Τα πορτρέτα του παραμένουν εμβληματικές αναπαραστάσεις των παρισιניים πνευματικών και καλλιτεχνικών κύκλων.

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Βίκτορ Βασνετσόφ 1848–1926

Ρώσος Born in Βύατκα Εθνικό Ρομαντικό Στυλ Wikipedia in 29/32 languages

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Άντερς Ζορν 1860–1920

Σουηδός Born in Μόρα Ιμπρέσιονισμός Wikipedia in 28/32 languages

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Καρλ Φρίντριχ Σίνκελ 1781–1841

Πρώσσεως Born in Νόυρουππιν Νεοκλασικισμός και Γοτθικός Αναγέννηση Wikipedia in 30/32 languages

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Αλέξανδρος Καμπανέλ 1823–1889

Γάλλος Born in Μονπελιέ Ακαδημαϊκός ρεαλισμός Wikipedia in 26/32 languages

Alexandre Cabanel was born on September 28, 1823, in Montpellier, France. In 1839, a scholarship allowed him to move to Paris to continue his education.

Where to see To find the heart of Cabanel’s legacy, one often begins in Montpellier, France.

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Φραντσέσκο Άγιετς 1791–1882

Ιταλός Born in Βενετία Ιταλικός Ρομαντισμός Wikipedia in 27/32 languages

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Αντουάν-Λουί Μπαρί 1795–1875

Born in Παρίσι Wikipedia in 17/32 languages

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Αξέλι Γκαλέν-Καλέλλα 1865–1931

Φινλανδός Born in Πόρι Εθνική Ρομαντική Wikipedia in 26/32 languages

National Romanticism: Ο Γκαλέν-Καλέλα θεωρείται βασικός παράγοντας του Εθνικού Ρομαντισμού της Φινλανδίας, ενός καλλιτεχνικού κινήματος που επιδίωκε να γιορτάσει την μοναδική κουλτούρα και ταυτότητα της Φινλανδίας. <

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Νίκος Πιροσμάνι 1862–1918

Γεωργιανή Born in Μιρτζάνι Πρωτοπαραδοσιακισμός, Ναιβική τέχνη Wikipedia in 27/32 languages

Rather than seeking the polished finish of traditional canvas, he often turned to black oilcloth or black waxed cloth to receive his pigments. This choice of surface dictated a specific visual language, one where simplified forms and bold colors emerged from the dark background. Even the great Pablo Picasso was deeply impressed by the energy found within his compositions.

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Γιόβαννί Φαττόρι 1825–1908

Ιταλός Born in Λιβόρνο Macchiaioli, Plein Air Wikipedia in 17/32 languages