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Apollo and Marsyas

Experience the dramatic Baroque tension of Apollo and Marsyas by Luca Giordano; capture this vibrant 17th-century masterpiece for your collection.

Luca Giordano (1634-1705): Explore the vibrant Baroque masterpieces of 'Luca Fa Presto,' Naples' most celebrated painter, known for his speed & dazzling frescoes.

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

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Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
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Total Price

$ 300

Apollo and Marsyas

Reproduction Medium

Reproduction Size

-

Total Price

$ 300

Quick Facts

  • Movement: Baroque
  • Year: 1657
  • Artist: Luca Giordano
  • Subject or theme: Greek mythology

Art Quiz

There is only one correct answer for each question.

Question 1:
What mythological story is depicted in the painting?
Question 2:
Who is the artist credited with creating this work?
Question 3:
In the scene, what object is Apollo shown holding?
Question 4:
The painting was created in what year?
Question 5:
Luca Giordano is known for his association with which artistic period?

The Triumph of Art Over Hubris: Apollo and Marsyas

To stand before a depiction of Apollo and Marsyas is to confront one of antiquity's most enduring narratives—a dramatic collision between divine perfection and wild, untamed artistry. Luca Giordano captures this moment not merely as a scene from myth, but as a vibrant, almost breathless confrontation rendered in the glorious sweep of the late Baroque style. The composition immediately draws the eye to the central tension: Apollo, embodying Olympian grace with his bow drawn taut, stands poised above the defeated form of Marsyas. This is more than just a depiction of a contest; it is a profound meditation on the nature of genius itself.

Baroque Drama and Luminous Technique

Giordano, known to his contemporaries as “Luca fa presto”—Luca the quick one—brings an electrifying energy to this canvas. His technique is characterized by a breathtaking luminosity and palpable movement that seems to vibrate off the painted surface. One can almost feel the tension in Apollo’s stance and the weight of the narrative unfolding around him. The handling of light, typical of Giordano's mastery, sculpts the figures from the surrounding atmosphere, giving depth and dramatic realism to every fold of drapery and every strained muscle. For those considering a reproduction for your esteemed collection or interior design scheme, understanding this dynamic energy is key; it promises an immediate focal point, injecting theatrical life into any space.

Symbolism: The Price of Passionate Artistry

The story itself is rich with symbolism that resonates across the ages. Marsyas, often portrayed as a figure of raw, earthy passion—the musician who dared challenge the divine order—represents the untamed spirit, the visceral urge to create outside established boundaries. Apollo, conversely, embodies disciplined, perfected art and divine order. The fallen state of Marsyas, with his hands bound, speaks eloquently of hubris meeting inevitable consequence. Yet, Giordano’s genius lies in presenting this conflict without simple judgment; there is a tragic beauty in both the victor's poise and the vanquished's dramatic repose. It invites contemplation on where true artistic merit resides: in divine perfection or in passionate struggle?

A Masterpiece for Modern Adoration

The inclusion of secondary figures, observing from the periphery—the onlookers on the left and right—serves to frame this central drama, grounding the myth within a human context. The subtle detail of the bird near the upper corner adds an almost incidental touch of natural life against the monumental sweep of the action. Owning a reproduction of Apollo and Marsyas by Giordano is acquiring more than just decoration; it is commissioning a piece of narrative drama. It speaks to a sophisticated appreciation for Baroque dynamism, offering collectors and designers a work that pulses with historical weight, mythological grandeur, and unparalleled artistic vitality.

Questions & Answers

Is there a factsheet about "Apollo and Marsyas" by Luca Giordano for students?

The guide to "Apollo and Marsyas" is the artwork's Guide page - a printable factsheet showing the artwork with its caption, credit line and identity table (artist, dates, medium, original size, collection).

How do medium and movement combine in "Apollo and Marsyas"?

"Apollo and Marsyas" is made in oil on canvas, in the Baroque style.

What use is suggested for "Apollo and Marsyas" by Luca Giordano?

The recommended use of a print of "Apollo and Marsyas" is accent.


Artist Biography

A Neapolitan Dynamo: The Life and Art of Luca Giordano

Luca Giordano, born in Naples in 1634, was a name that quickly became synonymous with the exuberant spirit of the late Baroque. He wasn’t merely an artist; he was a force of nature, a whirlwind of creativity whose prolific output transformed both canvases and architectural spaces across Italy and Spain. His father, Antonio Giordano, laid the initial foundations of his artistic training, but it was under the stern yet masterful guidance of Jusepe de Ribera that the young Luca truly began to forge his distinctive path. This early apprenticeship left an indelible mark, evident in the dramatic intensity and realistic portrayal of figures characteristic of Giordano’s initial works. However, unlike Ribera's often somber palette, Giordano possessed a natural inclination towards luminosity and movement—qualities that would ultimately define his unique style. Even then, he earned the nickname “Luca fa presto”—Luca the quick one—a testament to his remarkable speed and seemingly boundless energy. He wasn’t simply skilled; he was capable of capturing profound emotion and dazzling spectacle with an ease that astonished contemporaries.

From Naples to Spain: A Career in Constant Motion

Giordano's artistic journey was far from static. It was a dynamic progression fueled by commissions and travels, taking him across the Italian peninsula and beyond. After establishing himself as a rising star in Naples, he sought opportunities in Rome, Florence, and Venice, absorbing the diverse influences of each city like a sponge. In Venice, he studied the works of Titian and Veronese, embracing their vibrant color palettes and dynamic compositions—a stark contrast to the tenebrism of his early training. Florence saw him undertake significant fresco cycles, most notably in the dome of the Corsini Chapel at the Chiesa del Carmine, showcasing his burgeoning mastery of illusionistic space and narrative storytelling. But it was his decade-long sojourn in Spain (1682-1692) that cemented his international reputation. Appointed as court painter to Charles II, Giordano transformed Spanish interiors with lavish frescoes, injecting a much-needed dose of Italian exuberance into the more restrained Spanish artistic tradition. The Biblioteca Riccardiana in Florence, adorned with allegorical frescoes celebrating divine wisdom, stands as a testament to this period, showcasing his ability to blend intellectual depth with visual splendor.

A Synthesis of Styles: Giordano’s Artistic Signature

Giordano's genius lay not in inventing entirely new techniques but in synthesizing existing ones into a remarkably fluid and decorative style. He masterfully combined the dramatic realism inherited from Ribera, the luminous colorism inspired by Venetian painters, and the dynamic compositions reminiscent of Pietro da Cortona. His brushwork was characterized by its freedom and spontaneity, creating an impression of effortless grace. He wasn’t afraid to embrace ornamentation, filling his canvases with intricate details and swirling draperies—a hallmark of his mature style. This approach allowed him to tackle a wide range of subjects – from religious scenes and mythological narratives to portraits and decorative schemes – with equal aplomb. The Judgment of Paris, housed in the Berlin Museum, exemplifies this synthesis; it’s a vibrant display of classical mythology rendered with a distinctly Baroque flair. His frescoes, particularly those found in Naples Cathedral and various Neapolitan palaces, are monumental achievements, transforming architectural spaces into immersive visual experiences that enveloped viewers in a world of color and drama.

Legacy and Influence: The Enduring Impact of a Master

Luca Giordano’s influence extended far beyond his own lifetime. He trained numerous pupils, including Paolo de Matteis, who went on to become successful artists in their own right, spreading his stylistic innovations throughout Italy and beyond. His work served as a bridge between the High Baroque and the Rococo periods, paving the way for the lighter, more playful aesthetic that would characterize 18th-century art. His prolific output – estimated at over six hundred paintings and numerous fresco cycles – continues to captivate audiences today. The Palace of Capodimonte in Naples remains a treasure trove of his works, offering a comprehensive overview of his artistic evolution. Giordano’s ability to seamlessly blend technical virtuosity with emotional depth ensures his place as one of the most important and beloved figures of the Italian Baroque. He died in his native Naples in 1705, leaving behind a legacy that continues to inspire artists and art lovers alike.

Key Works & Artistic Connections

Here are some notable works and artistic connections:
  • The Judgment of Paris (Berlin Museum): A prime example of Giordano’s mythological paintings, showcasing his vibrant color palette and dynamic composition.
  • Christ with the Doctors in the Temple (Corsini Gallery, Rome): Demonstrates his skill in religious narrative and mastery of light and shadow.
  • Frescoes in Florence & Naples: Monumental works that transformed architectural spaces into immersive visual experiences.
  • Influences: Jusepe de Ribera, Titian, Veronese, Pietro da Cortona
  • Influenced Artists: Paolo de Matteis, and a generation of Neapolitan painters.
Luca Giordano

Luca Giordano

1634 - 1705 , Italy

Quick Facts

  • Artistic Movement Or Style: Late Baroque
  • Artists Or Movements Influenced By This Artist:
    • Paolo de Matteis
    • Neapolitan painters
  • Artists Who Influenced This Artist:
    • Jusepe de Ribera
    • Titian
    • Veronese
    • Pietro da Cortona
  • Date Of Birth: 1634
  • Date Of Death: 1705
  • Full Name: Luca Giordano
  • Nationality: Italian
  • Notable Artworks:
    • Judgment of Paris
    • Christ with Doctors
    • Frescoes in Naples
  • Place Of Birth: Naples, Italy
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