切换至版画销售渠道
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对于任何边长超过 105 厘米（约 41 英寸）的艺术品或复制品，画框将以拆解后的组件形式发货。此方法可确保安全送达并防止运输过程中的损坏。
In 1967, Lee Ungno was imprisoned for 2 years and 6 months for his involvement in the East Berlin Affair. He suffered most from an inability to continue his practice there; however, as he adjusted to the prison environment, he started painting on tissue using soy sauce as ink and making models with rice paste, which he collected from his meal. This painting shows one example of the Abstract Letter paintings that he made in prison using ink on hanji and then painting over the canvas with soy sauce as if testifying to his imprisonment. Unlike ink, soy sauce is not a proper pigment and thus, its colour is brownish rather than black when it is put on paper; as it is not rich enough to make a long spread, the canvas shows several marks where he had to resume the application of the soy sauce at each moment.
常见问题与解答
李遇露 的作品《Composition》是否属于公有领域？其原因是什么？
李遇露 的作品《Composition》已进入 仍受版权保护。版权期限自艺术家逝世之日起计算，李遇露 于 1989 年逝世。
"Composition" 的整体色调有多明亮？
李遇露 的《Composition》 的视觉亮度为 bright，能够与目标空间的灯光完美融合。
"Composition" 与 李遇露 的其他作品有何共通之处？
在李遇露的作品中，"Composition" 呈现出Korean Expressionism风格，并延续了east asian calligraphy, sumi-e techniques, prisoner's testimony, korean expressionism", political imprisonment, abstracted landscape, symbolic narrative, artist's resilience的主题。
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