Updated октобар 2026 · ranked by our popularity score (searches, visits and orders for each work) · 366 works by Edvard Hoper in our catalogue
In short
To the gallery's eye, Edvard Hoper's most famous painting is Nighthawks, Ноћњаци (1942), whose original hangs in the Art Institute of Chicago, Čikago. Automat (small) and Kuća pored železnice (1925) complete the trio every eye recognises. Of the 366 works by Edvard Hoper in our catalog, the gallery presents the 100 most famous below, each original with its year, its museum and what makes it unique.
Edward Hopper's Nighthawks (1942) stands as an enduring emblem of twentieth-century American art and a poignant meditation on the pervasive sense of isolation that characterizes modern urban life. Painted during World War II, amidst anxieties about national identity and societal change, the canvas transcends its immediate historical context to resonate with viewers across generations.
Edward Hopper’s “Automat” (small), a deceptively simple depiction of a woman seated alone at a cafe table, is a masterclass in conveying the profound sense of solitude that characterized much of 20th-century American life. Painted during a period of rapid urbanization and social change, this work resonates with a quiet melancholy that speaks to the alienation inherent in modern existence. Hopper’s ability to capture fleeting moments of human experience –…
Introduction to Edward Hopper and His Work Edward Hopper, a renowned American artist, is celebrated for his captivating oil paintings that often depicted modern life in the early 20th century. One of his most notable works is "House by the Railroad," which is currently housed at the Museum of Modern Art (New York, United States). This painting, created in 1925, showcases Hopper's unique style and ability to evoke a sense…
SlikaEdward Hopperova slika je melanholično ulje na platnu stvoreno 1939. godine. Trenutno je izložena u prestižnom Muzeju moderne umetnosti (MoMA) u Njujorku, Sjedinjene Države. Ovo remek-delo savršeno ilustruje Hopperovu jedinstvenu sposobnost da uhvati suštinu urbanog života, često se fokusirajući na teme izolacije i kontemplacije. Kompozicija i simbolikaSlika prikazuje ženu koja stoji sama ispred crvene zavese unutar pozorišta. Uronjena je u sopstveni svet, bilo da gleda nešto u ruci ili možda…
Edward Hopper's untitled (5560) is far more than a mere depiction of a roadside service station; it is a distilled essence of the American experience, a moment frozen in time that speaks volumes about human connection and the profound weight of isolation. Painted during the transformative years between 1942 and 1945, this monochrome masterpiece captures a scene familiar to the mid-century traveler—the late-night glow of artificial light illuminating a sparsely…
Early Sunday Morning: A Portrait of Quietude Edward Hopper’s “Early Sunday Morning,” painted in 1930, isn't merely a depiction of a New York City street; it’s an arresting distillation of the anxieties and aspirations inherent in the American psyche during the Depression era. Executed in oil paint on canvas, this iconic piece exemplifies Hopper’s signature style – American Scene Painting—characterized by stark realism combined with a palpable sense of solitude…
"Automat": Pogled u Američku Usamljenost i Svetlost Edward Hopperova "Automat" (1927) nije samo slika; ona je poetski zapis o usamljenosti, svetlosti i tišini koji prožima život 20. veka u Americi. Ova remek-dela američkog realizma poziva nas da zakoračimo u sumorno osvetljen prostor, gde se žena sedi sama za okruglim stolom u automatu – popularnom tipu restorana samoposluživanja koji je obeležio rane godine 20. veka. Svetlost koja nežno miluje njeno lice…
Nedelja: Utisci o Gradskoj Usamljenosti Edward Hopperova "Nedelja" nije samo slika; ona je trenutak zaleđen u vremenu, tihi dijalog između čoveka i grada. Nastala 1926. godine, ova kompozicija pripada pokretu Nove Realnosti, ali daleko prevazilazi pukotanje fotografske preciznosti. Ona nas poziva da se uronimo u atmosferu introspekcije i usamljenosti koja prožima urbanu scenu nedeljnog jutra. Pred nama se prostire scena: samotnija figura sedi na drvenoj klupi, ispred zatvorenih izloga, a…
Vremenski neprevaziđen prikaz američke samoće Edward Hopperovo delo „Gas“ (1940) predstavlja majstorsko istraživanje samoće i nostalgije, beležeći staromodnu benzinsku pumpu okupljenu mekom, prirodnom svetlošću. Ova upečatljiva slika poziva posmatrače u trenutak zamrznut u vremenu, gde je tišina ruralne Amerike gotovo opipljiva. Scena zrači osećajem introspekcije, čineći je neodoljivim dodatkom svakoj umetničkoj kolekciji ili unutrašnjem prostoru. Kompozicija i stil: Studija ravnoteže i kontrasta Hopperova kompozicija je pedantno uravnotežena, sa benzinskim pumpama…
„Chop Suey”, koje je Edvardo Hoper stvorio 1929. godine, je očaravajuće ulje na platnu koje poziva posmatrače u intimni, ali izolovani svet restorana iz 1920-ih. Ovo remek-delo predstavlja vrhunac Hoperovog prepoznatljivog stila, spajajući američki realizam sa suptilnim ekspresionističkim uticajima kako bi izazvao osećaj nostalgije i tihe introspekcije.
Kancelarija tokom noći1940
12
Лето1943
13
Сунце у кантини1958 · Yale University Art Gallery
14
Људи у сунцу1960
15
Јутар на Кејп Коду1950
16
Sobe za turista1945 · Yale University Art Gallery
17
nighthawks1942 · Art Institute of Chicago
18
Vagon sa kupeom C
19
Два Комедианта1965
20
Second Story Sunlight, , Whitney Museum of Ameri1960
21
New York Movie, MoMA, NY1939
22
Summer Evening1947
23
Hotel room1931
24
Excursion into Philosophy
25
The Cat Boat1922 · Smithsonian American Art Museum
26
Rooms By The Sea1951
27
Reclining Nude1927
28
Rooms by the Sea1951
29
House At Dusk1935
30
Apoteka1927 · Muzej finih umetnosti u Bostonu
31
Sun on Prospect Street (Gloucester, Massachusetts)1934
32
Woman in the Sun1961
33
Second Story Sunlight1960
34
Night Windows1928 · MoMA - Muzej moderne umetnosti
35
New York Office1962
36
Office in a Small City1953
37
City Roofs1932
38
Self-Portrait1930
39
Monhegan Houses, Maine
40
Four Lane Road
41
Woman at Cafe Table1907 · Whitney Museum of American Art
42
First Row Orchestra1951 · Hirshhorn Museum and Sculpture Garden
43
House by the Railroad
44
untitled (3714)
45
el palacio1946
46
the city1927
47
rooms by the sea
48
A Woman in the Sun, Whitney Museum of American1961
49
The Camel's Hump1931
50
the el station
51
Dawn in Pennsylvania1942
52
Corn Hill1930
53
tramp steamer1908
54
Self Portrait, , Whitney Museum of American1930
55
Rocks at the Fort Gloucester1924
56
Morning sun, Columbus Museum of Art, Columbus,1952
57
Study of a Seated Woman1899
58
Portrait Of Orleans
59
sun empty room
60
The Long Leg1930
61
Bridle Path1939
62
night windows
63
Hotel by a Railroad1952
64
Queensborough-Bridge1913
65
paris street
66
cape cod morning
67
sunday
68
Evening Wind
69
naslovljeno (7523)
70
People in the Sun1960
71
The lee shore, private1941
72
Rocks and Sea1919 · Whitney Museum of American Art
73
Self Portrait
74
Sheridan Theatre
75
Freight Car at Truro
76
Lighthouse at Two Lights1929
77
summer interior1909
78
cape cod evening
79
Pennsylvania Coal Town
80
rooms for tourists
81
Južnokarolinsko jutro
82
Intermission (small)
83
untitled (7096)
84
Eleven AM
85
New York Pavements,1924
86
Lighthouse and Building, Portland
87
Circle Theatre
88
Room in Brooklyn1932 · Muzej finih umetnosti u Bostonu
89
Interior (Model Reading)1925 · Art Institute of Chicago
90
Seven A.M.1948
91
The City1927
92
First Row Orchestra1951
93
House with big pine
94
Valley Of The Seine1908
95
Ryder's House1933
96
Intermission
97
Gas, Moma, NY1940
98
Cape Cod Morning1950
99
Room for tourists, Yale University Art Gallery,1945
100
Eleven A.M.1926
The four subjects that come back most often in these originals, each with its finest example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Edvard Hoper | Paintings from this list |
|---|---|---|---|
 MoMA - Muzej moderne umetnosti |
New York City | 4 | Kuća pored železnice, Њујоршки филм, untitled (5560) |
 Whitney Museum of American Art |
Njujork | 10 | Early sunday morning Whitney Museum of American, Woman at Cafe Table, Rocks and Sea |
 Art Institute of Chicago |
Čikago | 3 | Nighthawks, Ноћњаци, nighthawks, Interior (Model Reading) |
 Yale University Art Gallery |
Hartford | 3 | Сунце у кантини, Sobe za turista |
 Muzej finih umetnosti u Bostonu |
Boston | 3 | Apoteka, Room in Brooklyn |
 Hirshhorn Museum and Sculpture Garden |
Vašington, D.C. | 3 | First Row Orchestra |
 Smithsonian American Art Museum |
Vašington, D.C. | 2 | The Cat Boat |
 Des Moines Art Center |
Des Moines | 1 | Automat (small) |
Pick a decade to see the original that defines it.
Edward Hopper's "Study of a Seated Woman," rendered in 1899, isn’t merely a depiction of a figure; it’s a distilled essence of late 19th-century American introspection. This intimate drawing, measuring just 36 x 29 cm, offers a profound glimpse into the burgeoning sense of isolation and contemplation that would become hallmarks of Hopper's mature style. The work possesses an arresting simplicity – a woman seated in a chair, her hands…
Woman at Cafe Table: A Portrait of Urban Isolation Edward Hopper’s “Woman at Cafe Table,” painted in 1906-1907, stands as a quintessential emblem of New Realism and embodies the pervasive sense of solitude that characterized American life during the early 20th century. More than just a depiction of a café scene—though meticulously rendered—the artwork delves into profound psychological themes, capturing a moment suspended in time with remarkable precision and understated…
In the vast landscape of American modernism, few images capture the quiet tension of urban existence as poignantly as Edward Hopper’s Queensborough Bridge. Painted in 1913, this monumental oil on canvas serves as more than a mere architectural study; it is a profound meditation on the intersection of industrial progress and human isolation. As the eye travels across the expansive 152 x 88 cm frame, one is immediately struck by…
Introduction to Edward Hopper and His Work Edward Hopper, a renowned American artist, is celebrated for his captivating oil paintings that often depicted modern life in the early 20th century. One of his most notable works is "House by the Railroad," which is currently housed at the Museum of Modern Art (New York, United States). This painting, created in 1925, showcases Hopper's unique style and ability to evoke a sense…
SlikaEdward Hopperova slika je melanholično ulje na platnu stvoreno 1939. godine. Trenutno je izložena u prestižnom Muzeju moderne umetnosti (MoMA) u Njujorku, Sjedinjene Države. Ovo remek-delo savršeno ilustruje Hopperovu jedinstvenu sposobnost da uhvati suštinu urbanog života, često se fokusirajući na teme izolacije i kontemplacije. Kompozicija i simbolikaSlika prikazuje ženu koja stoji sama ispred crvene zavese unutar pozorišta. Uronjena je u sopstveni svet, bilo da gleda nešto u ruci ili možda…
Edward Hopper's Nighthawks (1942) stands as an enduring emblem of twentieth-century American art and a poignant meditation on the pervasive sense of isolation that characterizes modern urban life. Painted during World War II, amidst anxieties about national identity and societal change, the canvas transcends its immediate historical context to resonate with viewers across generations.
Hooperovo delo Sunlight in a Cafeteria (1958) predstavlja majstorski prikaz urbane samoće, izveden sa preciznošću i emocionalnom dubinom koja definišu njegov kultni stil. Ovo ulje na platnu, dimenzija 102 x 153 cm, koje se trenutno čuva u Umjetničkoj galeriji Univerziteta Jejl, prevazilazi običnu scenu kako bi postalo dirljiva meditacija o povezanosti i izolaciji u modernom svetu.
Srene momenat uhvaćen u vremenu Delo Edvarda Hopera, „Ljudi u suncu“, poziva posmatrače u mirnu scenu u kojoj pet osoba uživa u trenutku tihe odmore u pod nebeskim prostranstvom. Ovo remek-delo iz 1960. godine predstavlja vrhunac Hopperovog prepoznatljivog stila, spajajući američki realizam sa dubokim osećajem samoće i kontemplacije. Kompozicija i stil Slika odlikuje snažna horizontalna orijentacija, koja naglašava red sedećih figura naspram beskrajne pozadine pejzaža. Kompozicija je obeležena ritmičnim obrascima…
Nighthawks, Ноћњаци (1942), Art Institute of Chicago, Čikago. Automat (small) and Kuća pored železnice (1925) come next.
60 years old: Nighthawks, Ноћњаци dates from 1942, and Edvard Hoper was born in 1882.
Nighthawks, Ноћњаци, Automat (small), Kuća pored železnice, Њујоршки филм, untitled (5560), Early sunday morning Whitney Museum of American, Аутомат, Nedelja, Гас and Чоп Суи. The ranking above gives each one's year and museum.
Our catalog holds 366 works by Edvard Hoper, dated from 1899 to 1965.
Mostly in MoMA - Muzej moderne umetnosti (New York City), Whitney Museum of American Art (Njujork) and Art Institute of Chicago (Čikago). The museum table above lists them all.
In 1920s: 15 of the 100 works on this page were made then, Kuća pored železnice among them.
On this page, the earliest is Study of a Seated Woman (1899) and the latest Два Комедианта (1965).
Solitude (46), Isolation (35) and Urban landscape (25), across the 100 works on this page.
Oil On Canvas, for 35 of the 100 works on this page.
Savremeni realizam and American realism, judging by the originals on this page.
Kuća pored železnice, Њујоршки филм and untitled (5560): the MoMA - Muzej moderne umetnosti, New York City holds 4 of the works on this page.
Edvard Hoper je rođen u Njaku, Sjedinjene Američke Države. Svoje rane godine proveo je posmatrajući svet istodobnim i nepokolebljivim pogledom, navikom koja je počela još u detinjstvu kroz pedantno datirane i potpisane skice. Iako su njegovi roditelji sugerisali praktičniji put kroz komercijalnu ilustraciju, njegova pažnja ostala je usmerena ka visokoj umetnosti. Studirao je u Školi umetnosti u Njujorku kod Vilijama Merita Čejsa i Roberta Henrija. Te godine naučile su ga tehničkoj veštini neophodnoj za prikazivanje sveta onakvim kakav jeste – neukrasnim i iskrenim. Nije tragao za prolaznim potezima impresionista koje je sretao u Parizu; umesto toga, razvio je način gledanja koji je favorizovao mir i nepomičnost trenutka nasuprot pokretu gomile.
Njegov rad se često fokusira na svakodnevno, na ono što je obično. Posmatrao je kuće, restorane, kancelarije i hotelske sobe, skidajući suvišne detalje kako bi otkrio duboku emocionalnu istinu scene. U delu Kuća pored železnice (1925), jednostavna kompozicija otkriva osećaj misterije i izolacije. Svetlost i senka za njega nisu bile samo sredstva za opisivanje prostora, već način za stvaranje atmosfere. Precizno prikazivanje senke na zidu ili način na koji svetlost pada na prozor postalo je njegov način komuniciranja psihološkog stanja svojih subjekata.
Način na koji svetlost ulazi u prostor predstavlja centralnog lika u njegovim slikama. U delu Nighthawks (1942), oštra fluorescentna svetlost restorana kasno u noć seče kroz tamu napuštene urbane ulice. Figure unutra su fizički blizu, ali deluju izgubljeno u sopstvenim mislima, potpuno odvojene jedna od druge. Taj osećaj anonimnosti u prepunom gradu postao je njegova stalna tema. Hoper je uspešno uhvatio napetost boravka samog u javnom prostoru, osećaj koji odjekuje u delima kao što su Automat i Kancelarija u malom gradu. Bio je fasciniran načinom na koji veštačka svetlost komunicira sa prirodnom tamom noći.
Njegova supruga, Džozefin Nivison Hoper, bila je njegova stalna prisutna figura. Bila je umetnica i često mu je služila kao model, a njeno prisustvo se oseća u karakterizaciji mnogih njegovih ženskih figura. Zajedno su živeli skromnim životom, često provodeći leta u Novoj Engleskoj, što je snažno uticalo na pejzaže koje je slikao. Njegovi prikazi američkog pejzaža, bilo da su ruralni ili urbani, često naglašavaju određenu surovost ili prazninu. Bilo da je reč o benzinskoj pumpi pored puta u delu Gas (1940) ili tihoj sobi u hotelu, subjekat je uvek presek fizičkog mesta i privatnog, unutrašnjeg iskustva.
Hoperov uticaj proteže se u vizuelni jezik filma i književnosti. Njegova sposobnost da kroz kompoziciju stvori osećaj psihološke napetosti primećena je kod mnogih koji proučavaju način na koji se priče prenose putem slika. Njegova dela se nalaze u vodećim svetskim muzejima, u kolekcijama kao što su Muzej američke umetnosti Whitney i Muzej lepih umetnosti u Bostonu. On nije težio velikim istorijskim narativima; svoju temu je pronalazio u tišim uglovima svakodnevnog života, pretvarajući običan prozor ili prolaznog stranca u studiju ljudskog stanja. Njegov rad ostaje studija tišine koja postoji između ljudi.
