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Od svih originala koje je Ховерт Флинк ostavio, najpoznatiji je Анђели Оглашавају Рођење Христа Пастирима. Odmah za njima slede Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company (1654) i Korsfæstelsen (1649). Naš katalog sadrži 114 dela umetnika Ховерт Флинк; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
U srcu holandske umetnosti, upečatljiva slika Goverta Teuniza Flinka iz 1639. godine, "Anđelska Objava O Rodolodu Krista" predstavlja ne samo istorijski trenutak, već i snažan prikaz vere, čuda i božanskog uticaja. Ova monumentalna radnja, oslikana u bogatim nijansama barokne umetnosti, privlači pažnju svojim dramatičnim kompozicijama i dubokim simbolizmom.
Gerard Pietersz Hulft is presented within an oval frame, a formal arrangement that functions as a trompe l'oeil vanitas. The composition centers on his bust-length portrait, surrounded by a meticulous collection of symbolic objects. These items—a globe, leather-bound books, and scientific instruments—denote his status as a high-ranking official of the Dutch East India Company. The lighting is dramatic, utilizing chiaroscuro to illuminate the subject's face and the immediate foreground, while…
The composition is defined by a stark, vertical tension. Three figures occupy the right side of the canvas, their forms silhouetted against a turbulent, dark sky. The central figure of Christ is the primary source of light, his body illuminated to create a sharp contrast against the surrounding gloom. To his sides, the two thieves remain partially lost to the shadows, their presence felt through the heavy chiaroscuro that defines…
A single light source strikes from the upper left, carving the young man’s features out of a deep, atmospheric darkness. He is caught in a moment of quietude, his gaze steady and slightly melancholic. A heavy red mantle drapes over his shoulder, its weight felt in the thick, painterly folds of the fabric. Beneath it, a teal doublet catches the light, revealing gold embroidery that glints against the muted tones…
Introduction The painting 'Officers and Other Civic Guardsmen of District XVIII in Amsterdam, under the Command of Captain Albert Dircksz Bas and Lieutenant Lucas Pietersz Conijn' is a masterpiece by Govert Teunisz Flinck, a renowned Dutch painter of the 17th century. This painting is an excellent example of the artist's skill in portraying civic guardsmen and their commanders with great detail and accuracy. Description The painting depicts Captain Albert Dircksz…
The heavy silence of the scene unfolds in 1637, as Govert Flinck captures the profound sorrow of the Lamentation of Christ. This oil on canvas presents a moment of deep mourning, where the weight of loss hangs in the air. The figures gather around the pale, lifeless body of Jesus, their grief palpable in the stillness of the composition. Every shadow seems to hold a piece of the tragedy, drawing…
In this 1639 oil on canvas, we encounter a young man caught in a moment of quiet, direct engagement. The subject is positioned slightly off-center, his gaze meeting ours with a calm, steady presence that suggests a person of substance and composure. There is a certain weight to his presence, achieved through the masterful application of chiaroscuro. Light enters from the upper left, carving the contours of his face and…
The air feels heavy with the stillness of a 1646 afternoon. In this double portrait, Dirck Graswinckel and Geertruyt van Loon exist in a suspended moment of connection, their presence anchored against a sprawling, organic landscape. The man stands to the left, his body turned slightly toward the viewer, while his hand reaches out to hold the hand of the seated woman on the right. There is a profound sense…
We are looking at Old man leaning on a balustrade, a portrait painted by Govert Teunisz Flinck in 1651. This oil on canvas work captures a quiet moment of introspection, focusing on the character of an elderly subject. It is a significant example of the artist's ability to handle the human form with a sense of weight and presence.
This work, titled Portrait of a Bearded Man, formerly called John the Baptist, was painted by Govert Flinck. It is a tronie, a genre of painting focused on the study of a face or a specific expression rather than a formal portrait of a known individual. The subject is presented as a dashing character dressed in romantic costume, characterized by a brilliantly brushed beard that draws the eye.
Portrait of a Man1654 · Minneapolis Institute of Art
12
Isaac blessing Jacob1635 · Museum Catharijneconvent
13
A Regent of Amsterdam.1630 · Nacionalni muzej u Varšavi
14
Susanna and the Elders1627 · Gemäldegalerie
15
Bust of a young woman, formerly known as Rembrandt's sister1634 · Indianapolis Museum of Art
16
Portrait of Saskia1633 · Fries Museum
17
Young Man with a Wide-brimmed Hat and Flat Collar1632
18
Bust of an old man with a beard and medal1632
19
Head of an old man with a beard and a cap1632
20
Bust of an old man with a beard and gold chain1632
21
Saskia with a plumed veil1635 · Foundation E.G. Bührle Collection
22
Portrait of an old man in a red hat1630 · Royal Łazienki Museum
23
Portrait of a Man with a Black Hat and Ruff (Pieter Reael)1643
24
Portrait of a Gentleman1640 · Staatliche Kunsthalle Karlsruhe
25
Head of an Old Man1642 · National Gallery of Ireland
26
Old Man at a Casement1646
27
Portrait of Jan Huydecoper (1600-1661)1643
28
Portrait of Jan van Hellemont (1616-1665)1646 · North Carolina Museum of Art
29
Portrait of a young man1637 · Dvorac Wavel
30
Portrait of Rembrandt1640
31
Portrait of a Woman1646 · Cleveland Museum of Art
32
A Child holding a Dog1641 · Upton House
33
Portrait of an unknown old man1643 · Staatliche Kunstsammlungen Dresden
34
Portrait of Dorothea Berck1647
35
Portrait of Joseph Coymans1647
36
Portrait of an Old Man1637 · Bavarske državne slikopisne kolekcije
37
Portrait of an old man with hourglass1637 · Bavarske državne slikopisne kolekcije
38
A young girl as shepherdess1641
39
A Girl as Flora - c. 16401640 · Musée d'Arts de Nantes
40
Young Shepherdess as Flora1638
41
Portrait of Sara van Baerle1636 · Henry E. Huntington Library
42
A Lady and her Child as Venus and Cupid1648 · Statens Museum For Kunst
43
Company of captain Joan Huydecoper and luitenant Frans van Waveren1648 · Amsterdam Museum
44
Portrait of Joan Huydecoper (1599-1661)1648 · Amsterdam Museum
45
Portrait of Pieter Reael1643 · Amsterdam Museum
46
Mercury, Argus and Io1640 · Rijksmuseum
47
A Shepherdess1636 · Herzog Anton Ulrich Museum
48
The angel leaves Manoah and his wife (Judges 13:20)1640 · Agnes Etherington Art Center
49
Portrait of a Man in Profile1637
50
Portrait of a Man with a Hat1641
51
Self-Portrait1643
52
Tobias and the angel finding the fish1640
53
Portrait of a gentleman with red cap1640
54
portrait of a lady and a boy1640
55
Portrait of Dirck Jacobsz Leeuw1636
56
The Rest on the Flight from Egypt1637 · Gemäldegalerie
57
The banishment of Hagar and Ishmael (Genesis 21:14)1642 · Gemäldegalerie
58
Portrait of a Young lady1641 · Gemäldegalerie
59
Sacrifice of Isaac1640
60
Portrait of a couple1646 · Staatliche Kunsthalle Karlsruhe
61
Johan de Mauregenault (possibly)1654 · Amsterdam Museum
62
Calvary1649
63
Bathsheba's Appeal to David1651 · National Gallery of Ireland
64
Penitent Mary Magdalene1657
65
Portrait of a woman wearing a hat with feathers1650 · Nacionalni muzej lepih umetnosti
66
Portrait of a Woman, Govert Flinck, 16591659 · Museum of Fine Arts Ghent (MSK)
67
Joseph´s bloody coat1655 · Finnish National Gallery
68
Portrait of a man surrounded by books1654 · Eva Klabin House Museum
69
Portrait of an unknown man1654 · Museum Mayer van den Bergh
70
Solomon prays for wisdom (1 Kings 3)1658 · Royal Palace Amsterdam
71
Portrait of Margaretha Tulp (1634-1709)1656 · Collection Six
72
King David writing the psalms1659 · Rafael Valls Limited
73
Bust of an Old Man with Two Gold Chains1700 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
74
Portrait of a 44-year-old man1637 · Mauritshuis
75
Old man with a red cap1639 · Staatliche Kunstsammlungen Dresden
76
Portrait of a man1635 · Mauritshuis
77
Self-portrait1640 · Kelvingrove Art Gallery and Museum
78
A Young Man in a Feathered Beret1636 · Taft Museum of Art
79
Elegant Shepherdess Listening to a Shepherd Playing the Recorder in an Arcadian Landscape1654 · The Leiden Collection
80
Portrait of a Woman (Saskia van Uylenburgh?) (detail).1633 · Nacionalni muzej u Varšavi
81
Landscape with a Coach1637 · Wallace Collection
82
Portrait of an unknown woman1640 · Kraljevski muzeji fine umetnosti Belgije
83
Joost van den Vondel (1587-1679), Poet, Govert Flinck, 16531653
84
Saint PaulBavarske državne slikopisne kolekcije
85
Portrait of a Lady
86
Portrait of a young man in a beretNacionalni muzej u Varšavi
87
Judgement of ParisNacionalni muzej u Varšavi
88
Isaac Blessing Jacob_2
89
Portrait Of Margaretha TulpGemäldegalerie Alte Meister im Schloss Wilhelmshöhe
90
Portrait of a Man, probably Augustijn Wtenbogaert (1577-1655), Govert Flinck, c. 16431643 · Rijksmuseum
91
Landscape
92
Hope Comes To Amalia Van Solms At The Tomb Of Frederik HendrikRijksmuseum
93
Portrait Of A WomanErmitaž
94
Rembrandt As Shepherd With Staff And Flute
95
Bearded Man With A Velvet CapMetropoliten музеј у Њујорку
96
Four Governors Of The Arquebusiers Civic Guard, AmsterdamRijksmuseum
97
A Young Woman As A ShepherdessMetropoliten музеј у Њујорку
98
Portrait Of RembrandtGemäldegalerie
99
The Company Of Captain Albert Bas And Lieutenant Lucas Conijn
100
The Company of Captain Albert Bas and Lieutenant Lucas Conijn (detail)
#1 Анђели Оглашавају Рођење Христа Пастирима
#2 Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company
#3 Korsfæstelsen
#5 Officers and Other Civic Guardsmen of District XVIII in Amsterdam, under the Command of Captain Albert Dircksz Bas and Lieutenant Lucas Pietersz Conijn, Govert Flinck, 1645
#8 Portrait of Dirck Graswinckel and Geertruyt van Loon
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Ховерт Флинк | Slike iz ovog spiska |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 8 | Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company, Portrait of a man, known as Gozen Centen (1611/12-77), Mercury, Argus and Io |
 Amsterdam Museum |
Amsterdam | 5 | Officers and Other Civic Guardsmen of District XVIII in Amsterdam, under the Command of Captain Albert Dircksz Bas and Lieutenant Lucas Pietersz Conijn, Govert Flinck, 1645, Company of captain Joan Huydecoper and luitenant Frans van Waveren, Portrait of Joan Huydecoper (1599-1661) |
 Gemäldegalerie |
Berlin | 5 | Susanna and the Elders, The Rest on the Flight from Egypt, The banishment of Hagar and Ishmael (Genesis 21:14) |
 Nacionalni muzej u Varšavi |
Varšava | 4 | A Regent of Amsterdam., Portrait of a Woman (Saskia van Uylenburgh?) (detail)., Portrait of a young man in a beret |
 Bavarske državne slikopisne kolekcije |
Minhen | 3 | Portrait of an Old Man, Portrait of an old man with hourglass, Saint Paul |
 Mauritshuis |
Хага | 3 | Portrait of a 44-year-old man, Portrait of a man |
 Statens Museum For Kunst |
Kopenhagen | 2 | Korsfæstelsen, A Lady and her Child as Venus and Cupid |
 Ermitaž |
Sankt Peterburg | 2 | Portrait of a Young Man, Portrait Of A Woman |
Izaberite deceniju da biste videli original koji je definiše.
Susanna and the Elders is an oil painting by Govert Flinck, executed about 1627. The work originates from the Dutch Golden Age, a period during which Flinck emerged as a significant figure in the Amsterdam art scene. Having trained in the studio of Rembrandt, Flinck developed a technical approach that balanced the dramatic lighting of his mentor with a more refined, elegant sensibility.
A single light source strikes from the upper left, carving the young man’s features out of a deep, atmospheric darkness. He is caught in a moment of quietude, his gaze steady and slightly melancholic. A heavy red mantle drapes over his shoulder, its weight felt in the thick, painterly folds of the fabric. Beneath it, a teal doublet catches the light, revealing gold embroidery that glints against the muted tones…
The composition is defined by a stark, vertical tension. Three figures occupy the right side of the canvas, their forms silhouetted against a turbulent, dark sky. The central figure of Christ is the primary source of light, his body illuminated to create a sharp contrast against the surrounding gloom. To his sides, the two thieves remain partially lost to the shadows, their presence felt through the heavy chiaroscuro that defines…
Gerard Pietersz Hulft is presented within an oval frame, a formal arrangement that functions as a trompe l'oeil vanitas. The composition centers on his bust-length portrait, surrounded by a meticulous collection of symbolic objects. These items—a globe, leather-bound books, and scientific instruments—denote his status as a high-ranking official of the Dutch East India Company. The lighting is dramatic, utilizing chiaroscuro to illuminate the subject's face and the immediate foreground, while…
Анђели Оглашавају Рођење Христа Пастирима. Slede Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company (1654) i Korsfæstelsen (1649).
Анђели Оглашавају Рођење Христа Пастирима, Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company, Korsfæstelsen, Portrait of a Young Man, Officers and Other Civic Guardsmen of District XVIII in Amsterdam, under the Command of Captain Albert Dircksz Bas and Lieutenant Lucas Pietersz Conijn, Govert Flinck, 1645, The Lamentation, Portrait of a man, known as Gozen Centen (1611/12-77), Portrait of Dirck Graswinckel and Geertruyt van Loon, Old man leaning on a balustrade i Portrait of a Bearded Man, formerly called John the Baptist. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 114 dela umetnika Ховерт Флинк, datiranih od 1627 do 1659.
Većinom u Rijksmuseum (Amsterdam), Amsterdam Museum (Amsterdam) i Gemäldegalerie (Berlin). Tabela muzeja iznad sadrži njih sve.
U 1640s: 36 od 100 dela na ovoj stranici nastalo je tada, od čega je Korsfæstelsen.
Na ovoj stranici, najstarije delo je iz Susanna and the Elders (1627), a najnovije iz Portrait of a Woman, Govert Flinck, 1659 (1659).
Man (53), Woman (26) i Dark background (18), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 46 od 100 dela na ovoj stranici.
Dutch golden age i Baroque, sudeći po originalima na ovoj stranici.
Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company, Portrait of a man, known as Gozen Centen (1611/12-77) i Mercury, Argus and Io: Rijksmuseum, Amsterdam čuva 6 dela sa ove stranice.
Govert Teunisz Flinck, ime koje odjekuje zlatnim dobom holandskog slikarstva, bio je mnogo više od običnog portretiste; bio je spona između Rembrandovog revolucionarnog stila i bujnog umetničkog pejzaža Amsterdama 17. veka. Rođen u Kleveu u Nemačkoj 1615. godine – gradu prožetom i nemačkim i holandskim uticajima – Flincov rani život nagoveštavao je put koji je bio daleko od sveta umetnosti. Njegov otac, uspešni trgovac tkaninama, zamišljao je budućnost svog sina u toj profesiji, ali su sudbina i neočekivana uputstva Lamberta Jacobsz-a intervenisali. Jacobsz, istaknuti menonitski propovednik i slikar, prepoznao je urođeni umetnički talenat mladića. Ovaj presudni susret usmerio je Flinca ka Ljuverdalu, gde je počeo formalno obučavanje pod mentorstvom Jacobsz-a, postavljajući temelje za karijeru koja će na kraju zaseniti njegove prvobitne ambicije.
Preseljenje u Amsterdam 1633. godine označilo je prekretnicu. Tamo je Flinck ušao u Rembrandov studio, što je odnosi koji su duboko oblikovali njegov umetnički razvoj. Rembrandov uticaj je neosporno prisutan u celokupnom Flincovom delu – naročito u njegovim ranim radovima – što se ogleda u dramatičnom osvetljenju, nijansiranim izrazima lica i majstorskom manipulisanju kjaroskurom. Međutim, za razliku od Rembranda, koji je često prihvatao teatralnost, Flinck je postepeno razvio rafiniraniji i elegantniji stil, ugrađujući elemente Rubensijskog dinamizma i pojačani osećaj realizma. Ova evolucija je izrazito vidljiva u delima poput „Isaka koji blagosilja Jakova“ (1638), gde ravnoteža kompozicije i emocionalna dubina figura pokazuju jasan odmak od direktnog Rembrandovog uticaja.
Flinck se brzo pozicionirao kao jedan od najtraženijih portretista u Amsterdamu, usluživši klijentelu koja je uključivala bogate trgovce, gradske zvaničnica i istaknute članove menonitske zajednice. Njegovi portreti nisu bili samo prikazi sličnosti; oni su bili pažljivo konstruisane naracije, prožete društvenom komentarom i odrazom statusa i ambicija njegovih subjekata. „Portret muškarca, verovatno Augustijna Wtenbogaerta (1577–1655)“ oličuje ovaj pristup, prikazujući starijeg modela izrenderovanog sa izuzetnom osetljivošću, hvatajući ne samo njegov fizički izgled, već i težinu iskustva urezanu u njegovo lice. Upotreba bogatih tkanina, zamršeni detalji u pozadini i suptilni gestovi doprinose portretu koji prevazilazi običnu sličnost, nudeći uvid u život i karakter subjekta.
Njegovi porudžbine za građanske stražare – kao što se vidi u delu „Oficiri i drugi građanski stražari 18. distrikta u Amsterdamu...“ – dodatno su učvrstili njegovu reputaciju. Ova dela nisu samo prikazi vojnog osoblja; ona su živopisne proslava građanskog ponosa, pedantno izvedena sa pažnjom na detalje i oštrim svesnošću o društvenoj dinamici koja je bila prisutna. Rembrandov uticaj je ovde opipljiv, posebno u dinamičnoj kompoziciji i upotrebi svetlosti i senke kako bi se stvorio osećaj pokreta i drame. Slika ne beleži samo izgled stražara, već i njihovu ulogu čuvara prosperiteta i stabilnosti Amsterdama.
Iako je bio poznat po svojim portretima, Flincov umetnički raspon protezao se daleko izvan okvira formalnih prikaza. Stvorio je seriju upečatljivih žanrovskih scena – intimnih prikaza svakodnevnog života – koje su nudile prozor u domaću sferu Amsterdama 17. veka. Ova dela karakteriše realizam i sposobnost da uhvate nijanse ljudske interakcije, otkrivajući i radosti i izazove svakodnevnog postojanja. Njegova religiozna slika, poput „Anđela koji anonsiraju rođenje Hrista pastirima“, pokazuju majstorsko vladanje kompozicijom, bojom i simbolikom, stvarajući scene koje su istovremeno vizuelno zadivljujuće i emocionalno snažne.
Flincova karijera trajala je skoro četiri decenije, tokom kojih je stvorio impresivan korpus dela koji i danas očarava posetioce. Njegov umetnički razvoj – od ranog učenja pod Rembrandom do usavršavanja sopstvenog prepoznatljivog stila – odražava dinamičnu umetničku klimu holandskog Zlatnog doba. Ostavio je trajno nasleđe kao jedan od najuspešnijih portretista i žanrovskih slikara svog vremena, utičući na generacije umetnika koji su krenuli njegovim stazama. Njegova dela se danas čuvaju u prestižnim kolekcijama širom sveta, uključujući Rijksmuseum u Amsterdamu, što je svedočanstvo njegovog trajnog doprinosa istoriji umetnosti.
