Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 232 dzieł Charles Le Brun w naszym katalogu
W skrócie
Spośród wszystkich dzieł oryginalnych, które pozostawił Charles Le Brun, najsłynniejszym jest Apotheosis of Louis XIV (1600), znajdujący się w kolekcji Szépművészeti Múzeum w Budapeszt. Tuż za nimi znajdują się Louis XIV, King of France oraz Louis XIV Visiting the Gobelins Factory (1673). Nasz katalog zawiera 232 dzieł autorstwa Charles Le Brun; galeria zachowała 100 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.
Apotheosis of Louis XIV: A Triumph of Baroque Grandeur The painting “Apotheosis of Louis XIV,” executed by Charles Le Brun in 1677, stands as an unparalleled testament to the artistic fervor and opulent ambition of the French Baroque period. Measuring 109.5 x 78.3 cm, this monumental oil on canvas transcends mere depiction; it aspires to elevate Louis XIV—the Sun King—to divine status, embodying the very essence of royal authority and…
The artwork depicts Louis XIV, King of France, positioned as the central figure within a composition. He is shown in regal attire, standing amidst a group of people whose identities are obscured by the artist's choice to leave them faceless. The background features a serene landscape, characterized by a meandering river and mountains rising in the distance under a sky filled with clouds. The scene is rendered in pastel on…
Louis XIV Visiting the Gobelins Factory is an artwork by Charles Le Brun. This monumental depiction of the King of France captures a royal visit to the prestigious art institution. The scene focuses on Louis XIV at the Gobelins factory, a moment where the monarch moves through the space of production. It is a study of court life caught in a single, heavy breath.
Charles Le Brun’s “Expressions of the Passions of the Soul,” created around 1670, stands as a testament to Baroque artistry and psychological depth. More than just a depiction of a man's face, it’s an embodiment of raw emotion—a visceral portrayal of rage captured with meticulous detail and masterful chiaroscuro techniques.
Charles Le Brun’s “The Repentant Magdalen,” painted in 1655, is more than just a portrait; it's a profound meditation on human fallibility, spiritual yearning, and the arduous path to redemption. Housed within the hallowed halls of the Louvre Museum in Paris, this oil-on-canvas masterpiece immediately draws the viewer into a world of intense emotion and carefully constructed symbolism. Le Brun, a pivotal figure in 17th-century French art, masterfully employs his…
In the hallowed stillness of the Musée du Louvre, there exists a canvas that does more than merely depict a biblical event; it captures the very essence of human grief. Charles Le Brun’s Pietà, painted in 1643, is a monumental achievement of the Baroque era, serving as a profound meditation on sorrow, faith, and the weight of mortality. Originally commissioned for the Sainte-Chapelle in Paris—a sanctuary dedicated to the relics…
Charles Le Brun’s “Hercules (detail)” is not merely a depiction of a mythological hero; it's an immersive experience, a vibrant tableau vivant that transports the viewer to the heart of 17th-century French courtly life. Painted in 1658, this exquisite work embodies the height of Baroque artistry – a potent blend of classical ideals, dramatic dynamism, and opulent detail. It’s a testament to Le Brun's mastery as both a painter and…
Charles Le Brun’s “Apotheose of Louis XIV,” painted in 1677, isn't merely a portrait; it’s a meticulously crafted declaration of royal authority, a visual embodiment of the Sun King’s absolute power. Commissioned during a pivotal moment in French history – following the scandalous arrest of his predecessor, Nicolas Fouquet – this monumental work served as both a celebration of Louis XIV and a strategic assertion of the monarchy's legitimacy. Le…
Charles Le Brun’s “Martyrdom of St. John the Evangelist at Porta Latina,” painted in 1641, isn’t merely a historical depiction; it’s a visceral plunge into suffering and faith. This monumental canvas, currently residing within the serene walls of the Saint-Nicolas du Chardonnet in Paris, pulsates with an intensity rarely found in Baroque art. Measuring a commanding 282 x 224 centimeters, the painting immediately overwhelms the viewer with its scale and…
The canvas erupts from a heavy, shadowed base into a vertical ascent of white and gold. Christ rises, his body an athletic silhouette cutting through the darkness of the tomb. He moves upward, driven by a divine momentum that pulls the eye toward the heavens. Around him, the air seems to churn with the weight of billowing drapery and swirling clouds. The light does not merely illuminate; it emanates from…
The Repentant Magdalen (detail)1655 · Luwr
12
The Triumph of Faith1658 · Zamek Vaux-le-Vicomte
13
Portrait of the Sculptor Nicolas Le Brun1635 · Residenzgalerie
14
Louis XIV Visiting the Gobelins FactoryLuwr
15
Daedalus and Icarus1645 · Ermitaż
16
Hercules Liberates Hesione1653 · Staatliche Kunsthalle Karlsruhe
17
The Holy Family in Egypt1660 · Minneapolis Institute of Art
18
Louis XIV. presenting his sceptre and helmet to Jesus Christ1674 · Musée des Beaux-Arts de Lyon
19
Christ on the cross surrounded by angels1600 · Groeningemuseum
20
The Presentation of Christ in the Temple1645 · Detroit Institute of Arts
21
The Road to Calvary1600 · Museum of Fine Arts
22
The Death of Cato of Utica1646
23
Hercules Vanquishing Diomedes1640 · Nottingham Castle Museum And Art Gallery
24
The Crucifixion of Saint Andrew1647
25
Allegorical Female Figure with Two Putti1640
26
Bust of an Elderly Woman1654 · Bawarskie Państwowe Zbiory Malarstwa
27
Allegory of Strength1654 · Bawarskie Państwowe Zbiory Malarstwa
28
Genius Holding a Shield1654 · Bawarskie Państwowe Zbiory Malarstwa
29
Genius Holding a Shield1654 · Bawarskie Państwowe Zbiory Malarstwa
30
Christ in the Desert Served by Angels1653
31
The Descent of the Holy Spirit1656
32
The Striking of the Rock1650
33
The Crucifix with Angels1650
34
Door of the Unicorn1659
35
The Tomb of Seneca1650
36
Saint John the Evangelist at Patmos1656 · Grand Trianon
37
The Fall of the Rebel Angels1650 · Opera w Wersalu
38
Presumed Portrait of the Artist Presenting That of a Military Officer1650 · Opera w Wersalu
39
The Fall of the Rebel Angels1650 · Opera w Wersalu
40
Christ in the Garden of Olives1659
41
Portrait of Louis XIV1650 · la Cour D'or
42
The Brazen Serpent1649
43
Venus Clipping Cupid’s Wings1655 · Museo de Arte de Ponce
44
Judgement of Paris1650 · Narodowe Muzeum Sztuk Pięknych na Kubie
45
La Lapidation de saint Étienne by Charles Le Brun1651
46
Hercules Slaying the Centaurs1660 · Narodowa Galeria Kanady
47
Apotheosis of Luis XIV.1660 · Słowacka Galeria Narodowa w Bratysławie
48
Mary Magdalene1654 · Bawarskie Państwowe Zbiory Malarstwa
49
John at Patmos1654 · Bawarskie Państwowe Zbiory Malarstwa
50
Portrait of the painter Louis Testelin1650
51
The Martyrdom of St. Andrew1646 · Muzeum J. Paula Getty'ego
52
Portrait of Nicolas Fouquet (1615-1680)1650
53
Saint Jean l'évangéliste à Patmos1658 · Musée Fabre
54
Mars and Venus1650
55
Water or The Triumph of Neptune and Amphitrite1662
56
Figures and Decorative Motifs1665
57
Air1664
58
Figures and Decorative Motifs1671
59
Autumn1662
60
Mars and Venus1674
61
The Battle of Arbelles1673
62
Battle of the Granicus1673
63
Night or Diane1662
64
Evening1662
65
The Massacre of the Innocents1665 · Galeria Dulwich
66
Assumption of the Virgin1670 · Muzeum Pałacu Króla Jana III w Wilanowie
67
The Gardener Children: Winter1675
68
Funerary Effigy of Henriette Sélincart1680 · Musée des Beaux-Arts
69
The King governs by himself, 16611681 · Zamek Wersalski
70
Order restored in the Kingdom's finances1681 · Zamek Wersalski
71
capture the citadel1681 · Zamek Wersalski
72
Descent from the Cross1679 · Musée des Beaux-Arts
73
The Adoration of the Shepherds1689
74
Christ carrying His cross1688
75
Musée Ingres-Bourdelle - Allégorie à la gloire de Louis XIV - Charles Le Brun1690 · Musée Ingres Bourdelle
76
Landscape1784 · Statens Museum for Kunst
77
Tapestry - “Fire” or “The Forges of Vulcan”1600 · Medeiros e Almeida Museum
78
La repas de Chimon
79
Alexander and Porus1665 · Luwr
80
Portrait of Turenne1665 · Zamek Wersalski
81
The Conquest of Franche-Comté1674 · Zamek Wersalski
82
Allegory: Sculpture Working on the King's BustLuwr
83
Chancellor Séguier at the Entry of Louis XIV into Paris in 1660
84
Portrait of Senator Ya.F. DolgorukyErmitaż
85
The Family of Darius before Alexander1660 · Zamek Wersalski
86
The Resolution of Louis XIV to Make War on the Dutch Republic1671 · Musée des Beaux-Arts
87
Louis XIV 1
88
The Descent from the CrossShipley Art Gallery
89
The Holy FamilyFitzwilliam Museum
90
Le passage du Rhin
91
Le baptême de saint Eustache
92
Trois hommes à genoux
93
Christ en Croix
94
Alexandre et Porus ou La Défaite de Porus
95
Un fleuve; une tête de femme
96
Soldat casqué, à mi-corps
97
Fragment de bataille
98
Homme drapé prosterné. Jeune homme à mi-corps, les bras en avant
99
Neptune et Amphitrite ou Le Réveil des eaux
100
Equestrian Portrait of Louis XIV of France
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
8 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Charles Le Brun | Obrazy z tej listy |
|---|---|---|---|
 Luwr |
Paryż | 12 | Louis XIV, King of France, Expressions of the Passions of the Soul, The Repentant Magdalen |
 Zamek Wersalski |
Wersal | 7 | Louis XIV Visiting the Gobelins Factory, The King governs by himself, 1661, Order restored in the Kingdom's finances |
 Bawarskie Państwowe Zbiory Malarstwa |
Monachium | 6 | Bust of an Elderly Woman, Allegory of Strength, Genius Holding a Shield |
 Opera w Wersalu |
Wersal | 3 | The Fall of the Rebel Angels, Presumed Portrait of the Artist Presenting That of a Military Officer, The Fall of the Rebel Angels |
 Szépművészeti Múzeum |
Budapeszt | 2 | Apotheosis of Louis XIV, Apotheose of Louis XIV |
 Zamek Vaux-le-Vicomte |
Vaux-le-Vicomte | 2 | Hercules (detail), The Triumph of Faith |
 Musée des Beaux-Arts de Lyon |
Lyon | 2 | The Resurrection of Jesus Christ, Louis XIV. presenting his sceptre and helmet to Jesus Christ |
 Ermitaż |
Sankt Petersburg | 2 | Daedalus and Icarus, Portrait of Senator Ya.F. Dolgoruky |
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The artwork is the Portrait of the Sculptor Nicolas Le Brun, a painting executed by the artist Charles Le Brun. This portrait depicts Nicolas Le Brun, a French sculptor who was the father of the painter Charles Le Brun. The subject is a man presented in a half-length composition.
In the hallowed stillness of the Musée du Louvre, there exists a canvas that does more than merely depict a biblical event; it captures the very essence of human grief. Charles Le Brun’s Pietà, painted in 1643, is a monumental achievement of the Baroque era, serving as a profound meditation on sorrow, faith, and the weight of mortality. Originally commissioned for the Sainte-Chapelle in Paris—a sanctuary dedicated to the relics…
Charles Le Brun’s “The Repentant Magdalen,” painted in 1655, is more than just a portrait; it's a profound meditation on human fallibility, spiritual yearning, and the arduous path to redemption. Housed within the hallowed halls of the Louvre Museum in Paris, this oil-on-canvas masterpiece immediately draws the viewer into a world of intense emotion and carefully constructed symbolism. Le Brun, a pivotal figure in 17th-century French art, masterfully employs his…
The air feels heavy with a sacred stillness as the Holy Family rests within a landscape of weathered stone and ancient greenery. Mary sits in profile, her hands clasped in a gesture of quiet prayer that seems to anchor the entire composition. Beside her, the Christ Child and Joseph exist in a state of profound peace, their presence a soft weight against the backdrop of the world. The light descends…
Louis XIV Visiting the Gobelins Factory is an artwork by Charles Le Brun. This monumental depiction of the King of France captures a royal visit to the prestigious art institution. The scene focuses on Louis XIV at the Gobelins factory, a moment where the monarch moves through the space of production. It is a study of court life caught in a single, heavy breath.
The Funerary Effigy of Henriette Sélincart presents a close-up oval portrait of a woman, rendered in oil on Belgian black marble. The subject is depicted from the shoulders up, her head tilted slightly as her eyes remain closed or downcast. Her hands are clasped together in a gesture of prayer. The lighting originates from the upper left, casting soft shadows across the contours of her face and neck, which defines…
In this opulent and dynamic Baroque allegorical painting, titled Musée Ingres-Bourdelle - Allégorie à la gloire de Louis XIV - Charles Le Brun, the artist Charles Le Brun captures a sense of celestial triumph. Created about 1690, the work functions as a grand visual celebration of the French monarchy. The composition moves with a deliberate, sweeping energy that directs the viewer's attention toward the divine right of the sovereign. It…
Apotheosis of Louis XIV (1600), Szépművészeti Múzeum, Budapeszt. Następne są Louis XIV, King of France oraz Louis XIV Visiting the Gobelins Factory (1673).
Apotheosis of Louis XIV, Louis XIV, King of France, Louis XIV Visiting the Gobelins Factory, Expressions of the Passions of the Soul, The Repentant Magdalen, Pietà, Hercules (detail), Apotheose of Louis XIV, Martyrdom of St John the Evangelist at Porta Latina i The Resurrection of Jesus Christ. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 232 dzieł artysty Charles Le Brun, datowanych od 1635 do 1690.
W większości znajdują się w Luwr (Paryż), Zamek Wersalski (Wersal) i Bawarskie Państwowe Zbiory Malarstwa (Monachium). Powyższa tabela muzeów zawiera ich pełną listę.
W 1650s: 30 z 100 dzieł na tej stronie powstało w tym czasie, w tym The Repentant Magdalen.
Na tej stronie najwcześniejszy to Portrait of the Sculptor Nicolas Le Brun (1635), a najpóźniejszy Musée Ingres-Bourdelle - Allégorie à la gloire de Louis XIV - Charles Le Brun (1690).
Man (26), Drapery (24) i Clouds (23), w ramach 100 dzieł na tej stronie.
Oil On Canvas, dla 42 z 100 dzieł na tej stronie.
Baroque, sądząc po oryginałach na tej stronie.
Louis XIV, King of France, Expressions of the Passions of the Soul i The Repentant Magdalen: Luwr, Paryż posiada 8 dzieł widocznych na tej stronie.
Charles Le Brun, a name synonymous with the grandeur of Louis XIV’s France, was born in Paris on February 24th, 1619. His artistic talent manifested early; at just eleven years old, he entered the studio of Simon Vouet, a prominent painter and influential figure in the burgeoning world of art. This apprenticeship was further enriched by the patronage of Chancellor Séguier, providing Le Brun with invaluable opportunities for development. He continued his studies under François Perrier, absorbing techniques and styles from another respected master, and quickly gained commissions from Cardinal Richelieu at a remarkably young age – a testament to his burgeoning skill. These early experiences laid the foundation for a career that would ultimately define an era.
A pivotal moment in Le Brun’s artistic journey occurred with his four-year sojourn in Rome between 1642 and 1646. Here, under the guidance of Nicolas Poussin, he immersed himself in the classical ideals of ancient Roman sculpture and meticulously copied works by Raphael. This period profoundly shaped his understanding of art theory and technique, moving him beyond mere imitation towards a deeper appreciation for composition, form, and color. Returning to Paris in 1646, Le Brun swiftly established himself as a leading artist, quickly surpassing the influence of his earlier mentors. His style began to evolve, distancing itself from the strict adherence to classical models favored by Poussin while retaining elements of both. He embraced the dynamism and emotional intensity characteristic of the Baroque period, developing a distinctive approach marked by dramatic compositions, rich palettes, and meticulous detail.
Le Brun’s artistic evolution culminated in his appointment as First Painter to the King in 1664 under Louis XIV. This prestigious position granted him unparalleled influence over French art, allowing him to shape the visual landscape of the court and nation. He became a central figure in the creation of monumental works that embodied the power and magnificence of the monarchy – grand historical paintings, elaborate portraits, and breathtaking decorative schemes.
Le Brun’s career reached its zenith during Louis XIV's reign, a period of unprecedented artistic flourishing. He played an integral role in transforming the Palace of Versailles into a symbol of royal power and splendor. His designs were instrumental in shaping the Ambassadors’ Staircase, the iconic Hall of Mirrors – a dazzling display of light and reflection – and the serene Peace and War Rooms, each reflecting a distinct facet of the king's vision. These projects, alongside countless other commissions throughout the palace complex, cemented Le Brun’s reputation as one of France’s greatest architects and designers. Beyond Versailles, he contributed significantly to the decoration of numerous royal residences, including Sceaux and Marly-le-Roi, showcasing his versatility across various artistic disciplines.
Furthermore, in 1648, Le Brun founded the Académie Royale de Peinture et de Sculpture (Royal Academy of Painting and Sculpture), a pivotal institution that served as both a training ground for aspiring artists and a regulator of artistic standards. As its director for many years, he exerted considerable influence over the development of French art, shaping the education and practice of generations of painters.
Charles Le Brun’s legacy extends far beyond his individual works. He was not merely a painter; he was a theorist, a designer, and a key architect of the Baroque style in France. His emphasis on intellectual engagement alongside visual beauty profoundly influenced artistic education for decades to come. The scale and grandeur of his decorative schemes at Versailles set a new standard for royal palaces across Europe, inspiring countless imitators. Le Brun’s influence is inextricably linked to the rise of Louis XIV's power and the flourishing of French culture during the 17th century. His work remains a testament to the transformative potential of art and its ability to shape not only visual landscapes but also the very fabric of society.
