Mannerist, one artist at a time
ელ გრეკო (1541–1614) is the most famous Mannerist მხატვარი, whose singular vision gave us ელ ესპოლიო და ორგაზის საგრავრაკუნი. Next stand ტინტორეტო, ჯუზეპე არჩიმბოლდო, ანგელო ბრონზინო და სოფონისბა ანგისოლა. These 71 მესმენები, from ამიკო ასპერტინი (born 1475) to კრისტოფანო ალორი (born 1577), came from 14 countries.
Our selection. Artists whose works our catalogue attaches to Mannerist, in the order of our fame ranking. Artists born after 1955 with no Wikidata identifier stay out until verified. The Wikipedia figure counts our 32 languages with an article on the artist.
In brief
One artist at a time
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ბერძენი-ესპანელი Born in ჰერაკლიონი მანერიზმი, ბაროკო Wikipedia in 31/32 languages
While he achieved success and received significant commissions from churches and monasteries in Toledo, his influence was not immediately felt by the broader art world after his death in 1614.
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იტალიელი Born in ვენეცია რენესანსი, მანერიზმი Wikipedia in 31/32 languages
Rather than seeking the serene stillness of the High Renaissance, he leaned into the tension of the Mannerist style, populating his compositions with muscular figures and dramatic gestures that seemed to strain against the edges of the frame. The Origin of the Milky Way (Scuola Grande di San Rocco, Venice). Tintoretto occupied a singular position in the Venetian school, standing alongside Titian and Veronese as one of the three great painters of the sixteenth century.
Where to see The Scuola Grande di San Rocco remains the most concentrated repository of his output, housing over sixty canvases that transform the building's halls into a cinematic experience of biblical narratives.
Signature works · The 100 signature works
The Last Supper
artworks_database
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Jacopo Tintoretto
A Venetian Master of Drama and Light
Jacopo Tintoretto, born Jacopo
sameuli
Venus, Mars, and Vulcan3of 71
იტალიელი Born in მილანი მანერიზმი, სურიალიზმი Wikipedia in 30/32 languages
He specialized in grotesque symbolical compositions, where the anatomy of a face was reimagined through the arrangement of fruits, vegetables, flowers, animals, books, and various inanimate objects. These works were often viewed as curiosities, yet they required a sophisticated understanding of how to merge the organic with the artificial to create a recognizable human form. In his portraits of Summer and Winter, the human form is entirely subsumed by the textures of the harvest and the cold, creating a visual riddle that demands a second glance.
Where to see The physical remnants of Arcimboldo’s imagination are scattered across Europe, preserved within the halls of institutions that once served the very courts he once entertained.
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იტალიელი Born in კრემონა რენესანსი, მანერიზმი Wikipedia in 29/32 languages
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Italian Born in არეცო Mannerism Wikipedia in 31/32 languages
Teacher of Jacopo Zucchi #54, Federico Zuccari #41
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იტალიური Born in ვენეცია მაღალი რენესანსიო, მანერიზმი Wikipedia in 23/32 languages
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ჰოლანდიელი Born in Bracht ჩრდილოეთური მანერიზმი და ბაროკოს гравюра Wikipedia in 19/32 languages
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იტალიელი Born in Castelnuovo Berardenga მანერიზმი, რენესანსი Wikipedia in 21/32 languages
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ჰოლანდიელი Born in ამსტერდამი ჩრდილოეთ მანერიზმი Wikipedia in 28/32 languages
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Flemish Born in ანტვერპენი Northern Mannerism Wikipedia in 18/32 languages
Spranger’s style is a quintessential example of Northern Mannerism, characterized by elongated figures, complex poses, and a deliberate emphasis on elegance and refinement. Spranger’s work is notable for its dynamism, achieved through carefully orchestrated diagonals and a sense of movement within each composition. Crucially, his travels extended into Italy, where he spent eight months in Milan and three months in Parma, assisting Bernardino Gatti on the ambitious fresco project for the dome of Santa Maria della Steccata.
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იტალიელი Born in ბოლონია მანერიზმი, ბაროკო Wikipedia in 26/32 languages
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იტალიელი Born in ურბინო რენესანსი, ბაროკო Wikipedia in 24/32 languages
“კომპოზიციის შესწავლა” (“გაცხედავრებისთვის”, პარიზი, ლუვრის მუზეუმი) – აშუქებს მის უნარს კომპოზიციისა და ემოციების დაბალანსებაში.
Signature works · The 100 signature works
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გერმანელი Born in კიოლნი მანიერიზმის მხატვრობა Wikipedia in 26/32 languages
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Italian Born in ფლორენცია Mannerism Wikipedia in 23/32 languages
In the twilight of the Renaissance, as the balanced harmonies of the previous century gave way to the restless energy of Mannerism, Cristofano Allori emerged as a vital voice in the Florentine school. Born in 1577 into a city steeped in artistic prestige, Allori was destined for the brush.
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იტალიელი Born in მოდენა მანერიზმი Wikipedia in 25/32 languages
His landscapes are not simply scenic backgrounds; they are meticulously crafted environments imbued with a sense of depth, atmosphere, and psychological resonance. These landscapes frequently served as the setting for dramatic scenes featuring figures from classical mythology – tales of Orpheus and Eurydice, Proserpine’s abduction, and the Judgment of Paris. His innovative use of landscape as a compositional element paved the way for Claude Lorrain and Nicolas Poussin, who both drew inspiration from his ability to integrate natural settings into mythological narratives.
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იტალიელი Born in ფლორენცია მანიერიზმი Wikipedia in 17/32 languages
フランチェスコ・サルヴィアティ、セッキーノ・デル・サルヴィアティやフランチェスコ・ロッシとしばしば関連付けられるこの名は、16世紀イタリア美術の鮮やかなタペストリーにおける極めて重要な人物として輝いています。1510年頃フィレンツェで生まれ、悲劇的な最期をローマで迎えた彼の生涯は、芸術的徒弟制度、パトロンからの支援、そして最終的にはマニエリスムのドラマチックな複雑さへの習熟という旅路でした。サルヴィアティは単なる画家以上の存在であり、動き、心理的な強烈さ、そして深い演劇性の感覚に満ちた場面を丹念に作り上げる視覚体験の建築家でした。これらの資質こそが、彼をその時代の最も革新的な芸術家の一人として確固たるレガシーを築き上げたのです。 初期の影響と訓練： サルヴィアティの芸術的基盤は、数名の著名なフィレンツェの巨匠たちの指導のもとで始まりました。彼は当初、ジュリアーノ・ブジャルディーニ、バッキオ・バンディネッリ、アンドレア・デル・ブレスキアニーノの下で徒弟をこなし、それぞれから技術や様式的なニュアンスを吸収しました。しかし、特に形成的な影響を与えたのはアンドレア・デル・サルトとの時期であり、彼に古典的な原則と写実的な表現に関する確固たる基礎を提供しました。決定的に重要なことに、ローマ滞在中にはミケランジェロとラファエロの台頭する影響にも触れることができ、これらの経験が彼の後の芸術的ビジョンを深く形作ることとなりました。. ローマ：革新のるつぼ： 1531年のサルヴィアティのローマ移住は転換点となり、彼を有望なフィレンツェの徒弟から、この都市の活気ある芸術シーンにおけるダイナミックな参加者へと変貌させました。ここでは、彼はマニエリスム様式に没頭し、その特徴的な引き伸ばされた人物像、歪んだ遠近法、そして高められた感情主義を吸収しました。彼の初期の作品、特にサン・ジョヴァンニ・バッティスタ・デコラートのオラトリオにある『訪問』のフレスコ画（1537-38年）は、この影響を鮮やかに示しています。そこには、渦巻くドレーパリー、誇張されたジェスチャー、そしてほとんど息苦しいほどのドラマの感覚に満ちた複雑な構図が広がっています。. サルヴィアティのキャリアは、フィレンツェにおけるコジモ1世・デ・メディチ公爵のもとでの長きにわたる宮廷画家としての在職中に頂点に達しました。この時代には、彼の最も野心的で称賛される作品群が生まれ、クライマックスとしてパッラッツォ・ヴェッキオのウディエンツァの間を飾る壮麗な『カミルス凱旋』フレスコ画（1543-1545年）が完成しました。この記念碑的な事業は、サルヴィアティが複雑な構図を管理し、単一の空間内に無数の人物と物語をオーケストレーションする比類なき技術を披露しました。このフレスコ画は単なる歴史的描写ではありません。それは象徴性に満ち、メディチ家の権力と権威のイメージを投影するために慎重に構築された舞台装置なのです。『カミルス凱旋』の純粋な規模と精巧な細部は、サルヴィアティを同時代の主要な装飾家として確立し、彼のドラマチックな才能と技術的な熟練さという評判を確固たるものにしました。 タペストリーのデザイン： フレスコ画の制作を超えて、サルヴィアティの才能はタペストリーデザインにも及びました。彼はメディチのアラッツェリアのためにカートゥーンを作成し、『エケ・ホモ』、『復活』、そして『ヨセフがファラオの夢を説明する』といった象徴的なイメージを生み出しました。これらのタペストリーは、複雑な物語を視覚的に魅惑的な形態に翻訳する彼の能力をさらに証明し、色彩、構図、装飾的細部における彼の熟練さを示しています。. サルヴィアティの芸術様式は、デル・サルトの写実性、ミケランジェロのダイナミズム、そしてラファエロのエレガンスという影響が独特なブレンドを形成しており、これらすべてがマニエリスムというレンズを通して濾過されています。彼の人物像はしばしば引き伸ばされ、ねじ曲げられており、そのポーズにはほとんど演劇的な強烈さが宿っています。彼はドラマの感覚を高め、心理的な緊張の触れるような雰囲気を生み出すために、劇的な照明効果を用いました。サルヴィアティの色使いも同様に印象的です。豊かで彩度の高い色調が抑えられたトーンと並置され、構図内の主要な要素に注意を引きます。彼の構図はしばしば人物で混雑し、彼が伝えようとした感情的な動揺を映し出す視覚的な密度の感覚を生み出しています。 肖像画： 主にフレスコ画と装飾作品で知られていますが、サルヴィアティは肖像画家としても傑出していました。彼の肖像画はしばしば被写体を強烈な感情や劇的な行動の瞬間に捉えており、彼のより広範な芸術的関心を反映しています。. フランチェスコ・サルヴィアティがイタリアのマニエリスムの発展に与えた影響は否定できません。彼は伝統的な絵画技法の限界を押し広げ、歪みや誇張を受け入れることで、視覚的に魅惑的でありながら心理的にも深遠な作品を生み出しました。彼の影響は、ジュリオ・ロマーノやポントルモを含む後世の芸術家たちの作品に見ることができます。彼のフレスコ画は、そのドラマチックな強さと熟練した実行力によって今なお鑑賞者を魅了し続け、16世紀イタリアの動乱で変革的な時代への窓を提供しています。彼は、感情を呼び起こし、慣習に挑戦し、歴史に対する我々の理解を形作る芸術の力についての証なのです。
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Flemish Born in მულებეკი Northern Mannerism Wikipedia in 20/32 languages
Rome (1574-1577): Van Mander spent three years in Rome, where he encountered classical art and developed his artistic style. Vienna: During a return journey from Italy, he collaborated with Bartholomeus Spranger and Hans Mont on creating a triumphal arch for Emperor Rudolf II's royal entry. Influence on Dutch Art: He significantly influenced artists in Haarlem and beyond, shaping the artistic landscape of the Dutch Republic.
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იტალიელი Born in ვოლტერა მანერიზმი Wikipedia in 17/32 languages
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იტალიელი Born in ბოლონია უ late Renaissance და მანერიზმი Wikipedia in 18/32 languages
Fontana’s artistic style is often described as a synthesis of Renaissance ideals and Mannerist tendencies. His work also includes significant contributions to the decoration of the Santa Maria del Baraccano church in Bologna, including a captivating “Disputa di Santa Caterina.” His daughter, Lavinia Fontana, who herself became a successful painter, undoubtedly benefited from her father’s tutelage and artistic guidance. Fontana’s legacy endures through his surviving works, which are housed in prestigious collections such as the Pinacoteca di Vicenza and the La collezione Bonello (Malta).
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ნიდერლანდელი Born in უტტრეხტი მანერიზმი Wikipedia in 14/32 languages
Wtewael's early training rooted him deeply in the sophisticated vocabulary of late 16th-century Haarlem Mannerism. A pivotal period arrived when he embarked on travels through Italy and France starting in 1586. These sojourns were crucial, exposing him to the rich artistic currents of the Second School of Fontainebleau.
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იტალიელი Born in ბოლონია მანერიზმი Wikipedia in 22/32 languages
Whether through the delicate line work of a chalk drawing like Ceres or the monumental scale of fresco fragments such as Ulysses Winning the Archery Contest in the Presence of Penelope, Primaticcio’s oeuvre remains a testament to an artist who could navigate the complexities of myth, majesty, and the human psyche with unparalleled grace.
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ფლამენდიელი Born in ლეიდენი მანერიზმი Wikipedia in 15/32 languages
Pupil of Federico Zuccari #41
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იტალიური Born in მონეგლია ჟენოის სკოლა, მანერიზმი Wikipedia in 15/32 languages
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იტალიელი Born in ბასანო-დელ-გრაპა ვენეციური რენესანსი Wikipedia in 12/32 languages
Within the bustling, cosmopolitan atmosphere of the Venetian Republic, he ascended rapidly through the ranks of the city's elite artistic circles. Conversely, in more mythologically charged pieces like ' The Forge of Vulcan ', he demonstrated a masterful command over light and shadow, using the glow of the forge to create a dramatic, theatrical atmosphere that captivated viewers. This collaborative environment, guided by the meticulous instruction of his father, Jacopo Bassano, allowed him to absorb the nuances of Venetian Mannerism and the burgeoning influences of the Baroque style.
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Flemish Late Mannerism
Early Life & Training: De Clerck’s formative years are shrouded in obscurity, though evidence suggests he received training under Jan Brueghel the Elder, a titan of Flemish landscape painting and a pivotal influence on de Clerck's artistic approach. Among De Clerck’s most celebrated achievements is “The Deposition,” commissioned for St.
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იტალიელი Born in ბასანო-დელ-გრაპა მანიერიზმი Wikipedia in 13/32 languages
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Italian Born in Florence Mannerist Painting Wikipedia in 15/32 languages
Whether depicting the celestial grace of a Madonna with Child or the dramatic tension found in works like The Fall of the Giants, Perino possessed a unique talent for blending the monumental with the delicate.
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Flemish Born in Bruges Renaissance, 16th Century Painting Wikipedia in 15/32 languages
In 1550, Stradanus embarked on a transformative journey to Florence, where he entered the service of the Medici family, then one of the most powerful and influential families in Europe. The Metropolitan Museum of Art’s collection features a significant drawing by Stradanus – “ Allegory of America” – offering valuable insight into his artistic vision and providing a tangible connection to this remarkable Florentine master.
Teacher of Antonio Tempesta #56
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იტალიური Born in ფრიული-ვიზენცა რენესანსის მხატვრობა Wikipedia in 16/32 languages
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Italian Born in Sant'Angelo in Vado Mannerism Wikipedia in 18/32 languages
Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language. This ambition is perhaps most tangibly felt in Casa Zuccari in Florence, a residence built around 1578.
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Dutch Born in Gouda Mannerism Wikipedia in 13/32 languages
Encouragement also came from Dirck Crabeth, a celebrated stained-glass artist and brother to Wouter Crabeth, whose wife may have been related to Ketel – suggesting a network of familial support within the artistic community.
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Flemish Born in Hulst Mannerism, Renaissance Wikipedia in 8/32 languages
The influence of Hieronymus Bosch is also readily apparent in Mostaert’s oeuvre, particularly in compositions derived from tapestries based on Bosch's fantastical creations. Perhaps his most famous work, The Haywain (Allegory on Worldly and Clerical Abuses), exemplifies this inspiration. He played a crucial role in the development of both genre and landscape art within Antwerp, pushing boundaries and inspiring subsequent generations of artists.
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Italian Born in ფლორენცია Florentine Mannerism Wikipedia in 11/32 languages
Unlike the balanced compositions favored by his contemporaries, Bacchiacca often employed asymmetrical arrangements, creating a feeling of instability and tension. He was particularly adept at portraying women, imbuing them with a captivating blend of vulnerability and strength. John the Baptist,” now housed in Berlin, and “Ghismonda with Heart of Guiscardo,” a dramatic portrayal of a tragic love story displayed at the Lowe Art Museum in Miami.
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Born in გაეტა Wikipedia in 11/32 languages
He developed a refined and detailed approach, characterized by precise rendering and a focus on naturalism. He skillfully balanced Renaissance ideals with emerging Baroque sensibilities.
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Italian Born in Florence Proto-Baroque & Counter-Maniera Wikipedia in 14/32 languages
The legacy of Santi di Tito is etched into the very fabric of Italian art history.
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იტალიელი Born in კარავাজিო მანერიზმი Wikipedia in 10/32 languages
Polidoro quickly distinguished himself not within the confines of panel painting or fresco but in a remarkably innovative arena: the decoration of Roman palace facades. Polidoro's skill lay in his ability to translate complex compositions into this challenging medium, creating dynamic friezes that brought classical history and contemporary life vividly to the city’s walls. Though many of his Roman frescoes are lost to time, Polidoro da Caravaggio remains an important and compelling figure in Italian Renaissance history—a testament to the power of artistic innovation and the enduring impact of personal experience on creative expression.
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იტალიელი Born in კრემონა ფლამენდური სტილი / ლომბარდიული ნატურალიზმი Wikipedia in 13/32 languages
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Italian Born in Zadar Baroque Sculpture; Mannerism Wikipedia in 14/32 languages
The career of Andrea Schiavone was one of prolific achievement, leaving behind a body of work that includes everything from intimate etchings to monumental religious narratives.
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იტალიელი Born in ვერონა უ поздნური რენესანსი და მანერიზმი Wikipedia in 11/32 languages
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Italian Born in Bologna Mannerism Wikipedia in 10/32 languages
The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition.
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Italian Born in Vicenza Late Renaissance/Mannerist Wikipedia in 5/32 languages
Through his work, the halls of the palace—including the Sala del Senato and Sala dello Scrutinio—were transformed into theatrical stages where history and myth converged.
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Italian Born in Florence Mannerist Painting Wikipedia in 11/32 languages
His works often serve as windows into the complex allegories of the 16th century: Religious Devotion: In pieces such as Allegory of the Creation, Zucchi captures profound moments of divine connection, utilizing dramatic lighting and celestial figures to evoke a sense of awe and religious fervor.
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იტალიელი Born in ვენეცია მანერიზმი Wikipedia in 9/32 languages
His work remains a vital testament to the enduring legacy of the Robusti name and the intricate layers of influence that shaped the artistic identity of Venice. Born in Venice around 1560, Domenico grew up amidst the scent of oil paints and the dramatic tension of his father's workshop.
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Italian Born in Florence Mannerism Wikipedia in 11/32 languages
As a fresco painter, he contributed significantly to some of the most celebrated decorative programs of the age, including works for Villa Lante and Palazzo Farnese. He remains a testament to the interconnectedness of the European art world during the Renaissance and Baroque periods, serving as a bridge between the classical traditions of Italy and the burgeoning artistic spirit of the North.
Pupil of Stradanus #39
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German Born in Vienna Northern Mannerism
This rigorous training instilled in him a profound understanding of goldsmithing techniques—a craft that demanded precision, artistry, and meticulous attention to detail. Notably, he studied alongside Euclid's Elements and Plato’s Timaeus, texts considered foundational for geometric reasoning and philosophical contemplation – influences that would profoundly shape his later artistic pursuits. Born in Vienna, Italy, Wenzel was the son of Hans Jamnitzer the Elder, a goldsmith who established a tradition of excellence that would continue through subsequent generations.
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Italian Born in Vicenza
His monumental two-volume treatise, L'idea dell'architettura universale, published in Venice in 1615, stands as one of the final great works of the Renaissance.
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Italian Born in Melide Late Renaissance
Born in Melide, a small village nestled on the shores of Lake Lugano in Switzerland – a region then caught between Swiss cantons and Italy – in 1543, Fontana’s life was one of relentless innovation and service to the Papal States. The Fontana dell'Acqua Felice (Fountain of Moses), built for Pope Sixtus V, stands as a prime example.
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Born in Antwerp Antwerp Mannerism Wikipedia in 9/32 languages
Though his name fell into obscurity following the end of the sixteenth century, Jan De Beer’s influence endured through the lasting impact of the Antwerp Mannerist style.
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Italian Born in Mazzo di Valtellina Mannerist Wikipedia in 10/32 languages
His most celebrated achievement remains the scaled oil copy of the Last Judgment, commissioned by Cardinal Alessandro Farnese.
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French Born in Paris Second School Fontainebleau; Mannerism; Italian Art Influence Wikipedia in 8/32 languages
He found endless inspiration in the epic tales of Homer, the poetic explorations of Pierre de Rationale, and the dramatic narratives of Torquato Tasso. His canvases often feature: Heroic Confrontations: Dramatic scenes where figures are caught in moments of intense physical and emotional struggle, utilizing elongated limbs to heighten the sense of tension. Toussaint Dubreuil, a name etched into the delicate fabric of the French Renaissance, stands as a masterful bridge between the structured grandeur of Mannerism and the fluid, emotive grace of Italian influence.
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Italian Born in Florence Mannerist Wikipedia in 10/32 languages
Beyond his fresco cycles, Conte also produced a series of individual portraits, most notably his portrait of Michelangelo (c. 1540). The “Virgin and Child with Saint Elizabeth and John the Baptist ” (1535), now housed in the Uffizi Gallery, exemplifies this evolution, showcasing a masterful command of perspective, drapery, and emotional expression. Conte's career took a significant turn in 1547-48 when he joined forces with Siciolante da Sermoneta on the ambitious fresco decoration of the chapel of San Remigio in San Luigi dei Francesi.
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Flemish Born in Antwerp Landscape with mythological and allegorical Wikipedia in 8/32 languages
By the time of his death in 1596, Fiammingo had left an indelible mark on the development of the Italianate Flemish School.
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French Born in Bassigny Northern Mannerism Wikipedia in 9/32 languages
Though his life was cut short in 1616, Bellange’s influence endured far beyond the borders of Lorraine.
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Italian Born in Parma Mannerist Painting Wikipedia in 8/32 languages
The significance of Girolamo Mazzola Bedoli extends beyond the individual canvases he left behind.
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Italian Born in Novellara Mannerist Wikipedia in 7/32 languages
Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.
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Italian Born in Florence Renaissance and Mannerism Wikipedia in 5/32 languages
The historical significance of Michele Tosini lies in his role as a bridge between eras. His work serves as a luminous window into a time when Florence was the epicenter of the art world, reflecting both the spiritual devotion of the early century and the courtly sophistication of the later years. His early training under Lorenzo di Credi and Antonio del Ceraiolo anchored him in the refined traditions of the High Renaissance.
Signature works · The 100 signature works
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Spanish Born in Mascaraque Renaissance, Mannerism Wikipedia in 6/32 languages
Correa's early commissions, such as the altarpiece for the monastery of Santa María de Guadalupe in Mascaraque (circa 1532-1534), demonstrate a clear adherence to Raphael’s principles – elegant figures, balanced compositions, and harmonious color palettes.
Signature works
A timeline
Figures
| იტალია | 35 |
|---|---|
| Italy | 14 |
| ნიდერლანდები | 3 |
| Belgium | 3 |
| გერმანია | 2 |
| ბელგია | 2 |
| საფრანგეთი | 2 |
| Netherlands | 2 |
| 1470s | 2 |
|---|---|
| 1480s | 3 |
| 1490s | 5 |
| 1500s | 11 |
| 1510s | 10 |
| 1520s | 8 |
| 1530s | 7 |
| 1540s | 11 |
| 1550s | 7 |
| 1560s | 4 |
| 1570s | 3 |
| კუნსტისტორიშეს მუზეუმი | 21 |
|---|---|
| ნაციონალური გალერეა | 9 |
| ერმიტაჟის მუზეუმი | 8 |
| უფიციების გალერეა | 7 |
| Rijksmuseum | 7 |
| პრადოს მუზეუმი | 7 |
| მეტროპოლიტენის ხელოვნების მუზეუმი | 5 |
| ლუვრი | 5 |
Every name
ელ გრეკობერძენი-ესპანელი · 1541–1614ტინტორეტოიტალიელი · 1519–1594ჯუზეპე არჩიმბოლდოიტალიელი · 1527–1593
ანგელო ბრონზინოიტალიელი · 1503–1572სოფონისბა ანგისოლაიტალიელი · 1532–1625
იაკოპო კარუჩიიტალიელი · 1494–1556
პარმიჯანინოიტალიელი · 1503–1540ჯორჯო ვაზარიItalian · 1511–1574
ჯულიო რომანოიტალიელი · 1499–1546
როსო ფიორენტინოიტალიელი · 1494–1540სებასტიანო დელ პიომბოსიტალიური · 1485–1547ჰენდრიკ გოლციუსიჰოლანდიელი · 1558–1617დომენიკო ბეკაფუმიიტალიელი · 1484–1551პიტერ აერცენიჰოლანდიელი · 1508–1575ბარტოლომეუს სპრანგერიFlemish · 1546–1611ლავინია ფონტანაიტალიელი · 1552–1614ფედერიკო ბაროჩიიტალიელი · 1535–1612ჰანს ფონ აახენიგერმანელი · 1552–1615კრისტოფანო ალორიItalian · 1577–1621
ალესანდრო ალორიიტალიელი · 1535–1607ნიკოლო დელ აბატეიტალიელი · 1512–1571
ჯოვანი ბატისტა მორონი1525–1578
ბენვენუტო ჩელინიიტალიელი · 1500–1571ფრანჩესკო დე როსისო (ფრანჩესკო Salviati)იტალიელი · 1510–1563
ჯამბოლოღნაფლამანდი · 1529–1608კარელ فان მანდერი უფროსიFlemish · 1548–1606დანიელე და ვოლტერაიტალიელი · 1509–1566
ჟან გუჟონიფრანგი · 1510–1567პროსპერო ფონტანაიტალიელი · 1512–1597Joachim Wtewaelნიდერლანდელი · 1566–1638ფრანჩესკო პრიმატიჩიიტალიელი · 1504–1570ოტო فان ვინფლამენდიელი · 1556–1629ლუკა კამბიასოიტალიური · 1527–1585
ჯუზეპე ჩეზარიიტალიელი · 1568–1640ფრანჩესკო ბასანო უმცროსიიტალიელი · 1549–1592Hendrick De ClerckFlemish · 1570–1630ლეანდრო ბასანოიტალიელი · 1557–1622Perino del VagaItalian · 1501–1547StradanusFlemish · 1523–1605ილ პორდენონესიტალიური · 1484–1539Federico ZuccariItalian · 1539–1609
ჩეჩინო დელ სალვიატიიტალიელი · 1510–1563Cornelis KetelDutch · 1548–1616Gillis MostaertFlemish · 1528–1598ფრანჩესკო ბაკიაკაItalian · 1494–1557შიპიონე პულწონე1550–1598Santi di TitoItalian · 1536–1603პოლიდორო და Caravaggioიტალიელი · 1499–1543ვინჩენცო კამპიიტალიელი · 1536–1591Andrea SchiavoneItalian · 1522–1563ჯაკაპო ლიგოზიიტალიელი · 1547–1627Bartolomeo PassarottiItalian · 1529–1592Andrea VicentinoItalian · 1542–1617Jacopo ZucchiItalian · 1542–1596დომენიკო ტინტორეტოიტალიელი · 1560–1635Antonio TempestaItalian · 1555–1630
ამიკო ასპერტინიიტალიელი · 1475–1552Wenzel JamnitzerGerman · 1507–1585Vincenzo ScamozziItalian · 1548–1616Domenico FontanaItalian · 1543–1607Jan De Beer1475–1528Marcello VenustiItalian · 1510–1579Toussaint DubreuilFrench · 1561–1602
ტობიას შტიმერი1539–1584Jacopino del ConteItalian · 1510–1598Paolo FiammingoFlemish · 1540–1596Jacques BellangeFrench · 1575–1616Girolamo Mazzola BedoliItalian · 1500–1569Lelio OrsiItalian · 1508–1587Michele TosiniItalian · 1503–1577Juan Correa De VivarSpanish · 1510–1566Questions
First place goes to ელ გრეკო (#1); ტინტორეტო (#2) and ჯუზეპე არჩიმბოლდო (#3) complete the podium.
ელ გრეკო (#1), ტინტორეტო (#2), ჯუზეპე არჩიმბოლდო (#3), ანგელო ბრონზინო (#4) და სოფონისბა ანგისოლა (#5).
იტალია: 35 of the 71 მესმენები in this list were born there, then Italy (14) და ნიდერლანდები (3).
Most მესმენები in this list were born in the 1540s (11 of 71), between 1475 and 1577 overall.
ჯორჯო ვაზარი (#8) taught Jacopo Zucchi (#54) და Federico Zuccari (#41); Stradanus (#39) taught Antonio Tempesta (#56).
The earliest-born მხატვარი in this list is ამიკო ასპერტინი (#57), born in 1475.
The museums holding the most key works of this list are კუნსტისტორიშეს მუზეუმი (21), ნაციონალური გალერეა (9) და ერმიტაჟის მუზეუმი (8).
This list includes 2 women: სოფონისბა ანგისოლა (#5) და ლავინია ფონტანა (#16).
The highest-ranked მესმენები born in იტალია are ტინტორეტო (#2), ჯუზეპე არჩიმბოლდო (#3), ანგელო ბრონზინო (#4), სოფონისბა ანგისოლა (#5) და იაკოპო კარუჩი (#6).
ფლორენცია: 8 of the მესმენები in this list were born there.
“He learned to move away from the rigid lines of his youth, embracing a more fluid brushwork and a sense of dynamism.” — from our biography of ელ გრეკო (#1).
Our catalogue holds 5,179 works by these მესმენები.
Read
Other movements
ცნობილი Baroque ხელოვანებიმოხევე მცველი · რემბრანდტი
ცნობილი Contemporary Realist ხელოვანებიმოსაკრებლები · ჟან-ფრანსუა მილე
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ცნობილი Romanticist ხელოვანებისატურნმა თავისი ვაჟი შეყაზჷნა · ფრანსისკო გოია
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ცნობილი Realist ხელოვანებიმშვიდობის წყარო · გიუსტავ კურბე
ცნობილი Renaissance ხელოვანებიმონა ლიზა (ლა ჯოკონდა) · ლეონარდო და ვინჩი
ცნობილი Dutch Golden Age ხელოვანებიმარგარიტა ერთ მარგალითიან ყელსით · იან ვერმეერი
ცნობილი Expressionist ხელოვანებიკომპოზიცია VII · ვასილი კანდინსკი
ცნობილი Rococo ხელოვანებიცითერის გასეირნება · ჟან-ანტუან ვატოOther periods
ცნობილი Early Medieval ხელოვანებიSnowy River · ვან ვეი
ცნობილი High Medieval ხელოვანებიმადონა მაესტაში (ოგნსანტოსი მადონა) · ჯოტო დი ბონდონე
ცნობილი Late Medieval ხელოვანებიგესტუა და ორი წმინდა · სიმონე მარტინი
ცნობილი Renaissance ხელოვანებიადამის შექმნა · მიქელანჯელო ბუანაროტი
ცნობილი Early Modern ხელოვანებიწმინდა მატევის მოძახებA · კარავაჯო
ცნობილი 19th Century ხელოვანებიყვავილების ბუჩქები (ან ნიმფეები) · კლოდ მონე
ცნობილი Modern ხელოვანებიგერნიკა · პაბლო პიკასო
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