Portrait of William D Dring

The 35 Most Famous William D Dring Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 36 works by William D Dring in our catalogue

In short

Of all the originals William D Dring left, the most famous is Miss Elizabeth Bolton (1947), in the collection of the Royal Free Hospital, London. Close behind it come HMS 'Lorna Doone' during an Attack on an East Coast Convoy (1943) and Conversation in the Bar (1942). Our catalog holds 36 works by William D Dring; the gallery has kept the 35 the world admires most, each shown with its date, its museum and its story.

1904 – 1990 Most works: Devon County Hall

William D Dring's top 10 paintings: the gallery's choice

1
Miss Elizabeth Bolton (1947) by William D Dring

Miss Elizabeth Bolton

1947 · Oil On Canvas · Royal Free Hospital, London

Miss Elizabeth Bolton sits within a frame of stillness. She is a figure of intellect, her gaze steady behind the lens of her glasses. A red robe rests against her, paired with a purple coat that features a soft hood. This layering of color creates a weight to her presence, a sense of gravity that anchors her to the chair. Behind her, a large painting looms, its scale dominating the…

2
HMS 'Lorna Doone' during an Attack on an East Coast Convoy (1943) by William D Dring

HMS 'Lorna Doone' during an Attack on an East Coast Convoy

1943 · Oil On Canvas

A blue battleship with red trim dominates the center of this 1943 oil on canvas, caught in the midst of a naval engagement. Above the churning ocean, the sky is crowded with airplanes, some descending toward the vessel while others hover in the distance. The composition captures a moment of intense conflict, where the organized lines of a convoy dissolve into the frantic movement of war. Smaller boats and larger…

The William D Dring selection continues, 11 to 35

11Off Watch (1943) by William D DringOff Watch1943 · Ferens Art Gallery 12The Control Room in a Submarine during an Attack (1943) by William D DringThe Control Room in a Submarine during an Attack1943 13Group Captain A. E. Clouston (1945) by William D DringGroup Captain A. E. Clouston1945 14Air Marshal Sir Leonard H. Slatter KBE, CB, DSC, DFC (1945) by William D DringAir Marshal Sir Leonard H. Slatter KBE, CB, DSC, DFC1945 15Lieutenant Commander Harry John Hall (1945) by William D DringLieutenant Commander Harry John Hall1945 · National Maritime Museum 16Sir Frank Stenton (1880–1967) (1948) by William D DringSir Frank Stenton (1880–1967)1948 · The University of Reading 17Sir Thomas Franklin Sibly (1883–1948) (1947) by William D DringSir Thomas Franklin Sibly (1883–1948)1947 · The University of Reading 18Leading Observer J. O. Isaacs and Chief Observer H. B. Harfield Royal Observer Corps (1945) by William D DringLeading Observer J. O. Isaacs and Chief Observer H. B. Harfield Royal Observer Corps1945 19Sir Charles Chute (1879–1956), Bt (1948) by William D DringSir Charles Chute (1879–1956), Bt1948 · National Trust 20Going to Bed (1946) by William D DringGoing to Bed1946 · Harris Museum - Art Gallery 21At the Coal Face (1946) by William D DringAt the Coal Face1946 22The Presentation of the Freedom of the City to HRH the Princess Elizabeth, 1947 (1948) by William D DringThe Presentation of the Freedom of the City to HRH the Princess Elizabeth, 19471948 · Guildhall Art Gallery 23Air Marshal Sir Arthur Coningham (1895–1948), KCB, KBE, DSO, MC, DFC, AFC (1945) by William D DringAir Marshal Sir Arthur Coningham (1895–1948), KCB, KBE, DSO, MC, DFC, AFC1945 24Air Marshal Sir James Robb (1895–1968), KBE, CB, DSO, DFC, AFC, Air Officer Commander in Chief, Fighter Command, Royal Air Force (1945) by William D DringAir Marshal Sir James Robb (1895–1968), KBE, CB, DSO, DFC, AFC, Air Officer Commander in Chief, Fighter Command, Royal Air Force1945 25Sir Edward Otho Glover (1876–1956), Chairman of Cheshire County Council (1948–1952) (1950) by William D DringSir Edward Otho Glover (1876–1956), Chairman of Cheshire County Council (1948–1952)1950 · Chester Town Hall 26Melissa (1955) by William D DringMelissa1955 27Distant View of Worcester by William D DringDistant View of Worcester 28James Hogarth Pringle (1863–1941) by William D DringJames Hogarth Pringle (1863–1941) 29Bathing Robin by William D DringBathing Robin 30Dr Wilfred Hall, MA, DSc, FRCS by William D DringDr Wilfred Hall, MA, DSc, FRCSLaing Art Gallery 31Dr Wilfred Hall (one of the founders of the Museum) by William D DringDr Wilfred Hall (one of the founders of the Museum) 32Sir James Frederick Mountford (1897–1979), Professor of Latin (1932–1945), Vice Chancellor of the University of Liverpool (1945–1963) by William D DringSir James Frederick Mountford (1897–1979), Professor of Latin (1932–1945), Vice Chancellor of the University of Liverpool (1945–1963) 33Gerald Whitmarsh, Chairman of Devon County Council (1966–1971) by William D DringGerald Whitmarsh, Chairman of Devon County Council (1966–1971)Devon County Hall 34John Cliff (1883–1977) by William D DringJohn Cliff (1883–1977)Guildhall Art Gallery 35Sir Arnold Duncan McNair (1885–1975), Kt, CBE, MA, LLD, FBA, Vice Chancellor of the University of Liverpool (1937–1945) by William D DringSir Arnold Duncan McNair (1885–1975), Kt, CBE, MA, LLD, FBA, Vice Chancellor of the University of Liverpool (1937–1945)

The museums that keep William D Dring's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by William D Dring Paintings from this list
Devon County Hall, ExeterDevon County Hall Exeter 2 Charles Arthur Ansell, Chairman of Devon County Council (1973–1977), Gerald Whitmarsh, Chairman of Devon County Council (1966–1971)
National Maritime Museum, LondonNational Maritime Museum London 2 HMS 'Kelly' limping home from the Skagerrak, Lieutenant Commander Harry John Hall
Ferens Art Gallery, HullFerens Art Gallery Hull 2 Harwich Harbour with HMS 'Princess Elizabeth', Off Watch
The University of Reading, ReadingThe University of Reading Reading 2 Sir Frank Stenton (1880–1967), Sir Thomas Franklin Sibly (1883–1948)
Guildhall Art Gallery, LondonGuildhall Art Gallery London 2 The Presentation of the Freedom of the City to HRH the Princess Elizabeth, 1947, John Cliff (1883–1977)
Royal Free Hospital, LondonRoyal Free Hospital London 1 Miss Elizabeth Bolton
County Hall, HertfordCounty Hall Hertford 1 Philip Elton Longmore (1884–1954), CBE, DL, JP, County Council (1930–1948)
National Trust, BasingstokeNational Trust Basingstoke 1 Sir Charles Chute (1879–1956), Bt

William D Dring decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about William D Dring's paintings

Which work is William D Dring most famous for?Reveal the answer

Miss Elizabeth Bolton (1947), Royal Free Hospital, London. HMS 'Lorna Doone' during an Attack on an East Coast Convoy (1943) and Conversation in the Bar (1942) come next.

What age was William D Dring when Miss Elizabeth Bolton was made?Reveal the answer

43 years old: Miss Elizabeth Bolton dates from 1947, and William D Dring was born in 1904.

What are the ten most famous William D Dring paintings?Reveal the answer

Miss Elizabeth Bolton, HMS 'Lorna Doone' during an Attack on an East Coast Convoy, Conversation in the Bar, Princess Elizabeth, Charles Arthur Ansell, Chairman of Devon County Council (1973–1977), Philip Elton Longmore (1884–1954), CBE, DL, JP, County Council (1930–1948), Female Figure Seated, Leaning on Her Right Arm, HMS 'Kelly' limping home from the Skagerrak, Harwich Harbour with HMS 'Princess Elizabeth' and Self Portrait. The ranking above gives each one's year and museum.

How many paintings did William D Dring leave?Reveal the answer

Our catalog holds 36 works by William D Dring, dated from 1924 to 1955.

In which museums do William D Dring's masterpieces hang?Reveal the answer

Mostly in Devon County Hall (Exeter), National Maritime Museum (London) and Ferens Art Gallery (Hull). The museum table above lists them all.

In which years did William D Dring paint the most famous works?Reveal the answer

In 1940s: 20 of the 35 works on this page were made then, Miss Elizabeth Bolton among them.

What are the first and the last famous originals of William D Dring?Reveal the answer

On this page, the earliest is Female Figure Seated, Leaning on Her Right Arm (1924) and the latest Melissa (1955).

Which technique did William D Dring use most?Reveal the answer

Oil On Canvas, for 2 of the 35 works on this page.

Which William D Dring works hang at the Devon County Hall?Reveal the answer

Charles Arthur Ansell, Chairman of Devon County Council (1973–1977) and Gerald Whitmarsh, Chairman of Devon County Council (1966–1971): the Devon County Hall, Exeter holds 2 of the works on this page.

William D Dring: life and work

William Dring: A Quiet Master of Post-War British Portraiture

William Dring (1904-1990) wasn’t a flamboyant figure in the art world, yet his quietly assured portraits and landscapes offer a remarkably sensitive glimpse into post-war Britain. Born in Streatham, London, and trained at the prestigious Slade School of Fine Art, Dring’s career unfolded with a deliberate grace, marked by meticulous technique, understated emotion, and a profound understanding of human character. He wasn't driven by grand gestures or revolutionary ideas; instead, he excelled at capturing the essence of his subjects – from royalty to everyday individuals – with an almost uncanny ability to reveal their inner lives.

Dring’s early artistic development was shaped by the rigorous training at the Slade, where he honed his skills in draughtsmanship and composition. He quickly established himself as a talented pastel artist, mastering the medium's capacity for subtle tonal shifts and delicate detail. This technical proficiency would become a hallmark of his work, allowing him to create images that were both precise and deeply expressive. His initial commissions included murals for architects Lutyens and Richardson, providing an early exposure to diverse subjects and styles – a foundation upon which he built his distinctive artistic voice.

The War Artist and the Portrait of a Nation

World War II dramatically altered Dring’s trajectory, thrusting him into the role of official War Artist. He was commissioned by the Admiralty and Air Ministry to document the realities of conflict through portraiture, capturing the faces of those who served – officers, sailors, airmen, and civilians alike. This period represents a crucial phase in his artistic development, as he adapted his skills to meet the urgent demands of wartime service. His portraits weren’t heroic celebrations of military might; rather, they offered intimate studies of individuals grappling with uncertainty, resilience, and loss. The starkness of the war years informed his palette, favoring muted tones and a restrained approach that amplified the emotional weight of each image.

Dring's wartime work is particularly notable for its accessibility and humanity. He eschewed grand poses and theatrical settings, preferring to capture subjects in naturalistic situations – at their desks, during breaks, or engaged in everyday activities. This intimacy created a powerful connection between the viewer and the portrayed individual, offering a poignant reflection on the human cost of conflict. His portraits of figures like Commander William D. King, a submarine officer who faced extraordinary challenges during the Battle of the Atlantic, stand as testaments to his ability to convey both strength and vulnerability.

A Royal Patronage and Beyond

Following the war, Dring continued to work prolifically, establishing himself as one of Britain’s most respected portraitists. He received commissions from prominent figures – including members of the Royal Family – and produced a series of celebrated portraits that captured the dignity and grace of his subjects. His ability to capture not just physical likeness but also personality and character was highly valued by his patrons. Beyond portraiture, Dring also explored landscapes with a similar sensitivity, employing a restrained palette and meticulous attention to detail to evoke the beauty and tranquility of the British countryside.

His work gained recognition through exhibitions at the Royal Watercolour Society and the Royal Academy, solidifying his place within the established art world. He became an Associate Academician in 1944 and a full Academician in 1955 – honors that reflected his enduring contribution to British art. Dring’s legacy lies not in revolutionary innovation but in his quiet mastery of technique, his profound empathy for his subjects, and his ability to capture the spirit of an era through understated yet deeply resonant imagery.

Key Characteristics and Influences

Dring's style is characterized by several key elements. His draughtsmanship was impeccable, evident in the precise lines and careful modeling of his figures and landscapes. He favored pastel as his primary medium, appreciating its versatility for capturing tonal nuances and creating a sense of immediacy. His portraits are notable for their psychological depth – he didn’t simply reproduce appearances but sought to reveal the inner lives of his subjects. Influences on Dring's work can be traced back to the Slade School of Art, particularly the teachings of Henry Tonks, who emphasized observation and technical skill. The influence of British landscape painting traditions is also evident in his depictions of the countryside, reflecting a deep appreciation for the beauty of the natural world.

Dring’s work offers a valuable window into post-war Britain – a nation grappling with the aftermath of conflict while striving to rebuild its society and identity. His portraits are not merely representations of individuals; they are reflections of a time, capturing the hopes, anxieties, and resilience of a generation.