Portrait of Wilhelm Pleydenwurff

The 1 Most Famous Wilhelm Pleydenwurff Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 1 works by Wilhelm Pleydenwurff in our catalogue

In short

Of all the originals Wilhelm Pleydenwurff left, the most famous is Nuremberg Chronicle, page XLI (recto) (1493), in the collection of the Bayerische Staatsbibliothek, Munich. Our catalog holds 1 works by Wilhelm Pleydenwurff; the gallery has kept the 1 the world admires most, each shown with its date, its museum and its story.

1460 – 1494, Nuremberg Most works: Bayerische Staatsbibliothek

Wilhelm Pleydenwurff's top 10 paintings: the gallery's choice

The museums that keep Wilhelm Pleydenwurff's originals

The museum that holds the most of the paintings on this page.

Museum City Works by Wilhelm Pleydenwurff Paintings from this list
Bayerische Staatsbibliothek, MunichBayerische Staatsbibliothek Munich 1 Nuremberg Chronicle, page XLI (recto)

Wilhelm Pleydenwurff year by year: the originals that define each

1493 is the year of every dated Wilhelm Pleydenwurff work in this selection: here they are, ranked by fame.

Works per year

Pick a year to see its originals.

Collectors' questions about Wilhelm Pleydenwurff's paintings

Which work is Wilhelm Pleydenwurff most famous for?Reveal the answer

Nuremberg Chronicle, page XLI (recto) (1493).

What age was Wilhelm Pleydenwurff when Nuremberg Chronicle, page XLI (recto) was made?Reveal the answer

33 years old: Nuremberg Chronicle, page XLI (recto) dates from 1493, and Wilhelm Pleydenwurff was born in 1460.

How many paintings did Wilhelm Pleydenwurff leave?Reveal the answer

Our catalog holds 1 works by Wilhelm Pleydenwurff.

In which museums do Wilhelm Pleydenwurff's masterpieces hang?Reveal the answer

Mostly in Bayerische Staatsbibliothek (Munich). The museum table above lists them all.

Wilhelm Pleydenwurff: life and work

The Nuremberg Legacy: A Lineage of Artistry

In the heart of Nuremberg, a city destined to become a luminous beacon of the Northern Renaissance, Wilhelm Pleydenwurff emerged from a cradle of profound artistic tradition. Born around 1460, his very existence was intertwined with the rhythmic pulse of the German workshop culture. He was not merely an individual artist but a vital component of a familial dynasty of creators, where the boundaries between family life and professional apprenticeship were beautifully blurred. His father, Hans Pleydenwurff, had already established a reputation for a burgeoning realism that would define the era, and within this atmosphere of ink, wood, and shared vision, Wilhelm found his calling.

His formative years were likely spent under the watchful eyes of masters within the family atelier, most notably alongside Michael Wolgemut. This relationship was more than professional; it was a familial bond that would later coalesce into one of the most significant artistic partnerships in history. Through this apprenticeship, Wilhelm absorbed the intricate techniques of woodcut design and printmaking, learning to translate complex theological and historical narratives into the stark, powerful lines of the relief block. His development was characterized by:
  • The mastery of line and shadow within the medium of the woodcut.
  • An immersion in the Northern Renaissance style of realism inherited from his father.
  • A deep integration into the collaborative workshop traditions of Nuremberg.

The Nuremberg Chronicle: Capturing the World in Wood

Pleydenwurff’s name is forever etched into the annals of art history through his monumental contribution to the Liber Chronicarum, also known as the Nuremberg Chronicle. This ambitious undertaking, led by Hartmann Schedel and featuring the collaborative genius of artists like Wolgemut and a young Albrecht Dürer, sought to map the entirety of human existence from the dawn of Genesis to the contemporary era.

Within this lavishly illustrated volume, Pleydenwurff’s hand is seen in the meticulous design of woodcuts that breathed life into the printed word. His work helped transform a mere historical text into a visual odyssey. The sheer scale of the project—comprising over a thousand woodcuts—demanded a level of precision and narrative clarity that few could achieve. Pleydenwurff’s ability to balance fine detail with the bold, graphic requirements of the woodcut medium allowed for a profound emotional resonance, making the distant past feel immediate and tangible to the readers of the late 15th century. He possessed a unique talent for capturing the essence of historical figures and landscapes, ensuring that each page of the chronicle served as both a record of fact and a work of high art.

A Fleeting Brilliance and Lasting Impact

Though his life was tragically brief, ending in 1494, the impact of Wilhelm Pleydenwurff’s artistry far outlived his years. He lived during a transformative moment when the technology of the printing press began to democratize knowledge and art, moving it from the cloistered halls of monasteries into the hands of a growing literate public.

His contributions helped establish Nuremberg as a central node in the European artistic network. By refining the visual language of the woodcut, he paved the way for the even more celebrated achievements of the German Renaissance. To look upon his designs is to witness the birth of a new era of communication—one where the image and the text dance together to tell the story of mankind. His legacy remains a testament to the power of collaborative craftsmanship and the enduring strength of the printed image, leaving an indelible mark on the visual history of the Western world.